Good Old-Fashioned Lover Boy by Queen Lyrics Meaning – The Anthology of Romance in a Bygone Era

You can view the lyrics, alternate interprations and sheet music for Queen's Good Old-Fashioned Lover Boy at Lyrics.org.

Lyrics

I can dim the lights
And sing you songs full of sad things
We can do the tango, just for two

I can serenade and gently play
On your heart strings
Be your Valentino just for you

Ooh, love, ooh, lover boy
What to do tonight?
Hey boy, set my alarm, turn on my charm
That’s because I’m a good old fashioned lover boy

Ooh, let me feel you heartbeat (grow faster faster)
Ooh, can you feel my love heat?
Come on and sit on my hot seat of love
And tell me how do you feel right after all
I’d like for you and I to go romancing
Say the word, your wish is my command

Ooh, love, ooh, lover boy
What to do tonight?
Hey boy, write my letter, feel much better
And use my fancy patter on the telephone

When I’m not with you
Think of you always (I miss those long hot summer nights), I miss you
When I’m not with you
Think of me always, I love you, love you

Hey boy, where did you get it from?
Hey boy, where did you go?
I learned my passion
In the good old fashioned school of lover boys

Dining at the Ritz we’ll meet at nine
(One, two, three, four, five) precisely (six, seven, eight, nine o’ clock)
I will pay the bill, you taste the wine
Driving back in style in my saloon will do quite nicely
Just take me back to yours, that will be fine
(Come on, and get it)

Ooh, love, ooh, lover boy
What’re you doing tonight?
Hey boy, everything’s all right, just hold on tight
That’s because I’m a good old fashioned lover boy

Drenched in the nostalgia of courtship’s bygone era, Queen’s ‘Good Old-Fashioned Lover Boy’ delivers a vivid tableau of romance through its whimsical and soulful tunes. This deep dive discovers the layers beneath the surface of Freddie Mercury’s velvety vocals and the band’s instrumentally rich accompaniment.

A masterclass in narrative songwriting, Queen’s exuberant track invites listeners to reminisce about the fervent yet innocent gestures of a golden age of romance, reimagined for the modern soul amidst the changing landscapes of love and connection.

Rhapsody in Motion: The Dance of Seduction and Courtship

Mercury’s lyrics lead us in a dance through a gallery of romantic exploits, painting affection and seduction with ‘songs full of sad things’ and the ‘tango, just for two’. There’s an elegance to the amorous conducts portrayed, emphasizing closeness and intimacy as key to the transformative power of love.

The song’s allure comes from this intimate twirling with a partner – a timeless ritual that surpasses eras, capturing the essence of what it means to be a ‘good old-fashioned lover boy’: someone who values connection over fleeting thrills.

Drawing The Curtains on the Theatricality of Love

As Mercury ‘serenades and gently plays on your heartstrings’, we’re invited into a drama where romance is the star, and every gesture is a deliberate act to woo the beloved. This lyrical journey feels theatrical, with its protagonist performing the grandiose expressions of love akin to Rudolph Valentino’s silver screen escapades.

This juxtaposition of the performative aspect of love with genuine affection offers a poignant commentary on how sometimes, the lines between showing love and the spectacle of affection could wonderfully blur in the service of winning a heart.

Harnessing Heartbeats and Telephone Patter – The Tangible Elements of Love

The song emphasizes the physicality of love and attraction, traversing from ‘feeling heartbeats’ to ‘hot seats’. It underscores the tangible, electrifying elements of love that stimulate the senses, anchoring the ethereal feeling into something vividly present.

Moreover, using ‘fancy patter on the telephone’ hints at the sweet nothings whispered and the yearning felt in absence – a testament to the importance of keeping the flame alive, even when lovers are apart. The sensory language here bridges touch and talk, uniting heart and mind in desiring connection.

The Hidden Meaning: A Satire of Social Rituals or a Lament for Lost Love Techniques?

Delving deeper, one could posit that ‘Good Old-Fashioned Lover Boy’ is not merely an indulgent retro escapade. Possibly, it acts as a tongue-in-cheek commentary on the particular social rituals that once dictated the conduct of courtship – how they’re recognized, imitated, yet far-removed from the contemporary landscape.

Could it then also be a lament, a subtle ode to the fading art of romance as Queen saw it? The song could be hiding a pining for the return to a time when love was not driven by rapid technological conveniences but crafted through thoughtful, heartfelt gestures.

Memorable Lines: Echoes of The Lover Boy’s Serenade

‘Ooh, lover boy, what to do tonight? Hey boy, set my alarm, turn on my charm,’ embodies the quintessential Lover Boy’s essence – one who lays a plan, takes action, and doesn’t shy away from flaunting his stylish flair. It’s the emblematic call of someone who knows the game of love and plays it to both their and their beloved’s delight.

And the questioning ‘Where did you get it from? Hey boy, where did you go?’ perhaps a nod to the origin of these romantic gestures, stirring curiosity regarding the influences that shape one’s amorous pursuits. The enigma of the ‘good old-fashioned school of lover boys’ is poetically preserved in these lines, teasing us with the want to know more about these mysterious institutions of emotional education.