Run On – A Symphony of Spiritual Undertones

You can view the lyrics, alternate interprations and sheet music for Moby's Run On at
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. Old Testament Echoes in a New Age Beat
  5. The Divine Dance: Choreographing Morality and Rhythm
  6. The Hymn Hidden Within: Unmasking Moby’s ‘Run On’
  7. Sinners in the Hands of an Angry Beat: The Most Memorable Lines
  8. When the Music Fades: The Enduring Resonance of ‘Run On’


Lord God Almighty let me tell the news
My head got wet in midnight dew
Great God I been down on my bended knees
Talking to a man from galilee
Michael spoke and he sound so sweet
I thought I heard the shuffle of angels’ feet
He put one hand upon my head
Great God Almighty let me tell you what He said

Go tell that lonesome liar
Go tell that midnight rider
Tell the gamblin’ ramblin’ backslider
Tell them God Almighty gonna cut ’em down

You might run on for a long time
Run on, ducking and dodging
Run on, children, for a long time
Let me tell you God Almighty gonna cut you down

You might throw your rock, hide your head
Work in the dark with your fellow men
Sure as God made you rich and poor
You’re gonna reap just what you sow

[Chorus: x3]
Some people go to church just to signify
Trying to make a date with a neighbor’s wife
Brother let me tell you just as sure as you’re born
You better leave that woman alone

[Chorus: x8]

Full Lyrics

In the landscape of electronic music, few tracks stand to deliver a message profound and timeless as Moby’s ‘Run On’. A testament to the artist’s enduring ability to weave the historical with the cutting-edge, ‘Run On’ isn’t just a fusion of electronica with vintage gospel—it’s a sermon embedded within beats.

But what does this track, with its looping samples and relentless rhythm, actually say? Is it an omen, a religious artifact, or simply a catchy tune? We delve deep into the sonic world of ‘Run On’ to uncover the layers of spiritual symbolism and underlying moral discourse that cause it to resonate within the souls of listeners.

Old Testament Echoes in a New Age Beat

At first listen, ‘Run On’ is a hypnotic dance track, fueling the body’s desire to move with its pounding percussive elements. Yet, Moby, a known connoisseur of the old blues and spirituals, samples a world that is steeped in religious zest. The song’s roots reach back to the American South, where gospel hymns would thunder through the walls of wooden chapels.

This isn’t just any hymn; it’s a fire-and-brimstone warning, a piece of Biblical foreshadowing reimagined in Moby’s electronic tapestry. The song’s insistence on righteousness, repentance, and the inevitable judgment echoes the harsh Old Testament prophecies, but resounds in the ears of a modern audience.

The Divine Dance: Choreographing Morality and Rhythm

Moby’s transformative approach to gospel texts in ‘Run On’ can be seen as an act of musical alchemy. He breathes urgency and relevancy into ancient conversations between man and the divine. As the lyrics suggest a direct divine confrontation—’Great God Almighty let me tell you what He said’—the beat drops, and listeners find their heads nodding to the gravity of the message.

It’s as if Moby orchestrates a rhythmic reckoning, aligning the soul’s compass to morality with beats that command true introspection. In this dance, every step is a moral choice, and the music won’t let you forget the weight of those decisions. This isn’t merely about the motion of bodies, but the movement of conscience.

The Hymn Hidden Within: Unmasking Moby’s ‘Run On’

Peering beneath the electronic veneer, ‘Run On’ derives from a traditional hymn, ‘God’s Gonna Cut You Down.’ This spiritual, which has been sung by many, including Johnny Cash, carries a timeless warning of divine justice. Moby’s treatment rejuvenates its potency for the digital age, disguising ancient wisdom under a pressing urgency signaled by the pulsing beats.

The track’s recursive quality—the looped vocals and persistent rhythm—serves as a metaphor for eternal truth. Moby’s sampled preacher isn’t just a spectral voice from the past; he’s an ever-present whisper in the cacophony of the present, reminding us that no matter how far we ‘run on,’ we cannot evade moral consequence.

Sinners in the Hands of an Angry Beat: The Most Memorable Lines

Certain lines in ‘Run On’ cling to the mind with a haunting stickiness. ‘You might run on for a long time, run on, ducking and dodging,’ the song warns, creating an image of the sinner’s futile attempts to elude judgment. Yet, the inevitability resounds, ‘Let me tell you God Almighty gonna cut you down.’ These words are at once a caution and a confession, a prophecy and a plea.

Moby doesn’t merely rely on lyrical repetition for emphasis; he entwines the words with a soundscape that amplifies their impact. Each repetition is a tightening of the moral vice, a step closer to the unavoidable conclusion. This compelling fusion of text and texture creates an echo chamber in which the most memorable lines resonate far beyond the confines of the song.

When the Music Fades: The Enduring Resonance of ‘Run On’

As the final beats of ‘Run On’ ebb away, what remains is not just an echo but an imprint. Moby doesn’t provide resolution but leaves the listener to grapple with the themes long after the song has ended. The track becomes a sonic parable for the contemporary world, where the line between the secular and the sacred is continually blurred.

In ‘Run On’, Moby has achieved more than a clever amalgamation of sound—he has constructed a bridge between epochs, cultures, and beliefs. The song is a compelling call to self-examination and spiritual mindfulness in an age often defined by its relentless pace and fleeting attentions. Its meaning is as elusive as it is clear, as it sets the stage for personal reflection with every play.

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