Garden by Dua Lipa Lyrics Meaning – Unearthing Symbolism in the Sound of Loss


You can view the lyrics, alternate interprations and sheet music for Dua Lipa's Garden at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Remember when we swam in the ocean?
Now we know what’s deep inside
Remember when we ran in the open?
Now we know what’s in the wild
Used to think that this love was heaven sent
How did we get lost, can’t get back again
Tell me, is the light on the outside?

So are we leaving this garden of Eden?
Are we leaving this garden of Eden?

Used to walk around your apartment
With nothing, but a smile on me
But tonight I’m so self conscious
Isn’t it so clear to see
Nothing’s ever perfect in paradise
Don’t know what it’s worth ’til you pay the price
When you bite your tongue does it draw blood?

So are we leaving this garden of Eden?
Are we leaving this garden of Eden?
Now I know what I know
But it’s hard to find the meaning
Where do we go?
‘Cause we don’t believe in this garden of Eden
(Eden, Eden, Eden)
This garden of Eden
(Eden, Eden, Eden)

I have cried for you, and I’ll ride for you
I would die for you, would you do that for me?
Tell the truth, what you wanna do
Is it me and you? Are you with me, honey?
I have cried for you, and I’ll ride for you
I would die for you, would you do that for me?
Tell the truth, what you wanna do
Is it me and you? Are you with me?

So are we leaving this garden of Eden?
Are we leaving this garden of Eden?
Now I know what I know
But it’s hard to find the meaning
Where do we go?
‘Cause we don’t believe in this garden of Eden
(Eden, Eden, Eden)
This garden of Eden
(Eden, Eden, Eden)

Remember when we swam in the ocean?
Now we know what’s deep inside
Remember when we ran in the open?

So are we leaving?
(Are we leaving this garden of Eden?)
Are we leaving?
(Are we leaving this garden of Eden?)
Now I know what I know
But it’s hard to find the meaning
Where do we go?
‘Cause we don’t believe in this garden of Eden
(Eden, Eden, Eden)
This garden of Eden
(Eden, Eden, Eden)

Full Lyrics

In the rich tapestry of Dua Lipa’s discography, ‘Garden’ blooms as a brooding ballad of introspection and existential wonder. On the surface, the track from her self-titled debut album might appear as a poignant portrayal of love’s complexities, but as the layers unfold, ‘Garden’ reveals itself as a verdant soundscape brimming with deeper significance.

As though wandering through the hauntingly beautiful ruins of Eden, Lipa dissects themes of innocence lost, the search for meaning, and the courage to face the unknown. The song invites listeners to navigate its intricate emotional labyrinth, providing as many questions as it does answers. Its enigmatic intricacies resonate with the human condition, imploring us to ponder the age-old dichotomy; paradise and reality.

A Lush Narrative of Love’s Changing Seasons

Navigating through ‘Garden,’ one cannot help but be swept into the cyclical nature of relationships. From swimming in the ocean to wandering the open fields, Lipa uses vibrant natural imagery to depict love’s earlier days, when everything seemed imbued with the divine. But like the changing seasons, perceptions shift—what once felt like heaven now betrays an uneasy silence spoken only through the metaphor of a garden that perhaps was never really Eden.

The song doesn’t just mourn the loss but acknowledges growth through pain. Taking us through this flowering narrative, Lipa touches upon the bittersweet realization that comes with seeing love for what it truly is—imperfect, flawed, and at times, painful.

Unraveling the Hidden Meanings of Utopia

Dua Lipa’s invocation of the ‘Garden of Eden’ is as symbolic as it is poignant—a metaphor for the innocence and naiveté that once shrouded her perception of love. The repeated chorus, ‘Are we leaving this garden of Eden?’ not only highlights a turning point but asks a rhetorical question that echoes through the corridors of the listener’s own experiences with disillusionment.

By challenging the very belief in Eden itself, Lipa captures a journey from the infatuation that blinds to the sobering light of reality. It is a question of existential anguish, weighing the comfort of illusion against the harsh truths of the world beyond paradise.

Echoes of the Past: The Painful Nostalgia

Lipa’s wistful reflections—’Remember when we swam in the ocean?’—are laden with the gravity of recollection. With the past positioned as a distant shore, the present is engulfed in the awareness of the ocean’s depths, representing both wisdom and the emotional tumult that comes with it.

This motif of nostalgia versus current disillusion is a bridge to the realization that hindsight affords a more textured understanding of past experiences, while acknowledging that one cannot return to the simpler times of the past.

The Art of Questioning: Profound Inquiries in Melody

Within the lush folds of the song lies Lipa’s penchant for asking reflective questions, inviting listeners to pause and connect with their own lives. Lines like ‘Nothing’s ever perfect in paradise’ and ‘But it’s hard to find the meaning’ are where the core of ‘Garden”s philosophy is planted, exploring the paradox of seeking perfection within the inherently flawed nature of human existence.

These inquiries act as the backbone of the song, propelling it forward with a momentum that urges the audience to engage with their own thoughts on life’s imperfections and the quest for purpose in the midst of unknowing.

Standout Sentiments: The Lines That Linger

‘I have cried for you, and I’ll ride for you / I would die for you, would you do that for me?’ These lines encapsulate the emotional pinnacle of ‘Garden,’ illustrating Lipa’s raw vulnerability and the universality of desire for reciprocation in love.

The lyricism here, with its stark declaration of loyalty and sacrifice, creates a resonance that extends beyond the music. It’s an intimate plea for mutual commitment, brimming with the intensity of love’s highest stakes, ensuring these lines, much like the song itself, are not easily forgotten.

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