NC-17 by Travis Scott Lyrics Meaning – Unraveling the Depths of Dionysian Hedonism in Hip-Hop
Lyrics
Me and my bitch, I swear we like the same sex (ooh)
Fuck with all my chains on, let’s have chain sex (serve)
Hangin’ with the gang, you get your fangs wet (wet)
Wanna kick with the gang, you gotta bang it (it’s lit)
If you gon’ throw ice on, gotta swang it (ice)
Holes in the wall, I cannot hang it (nah)
Pour different colors, sippin’, tainted (ooh)
Whoa, think a vibe just start vibratin’ (vibe)
Don’t do playgrounds, we do not swing sets (swing)
Shawty got the K, don’t entertain threats (grah-grah)
Shawty came my way she brought the same sex (same)
Bust it down, she talkin’ body language (it’s lit)
Eating that punane got my bangs wet (eat it up)
We gon’ have to change for the banquet (drippin’)
Solo with Mulsanne is not the same specs (skrrt, skrrt)
Pull up, left with something I ain’t came with (alright)
Whoa, whoa, whoa, whoa
Whoa, whoa, whoa, whoa
Whoa, ice, froze, go, get, gone
Get gone (yeah, yeah)
Three main bitches thinkin’ they my main bitch (21, 21)
Hit the club and swap the hoes I came with
(Straight up, straight up)
Don’t you come outside, we on that gang shit
(Straight up, straight up)
Had to switch my t-shirt ’cause she stained it (on God)
Had to buy a visa, she from Moscow (21)
Fuckin’ ’round with Travis, you get crossed out (crossed out)
He used to be on, that nigga off now (he off now)
I done got so rich, I Saint Laurent my dogs now
(Straight up, straight up)
Earrings cost a quarter certified by GIA (21)
If it’s ’bout my bae or ’bout some smoke I’m on my way
(Skrrt, skrrt)
Your bitch gave the kid Cudi but I’m not signed to Ye (on God)
I nutted on her cheek, her new nickname is Baby Face (21)
Me and my bitch, I swear we like the same sex (ooh)
Fuck with all my chains on, let’s have chain sex (serve)
Hangin’ with the gang, you get your fangs wet (wet)
Wanna kick with the gang, you gotta bang it (it’s lit)
If you gon’ throw ice on, gotta swang it (ice)
Holes in the wall, I cannot hang it (nah)
Pour different colors, sippin’, tainted (ooh)
Whoa, think a vibe just start vibratin’ (vibe)
In the adrenaline-fueled terrain of Travis Scott’s ‘Astroworld’, lies a track with a title suggestive of restricted content, NC-17. On the surface, it brims with the typical bravado and decadence that the Houston rapper is known for, yet beneath the heavy bass and raunchy lines, there’s a layer to be peeled back, revealing the nuanced artistry Scott employs to craft his own reality within the chaos of fame, desire, and youth.
The title sets the stage for a sonic experience not intended for the faint-hearted. It’s a full-on immersion into an explicit narrative born from Travis Scott’s mastermind. In the ever-evolving discourse of music interpretation, NC-17 stands as testament to hip-hop’s undying love affair with the unapologetic celebration of indulgence. Let’s untangle the threads of Travis Scott’s NC-17 to disclose what revelries and contemplations are interwoven in its lyrical fabric.
A Celebration of Excesses Under Glittering Chains
At first blush, Travis Scott’s chorus in NC-17 evokes scenes of X-rated escapades decked in glittering jewelry – a literal and metaphorical clanking of wealth and opulence. Yet, the mention of these ‘chain sex’ antics serves a dual purpose; not only does it exemplify a lavish lifestyle, but it also mirrors the chains of expectation and image that artists like Scott are often shackled to by the public eye.
Scott’s lyricism dives into a revelry that is both an embrace and a challenge to the hedonistic lifestyle. The imagery is unfiltered, raw, and brags a reckless disregard for conformity. It’s Travis Scott’s dominion, where the excesses are not the byproduct but the main attraction of fame, and the chains are both a burden and a trophy.
Navigating the Waters of Fame with Bravado
The very presence of 21 Savage in this escapade lays bare the duality of the high life and its perils. ‘Hit the club and swap the hoes I came with,’ he raps, speaking to the transient nature of relationships in the spotlight. Fame’s waters are treacherous, rife with betrayal (‘He used to be on, that nigga off now’) and fleeting loyalties, themes that Scott and 21 navigate with ease, or so their verses would have listeners believe.
Fame is a playground for the young and brazen, and Travis Scott occupies it with an air of experience that belies his years. NC-17’s lyrical journey through this minefield showcases both the ephemeral joys and the isolating downsides of celebrity, all while maintaining a veneer of unassailable confidence.
The Hidden Meanings Amidst the Debauchery
Beneath the surface-level narrative of hedonism and erotic adventures, NC-17’s hidden meanings hinge on the complexities of identity and expression. Travis Scott employs the syntax of luxury and lust to navigate his own story—a living canvass marked by the constant conflict between personal truth and public persona.
Furthermore, the references to ice and frozen states (‘If you gon’ throw ice on, gotta swang it’) are metaphors for the numbing effect fame can have on an artist’s psyche. The colder the demeanor, the harder the persona, the song seems to assert, while wrestling with the cold reality of such a hollow existence.
Memorable Lines: The Power of Language in Crafting Legacy
Travis Scott’s pen game in NC-17 proves potent, especially in lines like ‘Hangin’ with the gang, you get your fangs wet’ and ‘Pour different colors, sippin’, tainted.’ These words paint a vivid tableau of the night’s adventures, but they also cement Scott’s legacy as an artist capable of turning the ephemeral into the eternal through his language.
It’s the memetics of hip-hop, the way certain phrases capture the zeitgeist, that NC-17 manages to tap into. The lines are edgy, almost visceral, marking the track as a memorable entry in Scott’s already storied discography.
The Cultural Impact of NC-17 – Reflecting the Times
NC-17 is not just another track; it’s a cultural artifact that embodies the age of excess and instant gratification in which we live. Travis Scott doesn’t shy away from the dark corners of this reality; rather, he shines a light on them, forcing us to confront the decadence that defines much of modern pop culture.
This song stands out as a barometer for current trends in rap music and beyond. It’s a raw accretion of the sounds, attitudes, and stylistic choices that define an era. NC-17 may relay a narrative centered around the superficial, but its true essence lies in its ability to mirror the pulse of a generation.
