High School – The Complex Tapestry of Love and Power


You can view the lyrics, alternate interprations and sheet music for Nicki Minaj's High School at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. A Journey Beyond Infatuation: Unveiling the True Tale
  5. Decoding Seduction: The Currency of Sexuality in ‘High School’
  6. Love or Ownership? Navigating the Thin Line
  7. The Song’s Clandestine Message: Beyond the Veil of Passion
  8. Memorable Lines: The Echo of Contemporary Love

Lyrics

He said he came from Jamaica, he owned a couple acres
A couple fake visas ’cause he never got his papers
Gave up on love fucking with them heartbreakers
But he was getting money with the movers and the shakers
He was mixed with a couple things, balled like a couple rings
Bricks in the condo and grams to Sing Sing
Left arm, baby mother tatted
Five-year bid up North when they ratted
Anyway I felt him, helped him, put him on lock, seatbelt him
Took him out to Belgium, welcome
Bitches this pretty, that’s seldom
This box better than the box he was held in
I’m Momma Dee in that order, I call him Daddy like daughters
He like it when I get drunk, but I like it when he be sober
That’s top of the toppa, I never fuck with beginners
I let him play with my pussy then lick it off of his fingers, I’m in the zone

They holler at me, but it’s you, you, this ain’t high school
Me and my crew, we can slide through
Give it to you whenever you want, put it whenever you want
Baby, it’s yours
Anywhere, everywhere, baby, it’s your world, ain’t it? (Alright)
Baby, it’s your world, ain’t it?

Uh, she got a nigga at home and one on the side
Best friend is a dyke, they fucked around a few times
Her and her momma alike, so all they do is fight
I tell her, “Make me some money”, she tell me, “Make me a wife”
I tell her, “Bitch, you crazy, fuck wrong with you?”
And excuse my French, but I’m a long kisser
And then she try to tell me I’m the only one that’s hitting
And I say, “What about them niggas?” She say, “What about them niggas?”
You right, what you doing tonight?
Put on something tight, don’t judge me, I’d get life
She love me like a brother, but fuck me like a husband
Pussy like a oven, too hot to put my tongue in
All I had to do is rub it, the genie out the bottle
Pussy so wet, I’ma need goggles
She tell me that’s it’s mine, I tell her, “Stop lying,” mine and who else?
She say worry about yourself, Lil Tune

They holler at me, but it’s you, you, this ain’t high school
Me and my crew, we can slide through
Give it to you whenever you want, put it whenever you want
Baby, it’s yours
Anywhere, everywhere, baby, it’s your world, ain’t it?
Baby, it’s your world, ain’t it?

I know you want it, boy, I see you tryin’
Just keep on pushing, I’ma let you slide in
Just close your eyes and, this horizon
It’s ready, come get you some
Yeah, yeah, yeah, yeah

Full Lyrics

Nicki Minaj’s ‘High School’ is an intricate narrative, a labyrinth of love entangled with power dynamics, a canvas that captures a colorful pastiche of relationships’ multifaceted layers. Circumnavigating through the lyrics of ‘High School’, one gets more than a glimpse into the complexities that characterize personal connections within the high stakes of a life less ordinary.

The track, featuring Lil Wayne, does more than just skim the surface of passion and fidelity. ‘High School’ dissects the raw ethos of connection, lays bare the inner sanctum of commitment, and straddles the line between partnership and possession. This dissection leads us through corridors of control, desire, and the stark reality of transactional relationships.

A Journey Beyond Infatuation: Unveiling the True Tale

Nicki weaves a tale as old as time, yet freshly spun with contemporary threads. The song opens up with an account of a lover from Jamaica, tied down by his circumstances yet undeniably affluent in other, perhaps more nefarious ways. The narrative quickly blurs lines between support and control, depicting a relationship where power plays as significant a role as passion.

In this verse, Nicki becomes an enabler to her partner’s dubious success, illustrating not just a romantic link but a strategic alliance. This portrayal echoes the modern complexities of relationships, where love and ambition often intertwine, leaving the audience questioning the purity of their own romantic entanglements.

Decoding Seduction: The Currency of Sexuality in ‘High School’

Sexuality is the currency in this lyrical economy, and Nicki plays the market with acumen. By allowing her lover to ‘play with my pussy then lick it off his fingers’, she’s not submitting but demonstrating authority over her sexuality and her partner. It’s a transactional dance that’s equal parts seductive and assertive.

The dynamic further unfolds as Lil Wayne enters the picture, bringing a male perspective that’s as boastful as it is reliant on the protagonist’s sexual largesse. The transactional nature of their relationship suggests that love, in ‘High School’, isn’t given freely but traded on terms dictated by those in power.

Love or Ownership? Navigating the Thin Line

As the chorus states ‘Baby, it’s your world’, on one layer, it could come off as a promise of devotion. On a deeper level, it’s a declaration of possession. This reinforcement serves as an exploration of the idea that in some relationships, the fine line between being someone’s partner and someone’s property gets murky.

There’s an implied sense of control interwoven with the supposed autonomy. Minaj offers a lover a world where freedom is only as expansive as the confines of her consent, further complicating the conversation around what true freedom in love means.

The Song’s Clandestine Message: Beyond the Veil of Passion

Beneath the overtones of wealth and possessions, there’s a hidden plea for authenticity in relationships. When Minaj counters her partner’s claim ‘This ain’t high school’, she challenges the juvenile games that often plague adult relationships, advocating for a more mature, direct approach to romance.

The subtext here is a call for honesty, demanding that the relationship progresses beyond the superficial dramas that often accompany youthful love, something that many can resonate with, paving a path away from innocence towards the real world of adult intimacy.

Memorable Lines: The Echo of Contemporary Love

The verses ‘I’ma let you slide in’ and ‘stop lying, mine and who else?’ are emblematic of modern romance’s complexity. They embody the toxic mix of desire and distrust that fuels many contemporary relationships. It’s the sharp edge of knowing intimacy intersecting with the jagged reality of disingenuous passion.

These lines, much like the song itself, are potent in their relatability, speaking to an audience well acquainted with the games of modern courtship. They capture the zeitgeist of a generation seeking genuine connection in a world filled with facades.

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