MISA MISA! by Corpse Lyrics Meaning – Deciphering the Enigmatic Echoes of the Underground
Lyrics
Yah (CORPSELXRD, hahaha)
Kordhell, you gon’ die (Haha)
(Uwu, yeah)
Look like Misa Misa, but she bite like Dimitresc’ (okay)
My bitch’s bitch gon’ bring her bitch, that shit a triple threat (CORPSE)
Me and Scar kick all the doors in, come in steppin’ on some necks (what?)
You try to snake our fuckin’ brothers, pussy, you get no respect, ooh
Freak bitch, double fist my dick, uh
Gimme’ face, then keep it zipped, uh
Keep her, she keep secrets, uh
Everybody always wanna leak shit, uh
Antemortem with the DXXMLIFE fit, uh
Came up and they don’t like it, uh
Should get inspired, bitch, uh
New Rick’s, don’t cry on them (yeah)
Corpse got e-girls fuckin’ with me
She on top and my mouth open tryna’ catch a titty (bitch)
My dick on the inside of her guts, I stretch the kitty (bitch)
Tear my mask, gon’ try to taste the pussy if it sticky (bitch)
I’m a dog but CORPSE just got these cat girls fuckin’ with me (ayy)
Inbox lookin’ freaky, nah, bitch, you can’t see me (yeah)
Living too fast, I’m evil (evil)
Which one of these pussy niggas talking lethal? (what?)
Corpse, just point that pussy out, we’ll take a detour (what?)
Goth bitch wanna fuck a rock star, I’mma do that shit (oh, yeah)
She asked me if I got a big cock, I said, “Google it” (pussy, yeah)
F-f-fuck her while I got the flash on, it’s a movie flick (oh, yeah, yeah)
Next time she gon’ bring her friend along, I’ll fuck her too, I’m guessing (no)
Got a big dick, her mirena got snipped
Tell a cat girl: “Bitch, hit the puppy dog pose” (UwU)
Shopping with your bitch, hit a website
Click, she’s like: “Hmm, wait, that’s Scarlxrd’s clothes” (Okay)
Biting my shit, little industry prick, yeah
I seen that, bitch, don’t hurt your throat
Whine about it ’cause I’m not scared, bitch
“He’s that, he’s this”, like, damn, I know, ooh
Look like Misa Misa, but she bite like Dimitresc’ (okay)
My bitch’s bitch gon’ bring her bitch, that shit a triple threat (CORPSE)
Me and Scar kick all the doors in, come in steppin’ on some necks (What?)
You try to snake our fuckin’ brothers, pussy, you get no respect, ooh
Cut, that’s it
In an era where the barrier between extreme underground countercultures and mainstream appeal has blurred, CORPSE emerges as a figure transcending these realms with grit and a growling voice. His latest release, ‘MISA MISA!’, does not deviate from his signature style of dark, bass-heavy beats and restlessly explicit lyrics.
But beneath the surface-level shock value, there’s a trove of symbolism and layered meanings to unearth. It’s a nod to goth culture, a subversive take on relationships, and a statement of defiance against the industry’s status quo. To peel back the layers of ‘MISA MISA!’ is to step into a shadow-laden soundscape crafted by CORPSE.
The Gothic Romance and Pop Culture Fusion
The track’s title, ‘MISA MISA!’, is an immediate dive into the world of anime, referencing the character Misa Amane from ‘Death Note’. Misa Amane, much like CORPSE’s portrayal of his own entourage, is dual-natured: innocently attractive yet harboring a darker, more lethal side—a metaphor well-suited for the track’s exploration of the duality in relationships and personas.
The mention of ‘Dimitresc” parallels with a character from the game Resident Evil, Lady Dimitrescu, known for her towering and imposing presence. By likening his affection to Lady Dimitrescu’s aggressive nature, CORPSE juxtaposes the tender concept of love with a foreboding and almost monstrous form of infatuation.
Triadic Threats and Allies in the Underground
CORPSE’s verse about ‘My bitch’s bitch gon’ bring her bitch’ serves as a verbal display of power and connections. It exemplifies not just the strength found in numbers, but also a sense of community within the underground culture—representing a triad of alliance that triumphs over external adversities.
The bond with fellow artist Scarlxrd, as referenced in ‘Me and Scar kick all the doors in’, reiterates this theme of fellowship and a joint rebellion against those who seek to undermine or ‘snake’ the collective. Their unity is also a form of resilience, a testament to their unyielding front that refuses to break in the face of disloyalty.
Unmasking a Labyrinth of Obscure Intentions
Throughout ‘MISA MISA!’, CORPSE sheds light on themes of privacy and exposure, engaging with the paradoxical desire to conceal one’s truth while craving recognition. Lyrics like ‘Everybody always wanna leak shit’ points to the violation of intimacy, which commonly plagues high-profile figures, while simultaneously illuminating the enigma that CORPSE himself chooses to embody.
This deliberate play with anonymity not only creates intrigue but also provides a shield against the commodification of identity. Each line in the song wraps another layer around CORPSE’s persona, preserving the mystique he has come to be known for.
The Brazen Advertisement of Passion and Provocation
Sexuality in ‘MISA MISA!’ is unapologetic and raw. Corpse discusses physical relationships with brazen candor, referencing acts and interactions that are as confrontational as they are carnal. The explicit content isn’t merely for shock—a common trait in Corpse’s work—it’s also a declaration of autonomy over his sexual expression.
Yet even in these lines, there is a reversed gaze. When CORPSE turns the sexual dynamic on its head with phrases like ‘my dick on the inside of her guts’, it’s a subversive claim of the power dynamics within relationships, and an exploration of the complexities and agency within sexual encounters.
The Sharp-Edged Line That Leaves a Mark
One cannot ignore CORPSE’s ability to craft lines that, despite their aggressive and brazen nature, stick in the listener’s memory. When CORPSE retorts with ‘She asked me if I got a big cock, I said, ‘Google it”’, it’s a memorable retort that boasts confidence and a don’t-care attitude. It’s not only a punchline but a statement on the modern age of information, privacy, and the fragmented self-image pieced together by public and online personas.
Lines like ‘Corpse got e-girls fuckin’ with me’ similarly reflect a palpable connection with an internet subculture rooted in both the admiration of digital personas and the ironic detachment from traditional fame. The artist’s recognition of this culture showcases yet another layer of his intricate relationship with his audience and notoriety.
