Murder On My Mind by YNW Melly Lyrics Meaning – Navigating Inner Turmoil and Betrayal in Modern Hip-Hop
Lyrics
(Mind on my murder) mind on my murder
(Mind on my murder) ooh
(Young Nigga World, bitch) (part two)
Mind on my murder, murder (part two)
(Murder On My Mind part two)
Hey
Sky is getting red (skrrt)
Body getting cold (cold)
Losing hella blood (blood)
Lord, please save my soul (soul)
If I have to die (die)
Don’t know where I’ll go (I’ll go)
I don’t want to die (no)
I’m only ten years old (ten years old)
Oh, my mama cried (my mama cried)
Yellow tape around my body, it’s a homicide (it’s a homicide)
And he told me it was accidental, by surprise (surprise)
Ambulances everywhere and I just pray that I survive
‘Cause baby, it’s a homicide, oh, a homicide (homicide)
He just shot me and I dropped down to the floor
He said I caught him by surprise, I caught him by surprise (surprise)
He was shell-shocked and he claimed he didn’t know
I grabbed his hand ’cause I was terrified, said I was scared to die (I was)
He just watched my blood spill out and die slow
I looked him right inside the eyes (his eyes), he looked inside my eyes
Asked him would I survive? He shook his head no
Mind on my murder, yeah, murder, huh, murder, huh
Mind on my murder, yeah, murder, ayy, murder, hey
Mind on my murder, yeah, murder, hey, murder, huh
Mind on my murder, hey, mind on my murder
Yellow tape around my body, it’s a homicide (whoa, whoa)
Never thought my day one friend would be the one to take my life
And he ain’t even shoot me once, this nigga shot me twice
And I dropped down to the floor and I had teardrops in my eyes
Never thought a home invasion would’ve costed me my life (my life)
All I wanted was a mouth full of golds and my neck and wrist with ice (like woo)
But now I just got murdered while I go in paradise
Just sing this chorus with me twice
Mind on my murder, hey, murder, hey, murder, huh
Mind on my murder, hey, murder, hey, murder, hey
Mind on my murder, hey, murder, hey, murder, hey
Mind on my murder, hey, mind on my murder
Fuck with it then and your life will get ended
Fuck do you know about Melly the Menace?
Glock-26 and that bitch is extended
Glock-27, bitch, I’m really with it
Catch that fuck nigga, hit him with the semi
You know my young niggas really ain’t friendly
Bite like tarantula, flip like a spatula
Suck on that bitch, I want blood like I’m Dracula
Whoa, whoa, suck on it slow, fuck that lil’ bitch on the floor
You know it’s Melly the Menace, the clip is extended
You fuck with me, life will get ended
We go in your mouth like a dentist
We walk through the entrance
Bitch, give me the bag, run it up
Your bitches wanna have fun with us
She wanna tote on a gun with us
She smokin’ dick, yeah that ho smokin’ angel dust
Topic, mm
Let a nigga get back on top, yeah
Pull up on a nigga with that Glock, bitch
I don’t give no fuck about shot, shit
I don’t give no F-U-X about her
Pull up on a nigga, it’s a fuckin’ M-1
Free my nigga Trell, he just caught an M-1
‘Cause baby, it’s a homicide, oh, a homicide
He just shot me and I dropped down to the floor
He said I caught him by surprise, I caught him by surprise
He was shell-shocked and he claimed he didn’t know
I grabbed his hand ’cause I was terrified, said I was scared to die
He just watched my blood spill out and die slow
I looked him right inside the eyes, he looked inside my eyes
Asked him would I survive? He shook his head no
Mind on my murder, murder, huh, murder, huh
Mind on my murder, ayy, murder, ayy, murder, huh
Mind on my murder, ayy, murder, ayy, murder, huh
Mind on my murder, hey, mind on my murder, yellow tape
In the pantheon of hip-hop, few songs reverberate with the raw visceral urgency of YNW Melly’s ‘Murder On My Mind.’ The track isn’t merely a musical composition; it’s a window into the soul of an artist wrestling with themes of mortality, betrayal, and the anatomy of violence. The song’s haunting chorus and the evocative lyrics compel a deeper exploration beyond its surface-level provocations.
While ‘Murder On My Mind’ has become synonymous with YNW Melly’s controversial legal battles, the track transcends its association with real-life drama, standing as a stark commentary on the cycle of violence that plagues the streets and the inner conflict it can engender within young minds caught in its wake.
A Look Behind the Yellow Tape: The Heart of Darkness in Melly’s Narrative
The yellow tape, a universal signifier of caution and crime scene investigation, wraps itself metaphorically around the listener’s consciousness as Melly delves into an intensely personal narrative. The imagery of a child, teardrops, and a conversation with the perpetrator do more than paint a picture of crime; they symbolize the loss of innocence and the harsh snap from childhood to a reality marked by violence.
Told from the perspective of both victim and storyteller, the verses push us into the liminal space between Melly’s lived experiences and his artistic expression. It’s a chilling and somber admission of the proximity of death and betrayal in environments where the latter often predicates the former.
Unpacking the Juxtaposition of Religion and Violence
Melly begins with a seemingly paradoxical call for divine intervention (‘I thank God for everything’), contrasting sharply with the dire straits he narrates. The invocation of God amidst scenes of murder underscores the complex relationship between spirituality and the streets where religious imagery often intertwines with the narrative of survival.
The plea for salvation and the uncertainty about the afterlife challenges listeners to consider the place of faith in scenarios void of mercy. It is a plea that is perhaps all the more heartbreaking for its uncertainty and the bleak picture of a young life, twisted and prematurely terminated by the brutality of the urban landscape.
The Haunting Resonance of Memorable Lines
‘Never thought my day one friend would be the one to take my life,’ laments Melly, a line that stands out for its portrayal of treachery. This confession pierces the veneer of stoicism often associated with hip-hop bravado, unveiling a vulnerable, almost bewildered state of being.
Such lyrics highlight the theme of unexpected betrayal – the concept that danger often lurks where trust resides. It’s a universally relatable sentiment, and Melly’s frank delivery garners empathy from his audience, who can feel his disillusionment and sense of having been betrayed by one he considered an ally.
The Unexpected Childhood Connection
Listeners are jolted by the youthful reference, ‘I don’t want to die / I’m only ten years old.’ These words reverberate with the shock of childlike innocence disrupted by violence, a reminder of how the treacheries of the adult world can steal into even the youngest of lives.
This child’s perspective, whether literal or metaphorical, accentuates the tragedy of lives engulfed by violence early on. Melly’s portrayal taps into the societal vein of fundamental concerns about the welfare of youth and the circumstances that can ensnare them in cycles of crime and retribution.
Deciphering the Hidden Meaning: Is It All Mind, or is Murder Really on the Mind?
Whether autobiography or allegory, ‘Murder On My Mind’ reveals an intricate psychological tableau. Is Melly narrating a past event, an inner conflict, or a hypothetical outcome of the violent culture he describes? This ground of ambiguity invites a foray into multi-layered interpretations that stretch between confession and cautionary tale.
The hidden meaning might reside less in the act itself and more in the mindset born from environments where such acts are conceivable. The song serves as a grim commentary on the psyche influenced by systemic violence, creating a dialogue about consequences, survival, and the sometimes indistinguishable line between thinking and being.
