Thot Shit – Empowerment Anthems Redefined


You can view the lyrics, alternate interprations and sheet music for Megan Thee Stallion's Thot Shit at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. Celebrating Agency in Femininity
  5. Toxicity and Triumph
  6. A Sermon on Self-Appreciation
  7. The Draw of Material Success
  8. The Hidden Depths of Thot Sh*t

Lyrics

(OG Parker)
(And if the beat live, you know Lil Ju made it)

Hands on my knees, shakin’ ass, on my thot shit
Post me a pic, finna make me a profit
When the liquor hit, then a bitch get toxic
(Why the fuck you in the club with niggas wildin’?)
I’ve been lit since brunch, thot shit
Order 42 for the table, let’s pop shit
Missionary or doggystyle, I’ma top shit
Pussy-ass niggas hatin’ on me from the closet, ah
Hoes tryna call me a snake, shit, I guess I can relate
‘Cause a bitch spit a whole lotta venom
And since these hoes all rats, when they come around me
All I see is a whole lotta dinner
I walk around the house butt-naked
And I stop at every mirror just to stare at my own posterior
I don’t give a fuck who talk behind my back
‘Cause the bitch knew better than to let me hear her (ah)

Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, shakin’ ass, on my thot shit (thot shit)
Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, ha-hands on my knees
Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, shakin’ ass, on my thot shit (thot shit)
Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, hands on my knees

Hoes said they wish a bitch would, and I’m a genie
Bitch so hot, gotta stay in bikinis
He got a girl, but he keep beggin’ to see me
I love it when a nigga got a mouth full of VVs
No, I’m not a patient, but I let him treat me
I gotta be a doctor how I’m orderin’ CCs
Go to your place, no face, no case
Ninety-nine percent tint in a blacked-out Wraith
I remember hoes used to clap for me happily
Now I’m bossed up and them same hoes mad at me
Acting like they ridin’, whole time tryna pass me
Watchin’ me go through it, still tryna drag me
Actin’ like you winnin’, if you think about it, actually
Are they supportin’ you or really just attackin’ me?
I don’t give a fuck ’bout a blog tryna bash me
I’m the shit per the Recording Academy (ah)

Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, shakin’ ass, on my thot shit (thot shit)
Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, ha-hands on my knees
Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, shakin’ ass, on my thot shit (thot shit)
Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, hands on my knees

Drinkin’ out the motherfuckin’ bottle on my thot shit
Everything I eat go straight to my pockets
2021, finna graduate college
Goth girl shit, I’m a real hot topic
Fuckin’ on a nigga, make him sing, on some pop shit
I need a real headbanger, on some rock shit
Pussy like crack, wanna hit it like dope
Got a real hot box, but a bitch don’t smoke (ah)
Hot girl, but I’m still the coldest, hey
I’m the big homie, but I ain’t the oldest, hmm
Bitch dry hatin’, tryna get noticed
Man, ain’t nobody come to see you, Otis, look
How many bitches lyin’ if they say they bars is better?
They really puppets, so I really gotta go and Geppetto
I’m really talkin’, but it really can apply to whoever
My pen a freak, it’ll go after a bitch or a nigga (huh)
Big bank take lil’ bank, bitch, add it up
Hoes takin’ shots, but they ain’t in my caliber
Booked, but I squeeze a lil’ head in my calendar
Lookin’ in the mirror like, “Damn, I don’t brag enough”
LVs, Double C’s, Birkins, I’m workin’
My chain ain’t hittin’ if a bitch ain’t hurtin’
Look, I ain’t even finna argue with a bitch
One thing I know, two things for certain
None of these hoes sayin’ shit to my face
And none of these hoes finna see me at the bank
And I’ma keep talkin’ all the shit that I want
And I dare one of these hoes come tell me I can’t (can’t)
We ain’t even speakin’ if the nigga ain’t spendin’
He could never say that I was one of his women
I don’t even let niggas know where I stay
I’ll be damned if he thinkin’ he poppin’ up on this pimpin’ (ah)

Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, shakin’ ass, on my thot shit (thot shit)
Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, ha-hands on my knees
Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, shakin’ ass, on my thot shit (thot shit)
Hands on my knees, shakin’ ass, on my thot shit
Hands on my knees, hands on my knees

(OG Parker)
(And if the beat live, you know Lil Ju made it)

Full Lyrics

In an era where female empowerment and unapologetic boldness take center stage, Megan Thee Stallion’s ‘Thot Sh*t’ emerges as a cultural manifesto. The song combines brash lyricism with a potent beat to deliver a message about autonomy, sexual freedom, and the power dynamics in play, serving as an audacious soundtrack for those who celebrate owning their narrative.

Megan’s verses go beyond mere shock value; they’re a deliberate performance of power, a challenge to the norms of modesty and politeness often demanded of women, particularly in the realm of hip-hop. We dive into the layers of meaning beneath the track’s exuberant surface, exploring the contours of its lyrical vivacity and the cultural conversations it sparks.

Celebrating Agency in Femininity

The twofold repetition of ‘Hands on my knees, shakin’ ass, on my thot sh*t’ serves as a battle cry, forcing listeners to confront the reality of female sexuality head-on. It’s a display of ownership—a reclaiming of the narrative around women’s bodies and their right to celebrate themselves, however they choose, without facing societal censure for their openness and assertiveness.

Megan’s articulation of her autonomy is not just a personal manifesto but a wider call to action, encouraging women to exercise their agency in defining who they are. By coining her actions as ‘thot sh*t,’ she subverts a traditionally derogatory term, transforming it into a label of power and defiance.

Toxicity and Triumph

Megan’s acknowledgment of toxicity—’When the liquor hit, then a b*tch get toxic’—is a candid reflection on the often complicated relationship women have with hedonism and self-control. Despite understanding the consequences, there’s a gratifying sense of rebellion in yielding to one’s impulses, a theme prevalent not just in the party culture that hip-hop frequently glamorizes, but also in the broader human experience.

This acceptance of imperfection, and even the embracing of it, reinforces Megan’s stance on living unapologetically. Her success—indicated by ‘I’m the sh*t per the Recording Academy’—sits as the ultimate response to any detractors, suggesting that achievement can, and does, coexist with living freely and fervently.

A Sermon on Self-Appreciation

‘I walk around the house butt-naked/And I stop at every mirror just to stare at my own posterior’ is not just a brazen brag—it’s a lyrical expression celebrating self-love and acceptance. It’s an encouragement for listeners to witness and appreciate their own worth. Megan isn’t just reveling in her physical appearance; she’s urging an introspective affirmation of one’s value, challenging the culture of self-doubt and insecurity.

The Houston rapper’s insistence on recognition mirrors the experiences of many who struggle to maintain confidence in a world quick to critique. Her boldness serves as a model for self-acceptance, advocating for a potent kind of self-assuredness that can’t be silenced by external negation.

The Draw of Material Success

Verses like ‘LVs, Double C’s, Birkins, I’m workin” are more than shallow name-dropping. They signify the material rewards that accompany Megan’s labor and success. In an industry often dominated by men flaunting their riches, her inventory of luxury serves to equalize the playing field and assert her place within the hierarchy of hip-hop royalty.

Megan proudly proclaims the fruit of her labor, implicating that her financial achievements are just as deserving of respect and admiration. It’s a conscious jab at the gendered standards of success and a testament to her prowess in navigating the music business with acumen and resilience.

The Hidden Depths of Thot Sh*t

Beneath the braggadocio and the infectious beats, ‘Thot Sh*t’ is a layered narrative exploring societal pressures and the entrapment of the female identity within the constraints of traditional expectations. The ‘thot’ becomes a symbol of liberation, a persona that Megan dons to navigate these restrictions and ultimately, to subvert them.

With an unyielding voice, Megan Thee Stallion stakes her claim for freedom and respect, not just in the echelons of music success but within the psyche of all who listen. The song is an anthem for those weary of being stifled, a declaration that empowerment comes from owning one’s choices and flaws with audacity and pride.

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