Kiss the Go-Goat by Ghost Lyrics Meaning – Unraveling the Satirical Sorcery in Melody
Lyrics
Whoa, kiss, kiss, kiss the go-goat
You’ve been playing around the magic that is black
But all the powerful magical mysteries never gave a single thing back
You’ve been daddied by all the dudes that were not dad
And all those dads never gave you the things that you should’ve had
It ain’t always what it seems when you cling onto a dream
It ain’t always there to please you (please you)
But he’s the guy you wanna do and you know that it takes two
Luckily he wants to do you too
Satan, Lucifer
Osculum obscenum
Hey, baby, kiss the goat
Oh, kiss, kiss, kiss the go-goat
Hey, baby, hey, hey, hey, kiss the goat
Oh, kiss, kiss, kiss the go-goat
It ain’t always what it seems that glitter wasn’t gold
As opposed to what they told you (told you)
But he’s the guy you wanna do and you know that it takes two
Luckily he wants to do you too
Satan, Lucifer
Osculum obscenum
It ain’t always what it seems when you cling onto a dream
It ain’t always there to please you (please you)
But he’s the guy you wanna do and you know that it takes two
Luckily he wants to do you too
Satan, Lucifer
Osculum obscenum
Within the enigmatic folds of Ghost’s discography lies ‘Kiss the Go-Goat,’ a track that at first listen radiates the infectious rhythms of 60s psychedelia and garage rock. Yet, underneath the playful surface and catchy hooks, the lyrics penned by the enigmatic frontman Tobias Forge, under the guise of various ‘Papa Emeritus’ characters, reveal a deeper, more satirical essence.
Part of Ghost’s Seven Inches of Satanic Panic EP, the track weaves theatrical showmanship with arcane imagery, providing a landscape rich in metaphors and dark humor. The song’s title itself, an audacious pun, primes us for a dance with devilry and mischief. Let’s decode the paradoxical gospel of Ghost and unearth the subtexts lurking beneath the surface of ‘Kiss the Go-Goat.’
The Satirical Conjuring of an Archetype
The lyrical journey in ‘Kiss the Go-Goat’ seems to mock the pursuit of forbidden knowledge and the ironic disappointments it can entail. It presents us with a character entranced by ‘the magic that is black,’ a clear allusion to the occult and esoteric practices. Yet the sober realization that these ‘powerful magical mysteries’ fail to deliver their glittering promises echoes a deeper human experience of disillusionment.
Forge, through these verses, toys with the idea that seeking answers or fulfillment in the dark may only lead to encountering false ‘dads’ or deceitful figures of authority that leave the seeker emptier than before. Comically, Ghost subverts the expectations of satanic panic, instead offering a tale of the mundane horror of unmet expectations.
Osculum Obscenum – The Blasphemous Kiss
‘Osculum Obscenum,’ translated as ‘obscene kiss,’ is a phrase that might fly over the heads of those not versed in the Latin language or occult history. It references the legendary ‘kiss of shame’ purported to be part of witchcraft rituals. By dropping such a charged term into the chorus, Forge plays with the power of symbols and their ability to provoke and intrigue.
In a society where the satanic is often still taboo, Ghost’s mischievous inclusion of such phrases amplifies their masterful blend of shock and schtick, seducing the audience into a dance with the devil that is both gleefully irreverent and knowingly controversial.
Thenoting if not noncommital, Grand Illusion in Disguise
When Ghost proclaims, ‘It ain’t always what it seems when you cling onto a dream,’ they unveil the thematic heart of the song. The glitter that isn’t gold and the dreams that turn out to be less than pleasing highlight the harsh truth of reality versus expectation. Ghost dances around this grand illusion in a masquerade of symbols and parody.
By stressing that ‘it takes two’ and serenading the listener with ‘Luckily he wants to do you too,’ Ghost coyly plays with the theme of consensual fallacy. We’re reminded that it takes our own complicity in the farce of seeking something outside ourselves to truly fall victim to the allure of false prophets, be they human or supernatural.
Euphonious Revelations: When Rock’n’Roll Meets Satanic Symbolism
Musically, ‘Kiss the Go-Goat’ is a devilish earworm, a clever juxtaposition of upbeat grooves against a backdrop of references to Satan and Lucifer. Ghost’s ability to blend pop sensibilities with dark thematics displays their aptitude for sonic alchemy, transforming taboo into toe-tapping mainstream rock.
The band has made a career of wrapping subversive themes in melodies that resonate with broad audiences. In doing so, they serve a dual purpose: to entertain and to stir conversation — all while the listener is none the wiser, humming along to a tune that scratches far beneath the surface.
Memorable Lines: Echoing Through the Cult of Ghost
‘Hey, baby, kiss the goat,’ becomes more than a quirky invitation; it’s an incantation that fans chant with fervor. The line transforms into an anthem for the band’s followers, known as the ‘Ghost cult,’ to embrace their inner oddities and rebel against societal norms.
As Ghost has continually reinvented their musical and visual identities, lines like these anchor fans to the thematic constants that define the band: a flirtation with the dark side, a wink at the otherworldly, and always, a catchy chorus that ensures the legacy of the tune will endure.
