trademark usa by Baby Keem Lyrics Meaning – Unveiling the Layers of Self-Reflection, Success, and Struggle

You can view the lyrics, alternate interprations and sheet music for Baby Keem's trademark usa at Lyrics.org.

Lyrics

I can’t help but feel neglected
Changin’ up the schedule, your calendar refreshin’
Time pass and we move on, nobody said shit
How I’m ‘posed to act when my morals ain’t respected?
How you ‘posed to act when your feelings ain’t protected?
From cash and checks, just to get some neck and some necklaces
What’s next? More turbulence? Prayin’ on this plane
Success, got a taste of it, never was the same

Trademark on that pussy, trademarking my brand-new bitch
Yeah, duh, hol’ up, blood, hol’ up, cuh, hol’ up, sis, huh (hol’ up)
LLC the Glock and I LLC my bitch, huh (LLC)
Pass me the rock, I go crazy on my kicks, huh
Had to tell my grandma, “Sit back, relax, and shit,” huh (make nigga)
Make nigga buy her house and car, she’s off the list, huh
Fake nigga, talkin’ ’bout he rich but barely is, huh
Eight figures, jumpin’ off the stage into the kids, huh (yeah)
Single out the shooter, take the shooter to the blitz, huh (yeah)
Drop it out of school, dropped deposit on their crib, huh (yeah)
Poppin’ out on Instagram, I only post my bitch, huh
I don’t need your input, get your two cents off my pic’, huh
Generation money, type of money dyin’ rich
And I wanna say, “Shoutout to the dead, now I flex,” woah

Shoutout to the dead, to the dead, to the dead, huh
Shoutout to the dead, to the dead, to the dead, huh (let’s go)
Shoutout to the dead, to the dead, to the dead, huh (let’s go)
Shoutout to the dead, to the dead, to the dead, huh (one)

I’m sick of you niggas not takin’ no risks
I’m takin’ avenge and takin’ my course (kill ’em)
I cannot compete with the mud in my system
My tolerance low, I don’t tolerate force
I protect, I am the one
I rose and fold the score
I gotta let my ego go
You niggas not ready to settle the war (yeah)
You niggas not ready to stop bein’ hoes
You niggas not ready to open the doors
You niggas run in, take off with the drawer
You niggas not really the richest on Forbes
You niggas not ready to deal with the sacrifices
And instead, you’re passin’ the torch
Check the surveillance camera at the cemetery
See me dancin’ on all of your corpses, go

You couldn’t have love
You couldn’t have say anymore
You don’t have say anymore

Ayy, big .38, got pulled over twice
Had to go and switch plates
Bitch, don’t think shit sweet
I’m the same Baby Keem in forty-eight states
I play charades with the bank
Just net ten million, now I’m back with the Wraith
And I’m goin’ home with the loot
Mama goin’ home with a coupe

I’m a hot girl
A hot girl
I’m a hot girl (make me lose my mind)
A hot girl

I took the light then hopped on the flight
I cannot look towards your jaded advice
I took the torch, I quit bein’ nice
I took the torch, now I gotta fight
You niggas impulsive, quick to make moves
You’re bitin’ your flows, a big appetite
I look at the hoes, they not into shows
I look at your shows, they opera white
You gotta be nimble and quick like a fox
I don’t move in silence, this shit is abrupt
I’m VVS’d up, precise in the cut
This shit gettin’ nice, it’s not about me
As long as you good, don’t worry ’bout me
I’m tellin’ my friends that you not a freak
My new Nia Long is cabinet strong
And she not afraid to get on one knee
I’m back at the crib, my memory deep
I think about mama, I’m Baby Hykeem
She got that tatted before I could read
I’m spiritual now, I pray in my sleep
Twenty years long, I never had dad
My dad was a fraud, I had to be tough
Twenty million, ho, that’s not enough
Don’t ask no questions, bitch, go add it up
I took the light to sacrifice
I sacrificed everything I need
I could probably fuck these bitches in my sleep
Young nigga know the hustle and the peace
Stressin’ ’bout money turn to other thinhs
I was in uncle crib at fourteen
Can’t get through to mama ’cause she’d rather drink
Facin’ the vision ’bout a thirteen

I was fifteen, I was sixteen
I was fifteen, I was sixteen
I was fifteen, I was sixteen
I was fifteen, I was sixteen

I’m a hot girl
A hot girl
I’m a hot girl (make me lose my mind)
A hot girl

In the vibrant landscape of modern hip-hop, songs often serve as personal diaries, chronicling the most intimate battles and monumental victories of an artist. Baby Keem’s ‘trademark usa’ is a rich tapestry woven from threads of vulnerability, braggadocio, and raw reflection. On the surface, it may resonate as a triumphal anthem, yet it navigates the nuanced intersections of fame, personal growth, and the gravitational pull of one’s origins.

Emerging from his cousin Kendrick Lamar’s shadow, Keem is carving his own path with deft lyrical skills and a unique sonic identity. ‘trademark usa’ isn’t just a display of Keem’s ascendancy; it is a complex narrative that demarcates his evolution, not only as an artist but as an individual with a past that clings as tightly as the shadows he’s stepping out from.

From Shadowed Past to Illuminated Present: The Transformation

Right from the opening lines, Keem confronts the issue of neglect and the inevitability of change. He wrestles with the dynamics of relationships and professional obligations, questioning the ‘morality’ of the unfamiliar territories he treads. These bars reveal a man at the crossroads, facing the seductions of success and the sacrifices it demands.

The motifs of change and growth reflect an artist acutely aware of the fleeting nature of life’s phases. Keem’s verses underscore a personal evolutionary arc, defined by an emotional bloodletting that is both cathartic and contemplative. This narrative gives voice to the dissonance experienced when grappling with the cost of his climb to stardom.

Flaunting Wealth and Weaponizing Success – A Double-Edged Sword

‘Trademark on that pussy, trademarking my brand-new bitch’ – this line doesn’t merely flaunt luxury and control but speaks to a broader theme of ownership. In a world driven by materialism and branding, Keem is staking claim, not just to physical entities but to his narrative, his presence as a force in the industry.

Yet, these declarations come with an implicit irony. By aligning his own worth with monetary gain and social clout, Keem is sounding an alarm about the hollowness of these victories. It’s a conscious juxtaposition of his values against the relentless commercialism that often engulfs artists, an indication of his resolve to remain authentic in an inauthentic space.

A Eulogy for the Fallen: Unearthing the Hidden Meaning

‘Shoutout to the dead, to the dead, to the dead, huh’ – these lines, repeated like a mantra, function not only as a homage but also an unsettling reminder of mortality. Keem might be highlighting the predecessors who paved the way or peers whose lives were cut short, entwined with the somber recognition that fleeting fame can end as abruptly as it starts.

Within this remembrance, there is also a sense of triumph over the adversity that he has faced. Dancing on the graves is a morbid picture, one that could imply the victory of life and creativity over the forces that stifle and end potential. It’s a celebration tinged with the grim acknowledgment of the cycle of life and death that overshadows artistic pursuit.

An Introspective Psyche: Battle with Inner Demons and Outer Critics

Keem delves deep into the inner workings of his mind, confronting critics and external noise with defiance. ‘I don’t need your input, get your two cents off my pic’, this line isn’t just about guarding his social media; it’s a broader pushback against the pervasive commentary that surrounds public figures.

Internally, the battle is just as fierce, as he reflects on family strife and his own journey of maturation. From ‘facing the vision ’bout a thirteen’ to ‘twenty million, ho, that’s not enough’, Keem juxtaposes past struggles with present achievements, suggesting that the pursuit of success is never purely about the finances but about overcoming the deep-seated issues that money alone cannot resolve.

Memorable Lines and Lasting Impact – The Closing Argument

The song’s outro is a looped confession – ‘I was fifteen, I was sixteen’ – a potent reminder of the artist’s youth and the rapid acceleration of his life’s trajectory. This repetition serves as a grounding anchor, a call back to his earlier years and the incredible journey that has unfolded since.

As the last notes fade, the listener is left with a haunting sense that, for Baby Keem, ‘trademark usa’ is both a declaration of arrival and a recognition of the pitfalls that fame can entail. It hammers home the fact that beneath the glittering veneer of success, there’s an enduring battle for authenticity and personal peace.