The Mourning After by Mac Miller Lyrics Meaning – Decoding the Emotional Labyrinth of Love and Addiction
Lyrics
Morning after, my lungs hurt
Eat your pussy just to show you how my tongue works
It’s funny how we fuck but fell in love first
Been three years, I wish I finally trust her
She make me feel like how them drugs work
Itchin’ from my fixture when she go and love hurts
I just get a temper, I just need somebody I can vent to
Someone get me stoned, be my Emma
Left your lipstick on the glass of your daiquiri
Ruby red usually end up tragically
Work of art, you can be my masterpiece
But you fast asleep
[Hook:]
Something ’bout the pain
Makes me want more
Done a lotta drugs
Never felt like this before
I hope one day it all makes sense
It’ll all make sense
You can have it all
Tell me what you need
Believin’ all them silly things you read
I hope one day it all makes sense
One day it’ll all make sense
[Verse 2: Mac Miller]
Uhh now she wake up
Cryin’ while she puttin’ on her makeup
Trapped inside her love for me
And no escape for her
You wanna leave say the word
But she can’t
Lookin’ in my eyes
“Is everything okay”, she lies
Put on her disguise, play it safe
‘Cause We’ve been fightin’ for the past three weeks
She keep this one inside, she don’t wanna seem weak
Strong, baby tell me what’s been goin’ on
I don’t wanna be so alone
So you gotta get me high again
I got all this money we could try to spend
Until we strung out like a violin
Come back to life, then we die again
Little angel, where’s your halo?
Somewhere above them horns
[Hook]
Something ’bout the pain
Makes me want more
Done a lotta drugs
Never felt like this before
I hope one day it all makes sense
It’ll all make sense
You can have it all
Tell me what you need
Believin’ all them silly things you read
I hope one day it all makes sense
One day it’ll all make sense
You get me high girl, scared of overdose
I don’t sleep much, when I do I’m comatose
May I propose a toast?
Someone usually does, to our fucked up love
You get me high girl, scared of overdose
I don’t sleep much, when I do I’m comatose
Propose a toast
Someone usually does, to our fucked up love
[Hook:]
Something ’bout the pain
Makes me want more
Done a lotta drugs
Never felt like this before
(Inhale noise)
You can have it all, tell me what you need
Believin’ all them silly things you read
[Outro:]
Don’t cry, it’ll all be over soon
Buried beneath the melodic beats and the silky smooth delivery of the late Mac Miller lies a poetic exploration of devotion and dependency that’s as haunting as it is truthful. ‘The Mourning After,’ a track off of Miller’s legacy-making discography, strikes chords with listeners who have found themselves in the grips of a love so entangled with inner demons, it’s indistinguishable from a high.
In this track, Miller doesn’t just paint a picture; he takes you on a carousel of love’s paradoxes, blending his struggle with addiction and the complexities of a romantic relationship that seems to walk hand-in-hand with substance abuse. The song’s visceral imagery and raw emotion invite fans to delve deeper into the intricacies of a psyche grappling with desires for connection and escapism.
When Love Feels Like a Drug: Exploring Intimacy’s Twists
From the opening line, ‘Morning after, my lungs hurt,’ we’re transported into the aftermath of indulgence, both physical and emotional. Miller masterfully juxtaposes the act of love with the sensation of substance abuse, suggesting that the two experiences aren’t just similar—they’re frighteningly interchangeable.
The juxtaposition isn’t just for effect; it speaks to the very nature of addiction. Whether it be to a person or a drug, the pursuit of pleasure, even in the face of pain, is a recurring theme in Miller’s life and lyrics. There’s a cry for help and understanding woven between the lines, a plea to be seen beyond the dependence.
The Struggle of Trust and the Haunting of Past Demons
In saying, ‘Been three years, I wish I finally trust her,’ Miller touches upon the fragility of trust in a relationship, clouded by the shadows of his own past encounters with betrayal or disappointment. In romanticizing the relationship while simultaneously exposing its fragility, Miller creates a narrative that is both deeply personal and universally relatable.
These lyrics suggest a yearning for stability and healing—yet there’s hesitation, as if expecting the other shoe to drop. The inner turmoil of grappling with these contrasting emotions renders the song a journal entry read aloud, unveiling the often-hidden struggles within a troubled relationship.
Unveiling The Hidden Meaning: The Siren Song of Codependency
Throughout ‘The Mourning After,’ there’s an undercurrent of codependency that tethers the couple together, each one serving as the other’s anchor and storm simultaneously. Lines like, ‘She make me feel like how them drugs work,’ and ‘Someone get me stoned, be my Emma,’ hint at a relationship that is mutually addictive and, perhaps, mutually destructive.
Miller’s request for someone to be his ‘Emma,’ a reference to a soothing presence, illustrates the dichotomy of seeking a reprieve in the same place one finds turmoil. It’s a candid acknowledgment of the complexities in relationships, particularly those marred by the scars of addiction.
Memorable Lines that Echo In the Depths of Our Consciousness
One cannot discuss ‘The Mourning After’ without mentioning its hauntingly memorable lines that resonate with listeners. ‘Cryin’ while she puttin’ on her makeup,’ evokes the image of someone applying a mask to face the world, concealing their true pain and the strains of a fraught relationship underneath a composed exterior.
Miller crafts an image of love and pain with ‘Come back to life, then we die again,’ capturing the cyclical nature of toxicity, the push and pull between wanting to escape and needing to stay. It’s a powerful metaphor that perfectly encapsulates the on-again, off-again dynamic often seen in toxic relationships.
The Legacy of Miller’s Introspection and Relatable Anguish
Mac Miller’s ‘The Mourning After’ is more than a song—it’s a testament to the inner workings of a mind burdened by heartache and vice. The raw honesty of the track serves as a mirror reflecting the complexities of human emotion, and its legacy lies in its ability to touch souls grappling with similar aches.
The outro, ‘Don’t cry, it’ll all be over soon’ offers a somber conclusion. It’s the whisper of resignation or the calm after the storm. This sends listeners off with a lingering mix of hope and sorrow—a fitting end to a piece that wrestles with such potent themes. In the end, like Miller’s work as a whole, ‘The Mourning After’ leaves a haunting resonance that continues to find new meaning as it is revisited by fans old and new.
