Pepas by Farruko Lyrics Meaning – Deciphering the Euphoria Within the Beats

You can view the lyrics, alternate interprations and sheet music for Farruko's Pepas at Lyrics.org.

Lyrics

No me importa lo que de mí se diga
Vida usted su vida, que yo vivo la mía
Que solo e’ una, disfruta el momento
Que el tiempo se acaba y pa’trás no vira

Bebiendo, fumando y jodiendo
Sigo vacilando de party to’ lo’ día’
Y síguelo, oh-oh-oh, oh-oh-oh, oh-oh (¡Farru!)
Síguelo, oh-oh-oh, oh-oh-oh, oh-oh (de rola y pepa)

Pepa y agua pa’ la seca
To’ el mundo en pastilla en la discoteca
Pepa y agua pa’ la seca
To’ el mundo en pastilla en la discoteca

Desacatao’
Empastillao’

(Qué maldita nota)
(Arcoíris)
¡Fa-Fa-rru!

Sube la’ mano’ y las botella’ pa’rriba (¡blep!)
Siempre la movie la tenemo’ prendi’a
Hoy vamo’ a darle hasta que se haga de día
Sigo rulin, ‘toy en la mía

Salió el sol, wol
Prende la hookah y el alcohol (y el alcohol)
Y préndelo, oh-oh, woh-oh-oh
Esto se salió de control (de control)
Y síguelo, oh-oh-oh, oh-oh-oh, oh-oh (de rola y pepa)

Pepa y agua pa’ la seca
To’ el mundo en pastilla en la discoteca (desacatao’)
Pepa y agua pa’ la seca
To’ el mundo en pastilla en la discoteca (empastillao’)

¡Blep!
¡Fa-Fa-rru!

(Qué maldita nota)
(Arcoíris)

No me importa lo que de mí se diga
Vida usted su vida, que yo vivo la mía
Que solo es una, disfruta el momento
Que el tiempo se acaba y pa’trás no vira

Bebiendo, fumando y jodiendo
Sigo vacilando de party to’ lo’ día’
Y síguelo, oh-oh-oh, oh-oh-oh, oh-oh (¡Farru!)
Síguelo, oh-oh-oh, oh-oh-oh, oh-oh (de rola y pepa)

Pepa y agua pa’ la seca
To’ el mundo en pastilla en la discoteca
Pepa y agua pa’ la seca
To’ el mundo en pastilla en la discoteca

Desacatao’
Empastillao’

(Qué maldita nota)
(Arcoíris)

¡Fa-Fa-rru!
Dímelo, Chino
The Most Winning
Victor Cárdenas
White Star
Sharo Towers
La 167
La 167

In an era of music where immediacy and intense sensations often eclipse reflective depth, Farruko’s ‘Pepas’ emerges as an anthem for the hedonistic revelries. At first listen, it is a thunderous party track, meant to reverberate through the walls of nightclubs and elevate the spirits of those within. But to reduce ‘Pepas’ to just its beat and surface-level energy would be an oversight of its layered significance.

Magnum opus of Puerto Rican artist Farruko, ‘Pepas’ is an exploration of liberation, a defiant statement against the judgements that attempt to tether the human spirit. As we tread deeper into the lines delivered by Farruko, we’re invited to a vivacious exploration of what it means to truly live unapologetically.

Transcending the Mundane: A Call to the Vivacious Spirit

The repetitive call in ‘Pepas’ to ‘disfruta el momento’ (enjoy the moment) isn’t merely a catchy phrase—it speaks to a philosophy of existential hedonism. Farruko implores us to grasp the fleeting nature of life, to imbibe the now with all the fervor we can muster. The message is clear: each day is a carousel of moments that never loop back, and Farruko doesn’t want us to miss the ride.

This theme of ephemeral joy is not new in music, but ‘Pepas’ injects it with a sense of urgency that feels particularly resonant in today’s fast-paced world. Amid the heady synths and pounding bass, lies an invitation to reject the paralysis of indecision and the weight of societal expectations.

Decoding the Euphoria: The Hidden Meaning Behind ‘Pepas’

‘Pepas,’ while ostensibly a tribute to the club scene, with its vivid imagery of ‘agua pa’ la seca’ (water for the dryness) and a crowd ‘en pastilla’ (on pills), delves into the pursuit of escape. The song never outright glamorizes substance use; instead, it hints at it as a tool for transcendence, a way to amplify a night’s experience and to bond with the collective energy of the crowd.

Farruko seems to be touching on the heightened states of consciousness that many seek within the temple of dance and rhythm. It is a song less about the substances themselves and more about the communal ritual of release they can facilitate when the music swells and the lights blend into a tapestry of color.

Anthem of the Unapologetic: Celebrating Individuality and Defiance

‘No me importa lo que de mí se diga,’ Farruko declares, presenting a facade impervious to the chatter of naysayers and critics. In an age where social media often acts as a court of public opinion, this line resounds with a refreshing assertiveness. It’s a bold dismissal of judgment, a shield raised by the individual against the onslaught of societal pressure to conform.

By encouraging listeners to live as they please, Farruko positions ‘Pepas’ as an unofficial anthem for anyone who’s ever felt misunderstood or confined by the narrow views of others. The resounding refrain is not only memorable, but it is emblematic of a generation that is increasingly insistent on carving out its own path.

Embracing the Beat: A Soundtrack for the Night Owls and the Dreamers

Musically, ‘Pepas’ is an undeniable force. From its rousing beats to the potent pauses where the chorus chants emerge, there is a calculated mastery of the dynamic that keeps listeners on the hook. Farruko’s capacity to create a track that serves both as a club banger and a solitary rallying cry for the party of one is a testament to his artistry.

The musical composition of ‘Pepas’ also mirrors the arc of a night out, encapsulating the build-up, the pinnacle, and the wistful realization that the dawn will eventually break. The energy is almost tangible, a beacon calling the like-minded to the shared experience of a night unfettered by the mundane.

The Mantra that Echoes: Memorable Lines that Cut Deep

While the track brims with repeatable hooks, it’s the phrase ‘el tiempo se acaba y pa’trás no vira’ (time’s running out and doesn’t turn back) that truly etches itself into the psyche. It’s a line that can reverberate through the consciousness long after the song has ended—a haunting reminder of time’s merciless march.

Farruko, in blending the carpe diem sentiment with a Latin music sensibility, has created a lexicon that transcends language. Lines such as ‘Sigo rulin, ‘toy en la mía’ (I keep rolling, doing my own thing) are not just heard, they are felt. They become the mantras for those who seek solace in the sanctity of the present, a present that is danced, sung, and lived out loud.