Ratata by Skrillex Lyrics Meaning – Unpacking the Energetic Vibrations of a Dance Floor Titan
Lyrics
Uh
(This the kind of, this the kind of)
(This the kind of, this the kind of)
This the kind of beat that go ra-ta-ta
Ra-ta-ta-ta-ta-ta-ta-ta-ta-ta
This the kind of beat that go ra-ta-ta
Ra-ta-ta-ta-ta-ta-ta-ta
DJ Skrillex, we be the realest team, I’m the realest
Watch how I kill it, watch how I spit it
On the mic, feel it
Y’all can’t do what I do, just admit it (mm)
I’m ’bout to get it, money, money get it
Drive it to the floor, shake my big bitties
Bop it like Diddy, my face look pretty
Y’all ain’t doin’ shit, no, I done did it
Yes, I’m marvelous, fantabulous
A bad chick, the flow’s sick, like oh shit
You know this, I’m too fit to ever quit
Knockin’ these fools out like pool sticks
I do this, I move this, I proved this
Bars be hard like a pound of bricks, and go
Up jumps to the bang-bang-ha
This the kind of beat that go ra-ta-ta
This the kind of beat that go ra-ta-ta
Ra-ta-ta-ta-ta-ta-ta-ta-ta-ta
This the kind of beat that go ra-ta-ta
Ra-ta-ta-ta-ta-ta-ta-ta-ta-ta
This the kind of beat that go ra-ta-ta
Ra-ta-ta-ta-ta-ta-ta-ta-ta-ta (come on)
This the kind of beat that go ra-ta-ta
Ra-ta-ta-ta-ta-ta-ta-ta-ta-ta
This the kind of beat that go ra-ta-ta
Why them rude gyal wanna act ra-ra
Me no never care, so me shake me pom-pom
Me a leader, so me don’t follow ‘er
Missy Elliott, that’s who I-I
Back it up, back it up, ¿Qué será mirá?
Supa Dupa Fly, he-he-he-he-ha
Party people, won’t you put your hands up high?
Put your hands up high (this shit crazy)
Put your hands up high (woo)
Put your hands up high (oh)
Party people, put your hands up high (come on)
High, high, high, high (woo)
High, high, hands up high (oh)
(This the kind of, this the kind of)
(This the kind of, this the kind of, oh)
This the kind of beat that go ra-ta-ta
This the kind of beat that go ra-ta-ta
Ra-ta-ta-ta-ta-ta-ta-ta-ta-ta
This the kind of beat that go ra-ta-ta
Ra-ta-ta-ta-ta-ta-ta-ta-ta (mm)
This the kind of beat that go ra-ta-ta
Ra-ta-ta-ta-ta-ta-ta-ta-ta-ta (come on)
This the kind of beat that go ra-ta-ta
Ra-ta-ta-ta-ta-ta-ta-ta-ta-ta
Skrillex
Mmm
It’s Missy E and DJ Skrillex, yeah
This shit so hot, you f- with it, yeah
In the pantheon of electronic dance music, there are tracks that not only define an era but also capture an attitude, a movement, and a sonic evolution. ‘Ratata’ by Skrillex, a pulsating anthem permeating with vibrant bass and percussive ammunition, is precisely this kind of track.
Delving into the track’s lyrical prowess, we find more than just a backdrop for nocturnal revelers to lose themselves. We uncover a manifesto of rhythmic bravado, a celebration of linguistic playfulness, and a declaration of individual empowerment all rolled into a sequence of beats that, indeed, go ‘ra-ta-ta’.
The Unstoppable Force of the Ra-ta-ta
At first glance, the refrain ‘This the kind of beat that go ra-ta-ta’ might appear as just a catchy hook meant to lodge itself into your eardrums. However, upon closer inspection, it reveals itself as a metaphor for unstoppable force, an auditory representation of relentless progress and the inescapable rhythm of life itself.
Moreover, this repetitive onomatopoeia becomes an anthem of assertiveness, a sound that signifies a challenge to the status quo. It’s not just a sound; it’s a battle cry, a stance, and a statement all at once, embodying the spirit of anyone who has ever dared to stand out.
Skrillex and Missy Elliott: A Realest Team
When the lyrics take a turn toward self-affirmation with ‘DJ Skrillex, we be the realest team, I’m the realest’, it goes beyond braggadocio. This proclamation of authenticity, paired with the partnership of Skrillex and Missy Elliott, is a nod to the synergistic magic that happens when two powerhouses collide to create something extraordinary.
This collaboration is not just about individual accomplishments; it is a testament to the communal aspect of music—the way it binds artists and audiences in a shared experience of sound and rhythm. It’s a reminder that at the core of every seismic track is the unity of creative minds.
Decoding the Hidden Depths of ‘Ratata’
Among the bravado and the bouncing beats, ‘Ratata’ hosts a hidden depth. Each line articulated by Missy Elliott serves as an intricate puzzle piece in a larger mosaic of empowerment and self-celebration. Phrases like ‘I’m ’bout to get it, money, money get it’ and ‘I’m marvelous, fantabulous’ are not only infectious earworms but also affirmations of one’s capability to achieve greatness.
These words combine the relentless energy of pursuit with the acknowledgment of one’s own worth. They are mirror reflections of a culture that is constantly redefining success and the pathways that lead there, set against a backdrop of pulsating beats that demand to be felt.
The Cultural Touchstones within the Lyrics
Drawing lines that connect ‘Ratata’ to the larger tapestry of music history, one can’t help but notice the homage paid to influential figures. The lyric ‘Missy Elliott, that’s who I-I’ is not just a self-reference from Missy Elliott herself, but also a nod to her groundbreaking legacy in hip-hop and music as a whole.
Additionally, the incorporation of phrases like ‘Back it up, back it up, ¿Qué será mirá?’ and ‘Supa Dupa Fly’ allude to the richness of cultural exchange and the intertextuality present in contemporary music. Skrillex and Missy Elliott aren’t just making music; they’re weaving a dense fabric of cultural references that resonate with listeners from all walks of life.
Memorable Lines that Resonate with Audiences
‘Ratata’s’ memorable lines serve as an anchor, grounding the high-energy beats in linguistic creativity that resonates with audiences. Each iteration of ‘This the kind of beat that go ra-ta-ta’ acts as a centripetal force, drawing listeners into the eye of a musical hurricane that’s both chaos and control.
Lines such as ‘Bars be hard like a pound of bricks’ and ‘Party people, won’t you put your hands up high’ are invitations, challenges, and celebrations. They call upon the listeners to become not just passive consumers but active participants in the auditory experience that ‘Ratata’ is.
