Only by Nicki Minaj Lyrics Meaning – Unpacking the Emancipation of Female Sexuality
Lyrics
On my life, man, fuck’s sake
If I did, I’d ménage with ’em
And let ’em eat my ass like a cupcake
My man full, he just ate
I don’t duck nobody but tape
Yeah, that was a setup
For a punchline on duct tape
Wo-Wo-Wo-Worried ’bout if my butt fake
Wo-Worried ’bout y’all niggas, us straight
Th-These girls are my sons
Jo-Jon & Kate Plus Eight
When I walk in, zip up straight
I don’t give a fuck if I was late
Dinner with my man on a G5
Is my idea of a update
Hut-hut one, hut-hut two
Big titties, big butt too
Fu-Fuck with them real niggas
Who don’t tell niggas what they up to
Had to show bitches where the top is
Ri-Ring finger where the rock is
The-These hoes couldn’t test me
Even if their name was Pop Quiz
Bad bitches who I fuck with
Ma-Ma-Mad bitches we don’t fuck with
I don’t fuck with them chickens
Unless they last name is Cutlet
Let it soak in
Like seasoning
And tell them bitches blow me
Lance Stephenson
Raise every bottle and cup in the sky
Sparks in the air like the Fourth of July
Nothin’ but bad bitches in here tonight
Oh, if you lame and you know it, be quiet
Nothin’ but real niggas only, bad bitches only
Rich niggas only, independent bitches only
Boss niggas only, thick bitches only
I got my real niggas here by my side (yeah), only
I never fucked Nicki ’cause she got a man
But when that’s over, then I’m first in line
And the other day in her Maybach
I thought, “Goddamn, this is the perfect time”
We had just come from that video
You know, L.A. traffic, how the city slow
She was sittin’ down on that big butt
But I was still starin’ at the titties though
Yeah, low-key or maybe high-key
I been peeped that you like me, you know?
Who the fuck you really wanna be with besides me?
I mean, it doesn’t take much for us to do this shit quietly
I mean, she say I’m obsessed with thick women and I agree
Yeah, that’s right, I like my girls BBW
Yeah, type that wanna suck you dry and then eat some lunch with you
Yeah, so thick that everybody else in the room is so uncomfortable
Ass on Houston, Texas, but the face look just like Clair Huxtable
Oh, yeah, you the man in the city when the mayor fuck with you
The NBA players fuck with you
The bad-ass bitches doin’ makeup and hair fuck with you, oh
That’s ’cause I believe in somethin’ and I stand for it
And Nicki, if you ever tryna fuck
Just give me the heads-up, so I can plan for it
Raise every bottle and cup in the sky (Pinkprint, ayy)
Sparks in the air like the Fourth of July
Nothin’ but bad bitches in here tonight
Oh, if you lame and you know it, be quiet
Nothin’ but real niggas only, bad bitches only
Rich niggas only, independent bitches only
Boss niggas only, thick bitches only
I got my real niggas here by my side, only
I never fucked Nick’ and that’s fucked up
If I did fuck, she’d be fucked up
Whoever is hittin’ ain’t hittin’ it right
‘Cause she act like she need dick in her life
That’s another story, I’m no story-teller
I piss greatness, like goldish yellow
All my goons so overzealous
I’m from Hollygrove, the holy Mecca
Calendar say I got money for days
I squirm and I shake, but I’m stuck in my ways
My girlfriend will beat a bitch up if she wave
They bet’ not fuck with her surfboard, surfboard
My eyes are so bright, I take cover for shade
Don’t have my money? Take mothers instead
You got the hiccups, you swallowed the truth
Then I make you burp, boy, treat beef like sirloin
I’m talkin’ ’bout runnin’ in houses with army guns
So think about your son and daughter rooms
Got two hoes with me, masked up, they got smaller guns
Ain’t thinkin’ ’bout your son and daughter rooms
This shit is crazy, my nigga
I mean brazy, my nigga
That money talk, I just rephrase it, my nigga
Blood gang, take the “B” off behavior, my nigga
For reals, if you mouth off, I blow your face off
I mean “pop-pop-pop,” then I take off
Nigga, now you see me, nigga, now you don’t
Like Jamie Foxx actin’ like Ray Charles
Sixteen in a clip, one in the chamber
17 Ward bully with seventeen bullets
My story is how I went from “poor me”
To “please pour me a drink and celebrate with me”
Raise every bottle and cup in the sky
Sparks in the air like the Fourth of July
Nothin’ but bad bitches in here tonight
Oh, if you lame and you know it, be quiet
(Young Mula, baby)
Nothin’ but real niggas only, bad bitches only
Rich niggas only, independent bitches only
Boss niggas only, thick bitches only
I got my real niggas here by my side, only
When Nicki Minaj dropped ‘Only’ back in 2014, featuring an ensemble of Drake, Lil Wayne, and Chris Brown, the track instantly commanded attention—not just for its star-studded cast but for its bold and brazen lyrics. A deep dive into the verses reveals a complex narrative, one that challenges societal norms and reinforces Minaj’s standing in the music world.
While on the surface, the lyrics might play off as a simple denial of sexual rumors with fellow artists; upon closer examination, Minaj is doing more than just setting the record straight. She’s flipping the script on the misogynistic elements of hip-hop, carving out her own space in a genre that often limits the dimensions of female artists.
The Queen’s Decree: Denouncing Rumors with Fierce Wordplay
Minaj begins ‘Only’ by immediately squashing any gossip regarding her sexual relationships with Lil Wayne and Drake, two titans within the industry. Her visceral candor isn’t just about dispelling baseless chitchat; it’s a declaration of autonomy over her own narrative. The explicitness of the opening bars is not just for shock value—it chips away at the voyeuristic tendencies of rap culture.
By suggesting a ménage à trois, only on her own provocative terms—’And let ’em eat my ass like a cupcake’—Minaj controls the sexual narrative so often dictated by male perspectives. It’s a power move, swapping out secretive whispers for a megaphone blasting her sexual sovereignty for the world to hear.
Metaphors and Might: The Wordplay Behind Minaj’s Mastery
With lines like ‘These girls are my sons, Jo-Jon & Kate Plus Eight’, Minaj flexes her lyrical muscles, delivering a metaphor-rich line that underscores her dominance over other female rappers. Each bar is layered, the surface joke belying a deeper mythos of empowerment and legacy.
The dexterity of Minaj’s wordplay is as much a showcase of her ability to bend language to her will as it is an act of defiance against those who would seek to diminish her artistry to mere sexual objectivity. Through her inventive rhymes, Minaj demands that her wit and prowess take the center stage.
The Hidden Meaning: A Treatise on Sexual Empowerment
At its heart, ‘Only’ is less about the namedropping and more about an all-out assault on the double standard facing women in the limelight. Minaj’s open dialogue about her sex life, delineating what did and did not happen, forces a reckoning with the societal discomfort about women owning their sexuality.
It’s a testament to Minaj’s artistry that she can turn what could have been a sordid tabloid headline into an anthem of female sexual liberation. She does not simply defend herself against rumors—she dismantles the very framework that gives such rumors power.
Breaking Down the Most Memorable Lines
‘Ass on Houston, Texas, but the face look just like Clair Huxtable’—here Drake establishes his attraction not just to a figure, but to a persona. Minaj and her collaborators don’t just utter catchy hooks; they weave narratives that are personally charged and visually poetic.
Even when the lyrics lean towards boasting, such as when Lil Wayne declares, ‘Blood gang take the
Charting the Impact and Ongoing Legacy
The reverberations of ‘Only’ can still be felt in the music industry today. It disrupted gender norms within hip-hop and emboldened a new generation of female rappers to stand tall in their truth without mincing words.
The song’s lasting presence is a testament to its revolutionary blend of bravado and vulnerability, a call to arms that proves female artists can play the game just as fiercely, or even more so, than their male counterparts. The legacy of ‘Only’ is not only in its beat or its bars but in the empowerment it continues to embody.
