Lost Souls by Baby Keem Lyrics Meaning – Unraveling the Chaos of Modern Relationships

You can view the lyrics, alternate interprations and sheet music for Baby Keem's lost souls at Lyrics.org.

Lyrics

It’s a lot of hoes in here, lot of lost souls
Whole group of dime bitches and they in Vogue
Tryna find me a bitch that no one knows
I’m tryna find me a bitch that no one knows
You see that bitch right there, she fucked OVO
You see that bitch right there, she fucked Romeo
Tryna find me a bitch that no one knows
I’m tryna find me a bitch that no one knows

Jumpin’ out the coupe, pullin’ out smooth
I’m not afraid to lose, I’ll put you on the news
Titties on the FaceTime, let ’em out
Block him, erase him, let me know
Shawty hop in that Bentayga, it’s time to go
When I put you in the latest, make sure he know

I’m quick to book a flight, I’m not new to the game
That pussy gettin’ tame, go public on the lames
I bought it, say that name, Alexander McQueen
Rolex, whoa, whoa, heart on froze
Tip my toes, it’s hard out here, I’ve hit my lows
You’re leveragin’ the bag
Your best friend was trash, trash, trash
Get gone like The Flash, Flash, Flash
Let’s add and subtract, math
I see that you look at these VV-VVs
Let’s get you a piece for me

I know that you kiss and tell
Who’s someone that we can tell?
You need a real nigga in your life
I come in like a thief in the night
Two phones, I’m the stereotype
Mama know me, I’m picky who I like
There’s not a fake bitch in sight
Come in like a thief in the night

(Hold up, where my phone?)
Sixteen missed calls
Sorry, I was busy, but I missed you (text me when I’m coming home)
If you see me ballin’ then my bitch ball
All my niggas ballin’ like I’m Rich Paul
Skrrt off in the Audi, I’ma lift off
All your bitches do pilates when you’re rich, dawg
So if she can’t pop a squat then that’s a rip-off
Keep the CDG, y’all niggas ripped off (off, off)
And your nigga better not think that he the only one (only one, only one)
That nigga match his fitted with some Jordan 1s (yeah, yeah)
If it ain’t Issey then miss me
NUWO with Hublots
Got a bad bitch with Chrome toes
And we shoot movies, not photos
She not in it for the fame
Nobody know her name

Jumpin’ out the coupe, pullin’ out smooth
I’m not afraid to lose
I’ll put you on the news
Titties on the FaceTime, let ’em out
Block him, erase him, let me know
Shawty hop in that Bentayga, it’s time to go
When I put you in the latest, make sure he know

Alright, babe, ooh, alright, babe
Yeah, I know it’s hard, babe
But I’m still on your side, babe
Alright, babe, alright, babe
I know it’s hard, babe
I stay by your side babe

Alright, babe, ooh, alright, babe
Please show me a sign, babe, wish I had more time, babe
Alright, babe, alright, babe
Busy all the time, babe, too late to reply, babe
Put me to the test, we young but we pay bills
Please don’t make a mess, I don’t do good with spills
Lately, I been stressed (been deep in a drill)
No regrets when it’s real

Alright, babe, ooh, alright, babe
Yeah, I know it’s hard, babe
But I’m still on your side, babe
Alright, babe, alright, babe
I know it’s hard, babe
It’s alright

In a world oversaturated by fleeting interactions and digital companionship, Baby Keem’s ‘Lost Souls’ dives deep into the psyche of modern relationships. The song, brimming with Keem’s characteristically raw beats and brutally honest lyrics, encapsulates a generational struggle for authenticity amidst a sea of superficiality.

With ‘Lost Souls’, Keem constructs a narrative that is as much a self-reflection as it is a social commentary. The quest for connection—at its core—is fraught with contradictions and the pursuit of something genuine in an arena often criticized for its glorification of the insubstantial. Let’s dissect the intricacies of this hauntingly beautiful track.

A Menagerie of Lost Connections: The Search for Uniqueness in the Familiar

The song’s opening lines provide a vivid snapshot of a lifestyle soaked in luxury and desire. ‘It’s a lot of hoes in here, lot of lost souls,’ Keem raps, painting a scene of high-end fashion and beauty that somehow resonates with emptiness. Even amongst ‘dime bitches’ and high-profile connections, there’s an evident yearning for something more authentic—a partner who isn’t in the public eye.

This craving for anonymity is a nuanced take on fame. Where visibility often equates to success, Keem flips the script, seeking solace in obscurity and the quietude it represents. It’s a statement about the intimacy vacuum in modern romance, underscored by the repetition of his desire to find someone unknown.

High Stakes, High Fashion: The Duality of Materialism and Self-Worth

Baby Keem juxtaposes luxury brands with personal turmoil, signaling this duality between materialism and existential reflection. ‘Alexander McQueen, Rolex,’ he notes, but follows with ‘heart on froze,’ spotlighting the sometimes frosty aftermath of living life in the spotlight and how personal relationships can suffer as material gains increase.

This blend of the glamourous and the hard-hitting reality suggests that success isn’t always what it seems and speaks to a broader ideological battle where self-worth is often equated with net worth, creating a sense of lost souls within the gears of the machine.

The Unseen Cost of ‘Missing Calls’: A Chronicle of Modern Communication

With lines like ‘Sixteen missed calls’ and ‘Too late to reply, babe,’ Keem highlights a disconnect that is instantly recognizable in the age of smartphones. The art of missing calls, ignoring texts, reflects both a power play and a lament over the lost art of presence within each other’s lives.

This neglect underscores the song’s ongoing motif of searching yet not finding, of availability that is simultaneously inaccessible. The ghosting pattern found throughout the track isn’t just about romantic relationships—it’s a cultural phenomenon impacting how we relate to one another on a fundamental level.

The Hidden Meaning: Rebellion Against Relationship Stereotypes

Baby Keem’s ‘Two phones, I’m the stereotype’ line is a tongue-in-cheek acknowledgement of the boxes we’re put into based on our behaviors. This conscious awareness, coupled with ‘Mama know me, I’m picky who I like,’ suggests a deliberate choice to break the mold and redefine personal connections.

The hidden meaning lies in the dichotomy between embracing and challenging these preconceptions. By calling out the stereotype, Keem deftly navigates and ultimately undermines the expectations placed on him, both as an artist and as an individual in the dating world.

Memorable Lines: The Cry of the ‘Alright Babe’

Permeating the track with its chorus-like repetition, ‘Alright, babe’ becomes a mantra of reassurance amidst uncertainty. It’s a complex mixture of commitment and helplessness, capturing the push-pull dynamic found in many of today’s relationships.

‘Yeah, I know it’s hard, babe. But I’m still on your side, babe,’ Keem offers empathy without resolution, suggesting that sometimes the most powerful connection is simply to stay, to be present, even when the path forward is mired in difficulty. It’s a line that resonates long after the song ends, leaving listeners with a haunting echo of modern love’s unsteady heartbeat.