beibs in the trap by Travis Scott Lyrics Meaning – Unveiling the Veiled References of Our Time
Lyrics
I just poured a 8 in a liter
Throw some Jolly Ranchers in make it sweeter
Versace my clothes I’m with a white hoe
And she snortin’ three lines like Adidas
Got a black girl rolling off molly
Got a white bitch snorting up snow
Say she want real niggas in the party
Parents gon’ leave the keys to the condo
Bitch close the door, there’s shit on your nose (that coca)
She said she want more
She said she want more
So I’ma get more
Yeah I’ma get more
Bitch close the door, there’s shit on your nose
She said she want more
She said she want more
So I’ma get more
Yeah I’ma get more
I just poured a 8th in a liter
With a white bitch sniffin’ on Bieber
Are you sure you want to party with the demons?
Bitch, looking for her phone I ain’t seen it
Told Frost bring the water, no Fiji
Free Stix I’m poured up and I’m leanin’
I got a couple pussy niggas in their feelings
‘Cause their main bitch wanna come see me
She said she want more
Your girl is a hoe, you need to let go
She fucked on my bros, shes snorting the snow
Now she touchin’ her toes
She got Anna Nicole all in her nose
If they kick down the door we gon’ get locked for sure
She said she want more
(Fuck it) I’ma get more
Nightmare, high-life, sleepy, night-night (yeah!)
Flashes spotlight, pull up, nice guy
Help it, peace, peace, peace to– (yeah!)
Bite me, ride me, strike me
Indict me, snipe it, swipe it, rapper, trapper
I’m lit, lightning, white bitch, she thick
Pulled out of the hood Toyota
Drove back to the hood Lambo
Crushed xans, crushed xans in my soda
Riding around the city with my eyes closed
Crazy girls got it poppin’, AOD got it poppin’
Tryna’ text my accountant
Ain’t no service in the mountains (Straight up!)
Won’t you come to the bottom?
Know you heard a lot about ’em
Heard they take that then they change like a mood ring
I watched them take that then they change like a mood ring
Pulled out of the hood Toyota
Drove back to the hood Lambo
Crushed xans, crushed xans in my soda
Riding around the city with my eyes closed
I just poured a 8 in a liter
Throw some Jolly Ranchers in make it sweeter
Versace my clothes I’m with a white hoe
And she snortin’ three lines like Adidas
Got a black girl rolling off molly
Got a white bitch snorting up snow
Say she want real niggas in the party
Parents gon’ leave the keys to the condo
Bitch close the door, there’s shit on your nose (that coca)
She said she want more
She said she want more
So I’ma get more
Yeah I’ma get more
Bitch close the door, there’s shit on your nose
She said she want more
She said she want more
So I’ma get more
Yeah I’ma get more
In the pantheon of contemporary hip-hop, few artists weave the hedonistic and the cryptic quite as deftly as Travis Scott. His 2016 banger ‘beibs in the trap’ stands as a monolith of subtext, clever references, and a raw depiction of a lifestyle both idolized and criticized. On the surface, the song may appear to dive headfirst into the glorification of drug culture, but a closer examination reveals a layered tapestry of meaning and critique.
Scott’s enigmatic title itself—a playful nod to pop idol Justin Bieber and street vernacular for cocaine—sets the tone for this exploration into excess, fame, and the dichotomy between the public persona and the private struggles of stardom. Let’s dissect the track and delve into the nuances that make ‘beibs in the trap’ a canvas of modern rap culture.
A Portrait of Excess and the High Life
The song opens with a concoction of cough syrup and candy, painting a vivid picture of indulgence that gets bolder with each line. Versace, the white lines likened to Adidas, and interplays of racial and social undertones set a scene that’s both luxurious and self-destructive. Travis isn’t just rapping about the party lifestyle; he’s immersing the listener in the epicenter of a high where fashion, drugs, and racial dynamics collide.
This excess isn’t just material—it’s a commentary on a society that demands the utmost from its stars while turning a blind eye to the consequences. Scott juxtaposes the ‘white hoe’ with ‘a black girl rolling off molly,’ suggesting a world where substances blur the racial boundaries and the only color that remains significant is the white of cocaine—a biting commentary on the escapism sought by all echelons of society.
Demons at the Party: A Cloaked Cautionary Tale
‘Are you sure you want to party with the demons?’ Scott asks, compelling the listener to question the allure of this seemingly enviable lifestyle. This line is a pivot, where the rapper acknowledges the darker forces at play, evoking imagery of a Faustian bargain—pleasure at the price of one’s soul. The song’s hook, repetitive in its plea for ‘more,’ mirrors an addict’s insatiable desires, hinting at the emptiness that lies beneath the glitz.
Here, Travis Scott is the modern-day Charon, ferrying us through the inferno of fame’s underbelly. The catchy, hypnotic beats enforce the cyclic nature of indulgence, trapping us in a rhythm that mirrors the never-ending chase for the next high, the next hit, the next ephemeral moment of ecstasy.
Contrasts and Paradoxes: From Hood Toyota to Hood Lambo
The rags-to-riches story is a staple in hip-hop, but ‘beibs in the trap’ offers a nuanced take on this journey. Travis highlights the transformative power of wealth—’Pulled out of the hood Toyota/Drove back to the hood Lambo’—alluding to a profound but perhaps hollow evolution. The vehicles are metaphors for personal growth, yet the return to the ‘hood’ underscores a tethering to roots that fame and fortune often cannot sever.
This return to the ‘hood,’ while boasting of success, is also a tacit acknowledgment of the unchanged realities back home. Moreover, it is a critique on the performative aspects of wealth within the entertainment industry, where symbols of status are simultaneously trophies and chains.
Navigating the City with Eyes Closed: A Sign of Willful Ignorance?
The striking image of ‘Riding around the city with my eyes closed’ is Scott’s metaphor for living a life perilously on the edge, where denial and ignorance are self-imposed. It’s a powerful commentary on the idea of selective blindness—choosing not to see the potential dangers or consequences of one’s actions, both a coping mechanism and a potential downfall for anyone caught up in this fast-paced, high-stakes lifestyle.
These lyrics call into question the accountability of choices made under the influence—of fame, of wealth, of substances. They serve as a chilling reminder of the isolation that often accompanies a life lived in the spotlight, where the genuine threats are obscured by the blinding glares of cameras and expectations.
Memorable Lines: A Cascade of Double Entendres
Travis Scott is a master of the memorable line, and ‘beibs in the trap’ is no exception. ‘She snortin’ three lines like Adidas’ isn’t just a smart play on a brand logo; it’s a delicate balance of humor and harrowing reality, merging the worlds of consumer culture and narcotic abuse. It encapsulates the essence of what makes this track so haunting—the ability to remain lighthearted while probing into darker subject matter.
Another line that pivots from the abstract to the bluntly real is ‘If they kick down the door we gon’ get locked for sure.’ It shifts the tone from party-centric bravado to a very real potential consequence, weaving the thread of vulnerability through the protective fabric of fame and perceived invincibility. It’s this interplay between the literal and the symbolic that gives ‘beibs in the trap’ its depth and staying power.
