Insane by Post Malone Lyrics Meaning – Deciphering the Madness and Melancholy Behind The Beats

You can view the lyrics, alternate interprations and sheet music for Post Malone's Insane at Lyrics.org.

Lyrics

(Yeah, we want to go insane)

Take your bitch, give her back, insane
Send her packin’, she was actin’ crazy
Goin’ batshit in the backseat, Range
She was classy, now she nasty, hey
I’m a bachelor, I’m a bastard, hey (wow)
Don’t believe me? You can ask her, hey
Goin’ batshit in the backseat, Range
She was classy, now she nasty, hey

Bring that ass, meet me backstage
A million racks, I need it cash, cake
Yeah, we both got a car, but it’s different
Yeah, we both got a house, but it’s different
Yeah, we both got teeth, but it’s different
(Both got teeth, both got teeth) (damn)

I wanna see somethin’ in a short skirt, please
I wanna see somethin’ in a shirt skort, please (wow)
Treat my top like my ex, I’m gon’ cut it off completely
Treat my top like my ex, I’m gon’ cut it off completely (skrrt-skrrt)

Take your bitch, give her back, insane
Send her packin’, she was actin’ crazy
Goin’ batshit in the backseat, Range
She was classy, now she nasty, hey
I’m a bachelor, I’m a bastard, hey (wow)
Don’t believe me? You can ask her, hey
Goin’ batshit in the backseat, Range (skrrt)
She was classy, now she nasty, hey

Second verse, second verse, yeah
Second verse, second verse, again (damn)
Put her on game, this is not the same though
This is a Mulsanne, diamonds make a rainbow
Keep my Glocky tucked like a baby in a manger
When your girl around me, she treat you like a stranger
I got twenty, thirty strippers in the sprinter van
It’s a little cramped, they tryna teach me how to dance

Ooh, and you talkin’ this shit, but
You ain’t gonna do shit, ooh (gonna do shit, ooh)
I ain’t even gotta get up
Ain’t nobody scared of you, ooh (damn)

Take your bitch, give her back, insane (wow)
Send her packin’, she was actin’ crazy
Goin’ batshit in the backseat, Range
She was classy, now she nasty, hey
I’m a bachelor, I’m a bastard, hey (wow)
Don’t believe me? You can ask her, hey
Goin’ batshit in the backseat, Range (wow)
She was classy, now she nasty, hey

Beneath the thumping beats and the haze of hedonism, Post Malone’s ‘Insane’ operates on a frequency that taps into the collective consciousness of a generation. The song, a blend of melancholy and resignation tempered with braggadocio, is a complex commentary on the duality of fame, relationships, and self-perception.

On the surface, the lyrics flex a lifestyle overwrought with opulence and dispassion towards romantic entanglements, yet a deeper sonic dive reveals an undercurrent of reflective self-awareness and a quest for authenticity amid chaos.

The Wild Ride: Navigating the Extreme Shifts of ‘Insane’

Post Malone crafts ‘Insane’ as a carousel of contrasts, veering from fast-living highs to moments of introspective lows. The refrain ‘Take your bitch, give her back, insane’ becomes a mantra for the ephemeral nature of relationships in the limelight.

Malone juxtaposes the pristine image of classiness with a descent into ‘nasty,’ painting a picture of transformation catalyzed by the trappings of fame. Each line drips with the excess and the ennui that follows, creating a gripping narrative that pulls listeners through Post’s world.

A Symphony of Disingenuity: Dissecting The Harsh Realities of Fame

Stitched within the fabric of ‘Insane’ is a commentary on the artificiality that pervades life at the summit of celebrity. Phrases like ‘Yeah, we both got a house, but it’s different’ serve as biting reminders of the gulf fame creates between semblances of normality and the reality of Malone’s existence.

It’s the acknowledgment of the superficiality in his surroundings, a candid confession that despite surface similarities, Malone’s life and the lives of those he encounters are fundamentally disjointed.

Gear-Shifting Metaphors: Vehicles as Vessels of Transformation

Throughout ‘Insane,’ Post Malone uses the symbolism of vehicles—from the ‘backseat, Range’ to ‘a Mulsanne’—as metaphoric vessels capturing the motion and changes personal to his journey. The constant gear shifts in Mode of transport mirror the shifting emotional states that Malone grapples with.

These lyrical choices underscore the luxury that comes with his success but also hint at the directionless odyssey that accompanies it, with Malone as the driver navigating through the fog of a life lived in the fast lane.

The Dance of Defiance: How Malone Counters Critique with Confidence

One cannot ignore the streak of defiance etched prominently into the song’s swaggering stance — ‘I ain’t even gotta get up / Ain’t nobody scared of you’. Malone, confident in his position, rebukes any threats to his ego, reinforcing his toughness despite the surrounding industry noise.

It’s an act of self-assurance, as he shrugs off challenges and confrontations. This brashness invites listeners to ponder whether such self-belief is born out of true resilience or is merely a façade constructed to deflect the insecurities churned by the insanity of his lifestyle.

Decoding the Descent: The Hidden Heartache in the Midst of Mania

While the chorus may echo the decadence and detachment of a rockstar’s romance, ‘Insane’ insidiously incorporates elements of pain and self-reflection. The recurrent ‘hey’ serves as a sobering pivot — evocative of Malone’s momentary step back to assess the chaotic dance around him.

This refrain emphasizes the dichotomy Malone faces; he is both participant and observer in this Bacchanalian reverie. Each iteration of the line, ‘She was classy, now she nasty,’ doesn’t just speak of a woman’s transformation but hints at Malone’s own metamorphosis — and perhaps misgivings — about the impact of his insurgent lifestyle on his sense of self and on those he keeps company with.