Virtual (Blue Balenciagas) by YNW Melly Lyrics Meaning – Decoding the Colors of Violence in Hip-Hop’s Sonic Landscape
Lyrics
Young nigga world
Young nigga way, yeah
We gon’ pull up with them sticks and hop out with them choppers
Walking out the ten in blue Balenciagas
I caught an opp, now I got blood on blue Balenciagas
Up that forty, let that pistol sing a melody
Fuck all of that talking, we can go to war
Leave your brain marinating on the boulevard
I got something that’ll put you out your misery
Seven point six two, five point five six’s, two-two-three
With that K, broad day, we hop out and spray
Young nigga world, young nigga way until my dying day
You ain’t ’bout that action, boy let’s not pretend
Caught you lacking after school and shot at all your friends
It go like one, two, three, four, five, six, seven, eight, nine, ten
Unload the clip, reload the clip, and then you spin again
And if they out when you come back then bitch you spin again
Congratulations, I just taught you how to spin a bin
We gon’ pull up with them sticks and hop out with them choppers
Walking out the ten in blue Balenciagas
I caught an opp, now I got blood on blue Balenciagas
Up that forty, let that pistol sing a melody
Fuck all of that talking, we can go to war
Leave your brain marinating on the boulevard
I got something that’ll put you out your misery
Seven point six two, five point five six’s, two-two-three
Two-two-three, AR-15
Carbon-9’s, they all on me
Fuck with me, you get murked
It ain’t shit to put a pussy nigga on a shirt
Fuck all that talking, we all ’bout that action
We pull up with pistols, you know that we blasting
These niggas ain’t really on it, they pussy
I swear they got all these niggas doin’ magic
Hold up, ash it, I wanna fuck her
Pussy run up, we gon’ put him on a t-shirt
With it, yeah, with it
Pull up on me with a TEC, huh
Run up on me, you get whacked nigga
Fuck with me, that’s your regret
I got some niggas who really be with it
You niggas pussy, you pussy or you pussy offended
You niggas pussy, you don’t want no action
All of my niggas will turn you to past tense
We got Glocks with hundred rounds, huh
Catch an opp, kill an opp, lay him down
Fuck with us, you get murked, facts nigga
Big B’s, double-O twenty-ten-nine, this brrat nigga
We gon’ pull up with them sticks and hop out with them choppers
Walking out the ten in blue Balenciagas
I caught an opp, now I got blood on blue Balenciagas
Up that forty, let that pistol sing a melody
Fuck all of that talking, we can go to war
Leave your brain marinating on the boulevard
I got something that’ll put you out your misery
Seven point six two, five point five six’s, two-two-three
Yeah, Melly baby
And I’m back, yeah, yeah-eah
I’m on a whole ‘nother fuckin’ wave bro
Can’t even swim with this shit I’m spittin’, hah
(Young nigga world baby, young nigga world baby
Young nigga ways, yeah yeah)
I’m with them sharks fuck nigga, I’m for real, hey
In YNW Melly’s ‘Virtual (Blue Balenciagas),’ the colors and couture blend into a narrative far beyond the flex of high-fashion brands. Here, the titular shoes are stained with the blood of enemies, symbolizing a tale of street justice and the gritty realities of gang violence, set against a soundtrack of trap rhythms and raw, emotive vocals.
This visceral track is a vortex of raw energy and pain, a vivid portrayal of life on the dangerous fringes of society. Through its haunting lyrics and infectious beat, ‘Virtual (Blue Balenciagas)’ opens a window into the psyche of an artist whose life experiences straddle the line between creativity and chaos.
A Canvas of Aggression Painted in Blue
The color blue, particularly in the form of the coveted Balenciagas, is charged with a narrative far heavier than its designer label suggests. Melly’s portrayal of violence juxtaposed with luxury presents a stark dichotomy between the glamour associated with high-end brands and the bloody reality of street conflicts.
Melly’s blue Balenciagas are not simply a symbol of wealth; they are a gruesome tapestry where the ink of spilled blood intertwines with the threads of affluence. Here, the blue becomes both a badge of honor and a grim reminder of lives lost in the senseless battles fought on the asphalt arenas.
The Melody of a Pistol: Embracing the Morbid Lullabies
When Melly speaks of letting the pistol sing a melody, he introduces an unsettling personification of violence. The gun becomes an active participant, its rhythmic gunfire akin to a dark and foreboding symphony.
The recurrent metaphor of music in YNW Melly’s track serves as a reminder of how deeply intertwined the cultures of hip-hop and street life have become. The ‘melody’ is a painful lullaby for the fallen, a constant reminder of the pathos and vicious cycles that define the world he depicts.
Unmasking the Hidden Meaning: Beyond the Blue
Lost within YNW Melly’s track are breadcrumbs that lead to a deeper exploration of systemic issues. Blue Balenciagas become a literary device, a means to communicate the normalized desensitization to violence and the plight of a generation that finds identity through brand names and aggressive posturing.
Virtual reality and the digitization of human interactions run parallel to the experiential reality laid bare in Melly’s world. The ‘virtual’ nature is an ironic nod to the detachment with which society consumes violence, through screens and through songs, seemingly untouched yet subconsciously influenced.
The Countdown to Tragedy: A Lethal Numerology
‘It go like one, two, three, four, five, six, seven, eight, nine, ten,’ counts YNW Melly before the violent repetition of loading and unloading a gun. This methodical numerology is chilling, reflecting the mechanical nature of recurring gang violence and its predictable countdown to the next tragedy.
The precision of this sequence mirrors the systematic approach to vengeance and rivalry, a script that countless young people trapped in the cycle have come to memorize. It’s a hard-hitting statement on the normalization of such actions in some communities, where the counting of bullets can just as easily echo the counting down of the youth’s own lives.
Memorable Lines: Echoes of a Troubled Water
‘Caught an opp, kill an opp, lay him down,’ YNW Melly’s verse hammers home the no-nonsense brutality of his narrative. This, combined with lines like ‘Fuck with us, you get murked,’ serves to illustrate an unforgiving underworld ruled by a harsh code: cross the line, pay the price.
Not only do these lines resonate with shocking rawness, they evoke the deeper societal issues at play—issues of masculinity, power struggles, and the human cost of maintaining a reputation in an environment where respect is directly tied to one’s capability for violence. It’s in these memorable snatches of verse that the song’s true essence reverberates.
