Minute by NAV Lyrics Meaning – Dissecting the Rap Anthem of Opulence and Street Life
Lyrics
Yo, Pierre, you wanna come out here?
If Young Metro don’t trust you, I’m gon’ shoot you
I’m balling, so I put some diamonds on my fists
Punch you in your mouth, leave diamonds on your lip
Selling rerock, we passin’ the block, slide in your block
Depressing my ops
Counting all this money, getting used to having it
My wallet costs more than what I used to have in it
Ayo, Pierre, do you wanna come in here?
I got lots of girls and I got lots of drugs in here
In my studio, it feels like it’s a club in here
Bitches fucking ’bout a double, ain’t no dub in here
Diamonds shining, I feel like I got the sun in here
Shooters ’round me, who you think you’re signing here?
I take a Fanta and I put some mud in there
You say, you’ve got a party, I might pop up there
You a cub, your main bitch fuck me like I’m papa bear
You the type to wild out when the cops are there
I found a trap, my pans and all my pots are there
I’m going fast, who you think you’re stopping here?
I’m balling, so I put some diamonds on my fist
Punch you in your mouth, leave diamonds on your lip
Selling rerock, we passin’ the block, slide in your block
Depressing my ops
Just give me a minute
Just give me a minute
I’mma hit it and quit it
You need some drink, pint gon’ pull up in a minute
Just give me a minute
Just give me a minute
Dressed up in designer, give me a minute
Just give me a minute
Just give me a minute
Get a hundred dollar line-up, give me a minute
Just give me a minute
Just give me a minute
Offset!
Give me a minute
The coupe is tinted
Knife ended
It’s time to go get it
I used to be trappin’ pigeons, now I push start and crank the engine
Wrist on frigid, glisten, listen, hundred round drum with biscuit
La di da di put her on molly, fuck her on top of the ‘Rari
Python Audi, sitting on Forgi’s, right baby Follies
I thank the plug kept me alive
My uncle cooking up dope in front my eyes
‘Fore you open the door, go get the fire
She on the Perc, now it’s a vibe
I get the bag, it’s automatic
She on the Addy’
I got some cash inside the mattress, I got more in the attic
I’m high fashion like I imagined
Look at my status
Look at the mathematics
Look at the baddest
All made of plastic
I bet this money gon’ last me
I stay in my lane, don’t crash it
Wake up lil nigga, you lackin’ (wake up)
Droppin’ the phone, I pass it
I’m balling, so I put some diamonds on my fist
Punch you in your mouth, leave diamonds on your lip
Selling rerock, we passin’ the block, slide in your block
Depressing my ops
Just give me a minute
Just give me a minute
I’mma hit it and quit it
You need some drink, pint gon’ pull up in a minute
Just give me a minute
Just give me a minute
Dressed up in designer, give me a minute
Just give me a minute
Just give me a minute
Get a hundred dollar line-up, give me a minute
Just give me a minute
Just give me a minute
Got your navi on the phone, he asking for some work
Got some bitches in my home, they cookin’ on the pot
Know some niggas in the A, still trappin’ at the spot
And we robbing all you niggas, we taking off your top
I’mma 4 up with the slime, we pull up with them mops
And when I’m talking, ’bout the mob, that’s Harlem to the Bronx
I use to run run with that Glock
But now I’m way too hot
Got some niggas who time for Carti, ’cause they got they guap
Got some paparazzi looking at me, waiting on the flock
Fuck these little niggas hating snitching like some cop
I’m balling, so I put some diamonds on my fist
Punch you in your mouth, leave diamonds on your lip
Selling rerock, we passin’ the block, slide in your block
Depressing my ops
Just give me a minute
Just give me a minute
I’mma hit it and quit it
You need some drink, pint gon’ pull up in a minute
Just give me a minute
Just give me a minute
Dressed up in designer, give me a minute
Just give me a minute
Just give me a minute
Get a hundred dollar line-up, give me a minute
Just give me a minute
Just give me a minute
Metro Boomin’ want some more nigga
Yo, Pierre, you wanna come out here?
NAV’s ‘Minute,’ a track that pulsates with a raw energy and unapologetic bravado, is a window into the rapper’s psyche as well as the environment that shaped him. Featuring Offset and produced by the combined powers of Metro Boomin and Pierre Bourne, the song is a relentless exposition of wealth, success, and the street dynamics that accompany them.
Beyond the glittering surface of luxurious signifiers and a catchy hook lies a narrative rich with subtext – the contrast between the fast-paced life NAV portrays and those ‘minutes’ everyone needs to grasp the vicissitudes of fame and fortune. In the examination of ‘Minute,’ its cultural context is as telling as its lyrical content.
The Glitz and Glamour: A Dive into Materialism
NAV’s lyrics often revolve around the theme of material wealth, a traditional fixture in rap’s portrayal of success. When NAV talks about putting ‘diamonds on my fists,’ he’s not just describing jewelry; he’s illustrating a transformation from his past scarcity to his present abundance. This tangible display of affluence serves as his badge of honor, a proof to the world – and perhaps to himself – of his ascension.
His lavish references to expensive tastes, such as a wallet ‘costing more than what I used to have in it,’ and the environment of his studio turning into a club-like setting filled with drugs and women, further paints a picture of a stereotypical, yet compelling, ‘rags-to-riches’ scenario.
A Glimpse Into the Hidden Meaning: The Dualities of Rap Culture
While ‘Minute’ can easily be passed off as another braggadocious anthem, its repetitious cry for ‘just give me a minute’ is NAV’s acknowledgment of the impermanence and the dizzying pace of his lifestyle. Every moment of excess is punctuated by the need for a breath, a temporary retreat to maintain sanity amidst chaos.
The song exposes the dichotomy experienced by artists who live in the public eye: the volatility between their personal struggles and the persona they project. The mantra-like request for ‘a minute’ is perhaps a metaphor for the constant negotiation between fame and peace, pleasure and pressure.
Repping the Streets: Street Life and Credibility
The distinctly urban vibe of NAV’s music is sustained by his allusions to street activities and allegiance. Terms like ‘selling rerock’ and ‘passing the block’ reinforce his connection to a life before fame, rooting his artistry in authenticity – a value held in high esteem in the world of hip-hop.
Rhymes about unsettling his ‘ops’ (opposition) and having ‘shooters ’round me’ are stark reminders of the landscape that NAV navigates, a life where opulence and danger walk hand in hand. This duality gives depth to his work, reminding listeners that the splendor in his lyrics is counterweighted by the grit of survival.
Memorable Lines that Resonate with Listeners
The stickiness of ‘Minute’ is not just in its head-nodding production but also in its potent lines. ‘I’m balling, so I put some diamonds on my fists’ is destined to echo in the psyche of listeners, embodying the ultimate fusion of success and aggression that resonates with a certain bravado-preferred audience.
The collaboration with Offset introduces a synergy and an expansion of the subject matter, delving into personal anecdotes and adding dimension to the track. Offset’s verse, rapid-fire and filled with its own admissions and brags, gives listeners a secondary narrative that complements NAV’s, each verse a different side of the same coin.
Confronting the Fragility of Success: ‘I Bet This Money Gon’ Last Me’
In a genre where the fall can be as swift as the rise, NAV’s contemplation on the longevity of his wealth – ‘I bet this money gon’ last me’ – serves as a stark admission of the precarious nature of an artist’s livelihood. These lines reveal an underlying anxiety about the future, a wisdom beneath the swagger.
In declaring his hope for enduring success, NAV captures the sentiment of countless individuals striving in the meritocracy of music and, more broadly, in life. It’s a moment of vulnerability that adds a poignant layer to the tapestry of ‘Minute,’ grounding the song in reality despite its lofty boasts.
