First Order of Business by Baby Keem Lyrics Meaning – Unraveling the Personal Mantra of a Rising Star


You can view the lyrics, alternate interprations and sheet music for Baby Keem's first order of business at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Woah, yeah
First order of business, dawg
I gotta thank my mama
Second order of business
Share the blessings, no more trauma
Third order of business
Do good deeds and get good karma
First order of business
Give this money to my shorty
Loyalty and gratitude
The only thing you swear me
Will you be the person that’s gon’ love me in my forties?

First order of business, dawg, I gotta shake the toxic
All this back and forth is weighing heavy on my conscience
When I met your sister, she said, “This nigga’s obnoxious”
Fuck the ones comin’ for me
Can’t focus on the petty, they’ll come back and destroy me
Why she speakin’ anyway? She fuckin’ her employees
I ain’t even asked but the room was way too noisy

Yeah
First order of business, dawg
I gotta thank my mama
Second order of business
Share the blessings, no more trauma
Third order of business
Do good deeds and get good karma
First order of business
Give this money to my shorty
Loyalty and gratitude
The only thing you swear me
Will you be the person that’s gon’ love me in my forties?

Wake up in the morning
Brush my teeth before I see my queen (tick, tick, tick-a-boom)
Wow, who are you? (Ka-boom)
Bitch, I’m two-phone Baby Keem
I think you’re selfish, I like soul food
Pussy taste like soul food, that’s why you’ve been my go-to
And that’s my whole thing (that’s my ting)
I do ho things (that’s my ting)
She go both ways (that’s my ting), you had a ho-phase
Pussy good, so I come through on my worst days
Like I should, tell me if I’m understood

Yeah
First order of business, dawg
I gotta thank my mama
Second order of business
Share the blessings, no more trauma
Third order of business
Do good deeds and get good karma
First order of business
Give this money to my shorty
Loyalty and gratitude
The only thing you swear me
Will you be the person that’s gon’ love me in my forties?

Full Lyrics

In the labyrinthine world of hip-hop, authenticity often stands as the cornerstone of an artist’s legacy, and Baby Keem’s track ‘First Order of Business’ is a mosaic of personal mantras and raw introspection. With every thumping bass and introspective lyric, Keem unspools a manifesto of his own design, offering listeners a glimpse into the tenets that govern his professional and romantic triumphs.

But there’s more than just surface-level braggadocio or the hum of wealth accumulation in Keem’s verse. Therein lies a depth often undiscovered upon first listen, a nuanced take on priorities, a beacon that guides through the smoke and mirrors of fame. Let’s dive into the layers of meaning embedded within the verses of ‘First Order of Business’ and explore the vibrations that echo through Keem’s musical psyche.

The Anti-Materialist Anthem Hiding in Plain Sight

It’s easy to get lost in the beat, but ‘First Order of Business’ delivers an anti-materialistic message that reverberates with a clarity uncommon in contemporary hip-hop. Keem’s sequence of priorities—gratitude to family, sharing wealth, positive actions—paints a portrait of a man more focused on the non-fiscal currency of life.

By placing the act of thanking his mother before all else, Keem highlights a grounding familial bond amidst the maelstrom of success. It’s a dedication to the roots that speaks volumes, suggesting that for him, navigating fame means never losing sight of where you come from.

Decoding the Dynamics of Love and Loyalty

Layered beneath the bravado and melody is a sincere inquiry into the constancy of love. Keem’s questioning—will you love me in my forties?—strips away the glamour to present a vulnerability. The track becomes an unanswered question hanging in the air, much like the uncertain nature of love itself.

This fixation on future love showcases a perspective that goes beyond the often transient, pleasure-seeking themes of mainstream rap. Keem isn’t just looking for something genuine—he’s seeking an enduring connection that will outlive the temporary embers of youth.

A Rallying Cry Against Toxicity and Pettiness

Amidst the rhythm and rhymes, Keem’s dismissal of toxicity speaks to the strength it takes to maintain one’s course in a world rife with discord. It’s both a personal cleansing and a broader social statement, echoing the contemporaneous sentiment of breaking free from the negative.

When Keem dismisses the pettiness that attempts to harness his attention, he is, in effect, taking a stand for the kind of life he wants to lead—one unburdened by the drama that can often pervade the music industry and the fame that surrounds it.

The Song’s Hidden Meaning: A Manifesto of Self-Betterment

Lurking beneath the surface, ‘First Order of Business’ serves as a clarion call to self-improvement. It’s not just a thematic blueprint for how Keem conducts his life; it’s an revelatory vision about shaping one’s own destiny through conscious action and mindful philanthropy.

For Keem, the business of life isn’t limited to earning but extends to the pivotal elements of sharing blessings and engaging in good deeds. Seemingly a personal mantra, it doubles as advice for the listener—a roadmap for a fulfilling life beyond the glitter of the spotlight.

Memorable Lines That Linger

Lyrics like ‘Pussy good, so I come through on my worst days’ juxtapose with the otherwise uplifting narrative, underlining the duality of Keem’s artistry; human desires living alongside higher aspirations. The proverbial ‘coming through’ reflects resilience—a commitment to show up, even on ‘worst days,’ suggesting reliability and depth in relationships against the vagaries of life.

Meanwhile, ‘Loyalty and gratitude, the only thing you swear me,’ insists on an emotional homage to the principles of fidelity and appreciation. This line crystallizes Keem’s world view—one anchored in being true to oneself and to others, thereby crafting an emotional hook that resonates through the temporal bounds of the track.

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