Ceremony by Skrillex Lyrics Meaning – Unveiling the Conscious Spirit of Transient Joy
Lyrics
Mm-hmm, mm-hmm
What I got now won’t be here again
Let the sunshine shine right in
Everywhere we go, they let us in
Smoke in your hair and it smells like mint
Timberlands stomp, go stomp it in
Timberlands stomp, go stomp it in
Stomp it in, stomp it in (ayy, sto-sto-sto-sto)
Change it up, I’ma take it too far
Some go home and some go hard
Velvet sky, I’m a velvet star
Pull up in a black painted car, ayy
Velvet sky, I’m a velvet star
Pull up in a black painted car
X out the line, paradise
It calls on me, the fall, the uprising
Yeah, I, rose gold rain
Nothing’s left in the way, it’s been real
It’s been too real
X out the line, paradise
It calls on me, take the leap, it gets deep
Twenty-two stars on me, blue horizon
Playing mind games, it’s been real
It’s been too real
D-d-d-d-dise it, d-d-d-d-dise it
D-d-d-d-dise it (it’s been real), dise it (it’s been too real)
D-d-d-d-dise it, d-d-d-d-dise it
D-d-d-d-dise it (it’s been real), dise it (it’s been too real)
What I got now won’t be here again
Let the sunshine shine right in
Everywhere we go they let us in
Smoke in your hair and it smells like mint
Timberlands stomp, go stomp it in
Timberlands stomp, go stomp it in
Stomp it in, stomp it in (ayy, sto-sto-sto-sto)
Change it up, I’ma take it too far
Some go home and some go hard
Velvet sky, I’m a velvet star
Pull up in a black painted car, ayy (yes, sir)
Velvet sky, I’m a velvet star
Pull up in a black painted car
Baby, you’re my favorite game
Violence, fire, love and flames
None of us will ever be the same
Look in the mirror, I won’t take the blame
I just wanna sit in that sacred place
Watch the goldfish and silver rain
Watching stars and get drunk all day
Get drunk all day, get drunk all day, ayy
X out the line, paradise
It calls on me, the fall, the uprising
Yeah, I, rose gold rain
Nothing’s left in the way, it’s been real
It’s been too real
X out the line, paradise
It calls on me, the fall, the uprising
Yeah, I, rose gold rain
Nothing’s left in the way, it’s been real
It’s been too real
D-d-d-d-dise it, d-d-d-d-dise it
D-d-d-d-dise it (it’s been real), dise it (it’s been too real)
D-d-d-d-dise it, d-d-d-d-dise it
D-d-d-d-dise it (it’s been real), dise it (it’s been too real)
(Twenty-two stars on me)
(Baby, you’re my favorite game)
(Violence, fire, love and flames)
(Too real)
But when you guys are together you don’t ever say the mood or anything, but there is one, you know?
Manifesting a sonic journey that intertwines the ephemeral with the eternal, Skrillex’s ‘Ceremony’ captures the essence of fleeting moments steeped in significance. More than just an auditory experience, this track is a prismatic lens through which we are invited to explore the layers of our own impermanence and the beauty held therein.
‘Ceremony’ beckons listeners with a mix of ethereal beats and introspective lyrics, suggesting a celebration of the now that is as intoxicating as it is intense. It poses as an anthem for those who refuse to be bound by the mundanity of daily existence, for those who stamp their presence onto the world with a relentless ferocity.
Ephemeral Edens: The Fleeting Nature of Experience
Skrillex’s invocation of ‘What I got now won’t be here again’ sets the stage for a temporal exploration. It’s an ode to transience, wrapping listeners in a warm embrace of the present. The acknowledgment that what we possess in the here and now is as temporary as a ‘sunshine shine right in’ invites us to relish these fleeting instances.
The lyrics resonate with an understanding that each moment is a unique gift, that the doors of opportunity and acceptance (‘Everywhere we go, they let us in’) are not always ajar. The scent of mint, the stomp of Timberlands – these are the signifiers of existences lived with vigor, where every sense is engaged, every experience savored.
A Velvet Enigma: Navigating the Celestial and the Material
‘Velvet sky, I’m a velvet star’ – here, Skrillex entwines the tactile with the boundless. The soft, plush imagery of velvet juxtaposed against the boundless sky suggests a luxurious enigma, a dance between the palpable and the endless.
The ‘black painted car’ stands as a private vessel through this velvet expanse, a means to navigate the internal cosmos while anchored in the physical world. And it is within that car we drive through our own rituals of assertion and change (‘Some go home and some go hard’), striking balance between surrender and sovereignty.
X Marks the Spot: The Paradigmatic Shift in ‘Ceremony’
‘X out the line, paradise,’ rings as a defiant call to action — to pursue paradise beyond conventional confines. The ‘fall, the uprising’ captures a duality, a tale of collapse and ascent that is weaved into the human condition.
Through this, Skrillex delivers an anthem for every phoenix rising from its ashes, every spirit facing the brink yet choosing to soar. ‘Rose gold rain’ serves as the baptismal substrate for this rebirth, a radiant shower that cleanses past tribulations and leaves nothing but the path forward.
Dizzying Dynamics: The Hidden Meaning in Repetition
The stuttering ‘D-d-d-d-dise it’ delivers a curious twist — a cryptic command replicated with urgency. This mantra-like repetition mimics the cyclic nature of life and the dizzying effect of its constant motion. It underscores the idea that ‘it’s been too real,’ amplifying the rawness of existence.
The cryptic repetition may seem jarring, but it forms an indelible hook that plants the song’s central themes firmly within the consciousness of the listener. It nods to the repetitive cycles we endure, the habitual patterns of life, love, and the universal chase for fulfillment.
Poignant Proclamations:
‘Baby, you’re my favorite game, Violence, fire, love and flames’ — these memorable lines operate on an intimate level, suggesting that each personal connection imprints a spectrum of passion and chaos onto our souls.
In these contrasts, Skrillex finds poetic balance; the destructive and the affectionate, the fervent and calm coexist in a beautiful, if tumultuous, harmony. Each of us bears these marks of interaction as proof of a life authentically engaged, a ceremony of human connection authenticating our sense of self and being.
