Money Longer by LIL UZI VERT Lyrics Meaning – Unpacking the Ascent to Fame and Its Complexities


You can view the lyrics, alternate interprations and sheet music for LIL UZI VERT's Money Longer at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Yeah, It do not matter
Turn to a savage, pocket got fatter, she call me daddy
Smoking that gas, gone off that xanny, she on the powder
Nowadays I am on, my haters got sadder
Money got longer, speaker got louder, car got faster
Turn to a savage, pocket got fatter, she call me daddy
Smoking that gas, gone off that xanny, she on the powder
Nowadays I am on, my haters got sadder
Money got longer, speaker got louder, car got faster, yeah

Money so old, diamonds spoiled, yeah (yeah)
My lil’ bitch so spoiled, yeah (yeah)
I rub her down in oil, yeah (yeah)
I got money now you know it, yeah (yeah)
Diamonds on my teeth, yeah (yeah)
Your shit look like foil, yeah (woo)
Chris Brown said these hoes ain’t loyal, yeah
None of these hoes got no morals, yeah (yeah)
All my niggas G’d up, yeah (yeah)
My glasses be D’d up
Never thought it would be days I could kick my feet up (huh?)
Never though that she would need me that much if I leave her (leave her)

It do not matter
Turn to a savage, pocket got fatter, she call me daddy
Smoking that gas, gone off that xanny, she on the powder
Nowadays I am on, my haters got sadder
Money got longer, speaker got louder, car got faster
Turn to a savage, pocket got fatter, she call me daddy
Smoking that gas, gone off that xanny, she on the powder
Nowadays I am on my haters got sadder
Money got longer, speaker got louder, car got faster (yeah)
Turn to a savage, pocket got fatter, she call me daddy
Smoking that gas, gone off that xanny, she on the powder (what?)
Nowadays I am on, my haters got sadder (yeah)
Money got longer, speaker got louder, car got faster

All of this is faction, no time for acting, all this money lasting (oh)
Like go out to eat, get that blackened salmon
When I’m with my girl we’re Pharrell and Vashtie (yeah, wait, huh?)
Damn, it we are not lasting (huh, what?
In that pussy you know I like it rough, then I’m just blasting
Yeah, tell that ‘lil bitch that I’m really from Mars
Uh, yeah, bitch do not start
Pull up my car automatic, yeah, dealt with a star

It do not matter
Turn to a savage, pocket got fatter, she call me daddy
Smoking that gas, gone off that xanny, she on the powder
Nowadays I am on, my haters got sadder
Money got longer, speaker got louder, car got faster
Turn to a savage, pocket got fatter, she call me daddy
Smoking that gas, gone off that xanny, she on the powder
Nowadays I am on, my haters got sadder
Money got longer, speaker got louder, car got faster

Full Lyrics

When LIL UZI VERT dropped ‘Money Longer’ off his 2016 mixtape ‘Lil Uzi Vert vs. The World,’ the track resonated across a generation as a hedonistic anthem of success and transformation. But beneath the surface-level flexing lies a tapestry of meaning, interwoven with threads of self-realization, alienation, and the blurring of morality in the face of fame.

The song is an audacious depiction of UZI’s rapid climb and the lifestyle shifts that accompany newfound wealth. However, to merely dance to the catchy hook is to ignore the depth of the lyrics. Through a closer examination, one can uncover a narrative that speaks to the universal human experience of change, and the internal and external conflicts that come with it.

From Humble Beginnings to Savage Transformation

The opening lines introduce a theme of metamorphosis. The artist declares a turn to savagery paired with the thickening of his wallet – a stark departure from a past self. It’s an acknowledgment of the grit needed to climb the ranks in the industry interlinked with a braggadocious note on the spoils of war.

‘Pocket got fatter, she call me daddy,’ here, LIL UZI VERT doesn’t shy away from highlighting how material gain translates to power and influence, especially in intimate relationships. The ‘daddy’ reference goes beyond intimate endearment, wading into waters of control and dominance that money can afford.

Chasing Euphoria: Substance Use and Escapism

‘Smoking that gas, gone off that xanny, she on the powder’ – the chorus belts out a subdued cry for escapism. The allure of substance use in the context of LIL UZI VERT’s life underscores the often-glazed-over darker side of stardom, where drugs become copilots on the journey of coping with pressure from all fronts.

This line calls attention to the self-medication that many artists resort to, hinting at an industry where the pinnacle of success often dovetails with self-destructive habits. It’s a cry often echoed in the silence between beats—a reminder that with ascendancy comes a battle with one’s demons.

Echoes of Wealth and Isolation

The song’s hook ‘Money got longer, speaker got louder, car got faster’ blasts a siren of affluence. Yet, while the speaker’s volume and the car’s speed are literal, they can metaphorically suggest an increasing distance between the artist and his roots, as his lifestyle accelerates away from the familiar.

The distance is not just geographical but emotional as well. ‘Nowadays I am on, my haters got sadder’ depicts a lonely summit. It’s a jarring realization that as his trajectory takes an upward climb, relationships become strained, breeding jealousy and animosity along the way.

A Subtle Reflection on Loyalty and Morality

‘Your shit look like foil,’ is a flamboyant way to flaunt superiority, yet it embeds a statement on how money can warp one’s perception of value—where everything lesser seems like mere imitation. Chris Brown’s echoed sentiment on loyalty takes it further, painting a picture where opulence can cloud judgment and erode trust.

The song subtly ponders if financial elevation spells a moral downfall. Are the ‘D’d up’ glasses a rose-colored lens that alters the artist’s view of the world and its moral compass? UZI presents a tableau where material grandeur is accompanied by a moral crossroads.

The Hidden Meaning: An Ode to Alienation

‘All my niggas G’d up,’ starts as a boast, but the undertow of this anthem carries a whisper of alienation in the chaos of transformation. There’s a tinge of melancholy in the midst of this abrasive proclamation—a sense of longing for genuineness amidst a culture of facades.

Ultimately, ‘Money Longer’ is a musical exploration of the space between the person you were, the stranger in the mirror that fame hands you, and the public persona the world adores. It is a wrestling match between identity, alienation, and the bizarre reality of celebrity.

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