Go Away by Omar Apollo Lyrics Meaning – Unveiling the Layers of Longing and Intimacy
Lyrics
Body glows like gold
Beatin’ hearts locked close
Without you, time moves slow
Do you think that I could stay?
‘Cause if I leave, then I’ll complain
I know this feeling’s not a crime
You said you feel it all the time
But if you had to go away again
I just don’t see you enough
I wish I saw you enough
It’s somethin’ in the way I feel your skin
I just don’t see you enough
I wish I saw you enough
If you saw me every mornin’, would you feel less important?
Is that too much of forcin’?
‘Cause I don’t wanna be much
I love the way that we touch
Do you like all of my friends? Yeah, I want your attention
Before you never mentioned
That you got time here to stay
Is that too much for your brain?
But if you had to go away again
I just don’t see you enough
I wish I saw you enough
It’s somethin’ in the way I feel your skin
I just don’t see you enough
I wish I saw you enough
But if you had to go away again
I just don’t see you enough
I wish I saw you enough
But if you had to go away again
I just don’t see you enough
I wish I saw you enough
It’s somethin’ in the way I feel your skin
I just don’t see you enough
I wish I saw you enough
Omar Apollo’s ‘Go Away’ is a lush, emotionally-packed ballad that delves into the complex feelings of intimacy, absence, and the human condition’s innate craving for connection. With melodious vocals draped over a minimalist instrumental backdrop, Apollo serenades listeners into the depths of his desires, fears, and the paradoxical yearning for both closeness and independence.
The song reverberates with the nuanced tensions of modern love, where the digital world simultaneously brings us closer and wrenches us apart. ‘Go Away’ is a heartfelt confession, an ode to those who have ever loved deeply, feared loss, and struggled with the balancing act of maintaining one’s self within the realm of a relationship.
The Golden Glow of Love’s First Light
Apollo sets the stage with a royal metaphor: ‘You can take the throne / Body glows like gold.’ This imagery imbues the subject of his affection with an almost divine significance. The juxtaposition of regal glamour and ethereal light envelops the listener in a warmth that contrasts with the song’s plea for the lover not to depart. The radiance of the other’s presence is coveted and irreplaceable, underscoring the sublimity of intimacy.
The warmth emanating from the body’s glow is the same warmth we seek in human relationships—tangible, close, and all-consuming. Here, Apollo articulates the universal longing to freeze time and remain in the golden hour of love, where every heartbeat resonates with the next and time itself relents to love’s embrace.
Nostalgic Echoes of a Shared Existence
Throughout ‘Go Away,’ Apollo confronts the ephemerality of togetherness: ‘Without you, time moves slow.’ The slowing of time morphs into the spaces between the shared moments, outlining the contours of absence. When the object of affection is away, Apollo experiences a disjointed perception of time—sluggish, stretched, laden with nostalgia.
This call to remain together, battling against time’s inexorable march, is a sentiment echoed in countless tales of love. But what sets Apollo’s message apart is the mundane beauty he finds in everyday encounters. The desire to witness a loved one in the morning light or share mundane conversations—these are the threads that weave the tapestry of a shared existence.
Craving Touch, Fearing Suffocation
The push-and-pull dynamic of relationships lies at the heart of ‘Go Away.’ Apollo voices the inner battle between craving proximity and fearing overbearance: ‘Is that too much of forcin’? / ‘Cause I don’t wanna be much.’ The sweetness of touch and the fear of being ‘too much’ coalesce into a delicate dance of affection and restraint.
Apollo’s gentle questioning underlines a dilemma so intrinsic to love. How much is too much? Can one smother the flame they cherish with the very oxygen it needs to breathe? In pondering whether his presence could diminish his lover’s sense of importance, Apollo taps into a profound self-awareness and vulnerability that is both achingly human and refreshingly honest.
A Symphony of Skin and Hidden Meanings
Perhaps the most potent symbol in ‘Go Away’ is the repeated reference to skin: ‘It’s somethin’ in the way I feel your skin.’ This sensual, tactile connection is Apollo’s link to authenticity, a way to transcend the superficial and connect on a physical and emotional level. Contact—going beyond mere physical touch to an exchange of warmth, comfort, and security—grounds the relationship, even as it’s threatened by separation.
There’s a deeper level at play, where the skin becomes a narrative of intimacy, telling stories of caresses, whispered secrets, and laughter lines. Apollo’s focus on this elemental, human aspect reveals the desire to maintain a personal and penetrating bond that can weather the storms of distance and time.
Echoing the Wishes that Bind Us
The lyric ‘I just don’t see you enough / I wish I saw you enough’ becomes a haunting refrain, a mnemonic that invokes the helplessness felt in the lover’s absence. Much like Apollo’s yearning for more time with his beloved, listeners are left echoing these lines—a universal call of longing, found in the heartbeats of those separated from their loved ones, partners, and friends.
What makes these lines so memorable is not only their simple truth but their rhythmic lament. There’s a musical plea within them, a heartbeat that aligns with our own. That wish—to see and to be seen, to know and to be known—is the pulse beneath the skin of all human connection, beating in time with Apollo’s spellbinding track.
