Show das Poderosas by Anitta Lyrics Meaning – Empowerment and Seduction Intersect in Brazilian Pop
Lyrics
Prepara que agora é a hora
Do show das poderosas
Que descem e rebolam
Afrontam as fogosas
Só as que incomodam
Expulsam as invejosas
Que ficam de cara quando toca
Prepara
Se não tá mais a vontade sai por onde entrei
Quando começo a dançar eu te enlouqueço, eu sei
Meu exército é pesado a gente tem poder
Ameaça coisas do tipo você vai
Solta o som que é pra me ver dançando
Até você vai ficar babando
Para o baile pra me ver dançando
Chama atenção a toa
Perde a linha fica louca
Solta o som que é pra me ver dançando
Até você vai ficar babando
Para o baile pra me ver dançando
Chama atenção a toa
Perde a linha e
Prepara que agora é a hora
Do show das poderosas
Que descem e rebolam
Só as que incomodam
Expulsam as invejosas
Que ficam de cara quando toca
Prepara
Se não tá mais a vontade
Sai por onde entrei
Quando começo a dançar
Eu te enlouqueço, eu sei
Meu exército é pesado
A gente tem
Vai
Solta o som que é pra me ver dançando
Até você vai ficar babando
Para o baile pra me ver dançando
Chama atenção a toa
Perde a linha fica louca
Solta o som que é pra me ver dançando
Até você vai ficar babando
Para o baile pra me ver dançando
Chama atenção a toa
Perde a linha
Fica louca, fica louca
Fica louca, prepara!
Anitta’s ‘Show das Poderosas’ is a battle cry in the genre of modern Brazilian Pop music, a siren song that melds the rhythm of empowerment with the undeniable gravitational pull of seduction. At first pass, the song could be mistaken for a simple dance track, but hidden within its beats and bars is a manifesto of female autonomy and strength.
As its infectious hook reverberates, ‘Show das Poderosas’ becomes a hymn for the confident, the unabashed, and the daring. It’s a track that tells a story not just of personal power, but of the collective power that comes when women take control of their own narrative.
A Sizzling Start: Preparing for the Show of the Powerful
The opening line ‘Prepara’ which translates to ‘Get ready’, sets the stage for an anthem of readiness and anticipation. Anitta is not just prepping for a performance, she’s rallying her troops for a show of force. It’s as though the audience is being primed for something sensational.
And this isn’t just any show. It’s the ‘show das poderosas’, or ‘show of the powerful ones’. Anitta positions herself and her cohort as the main event, women who are not merely performers, but commanders of the stage and masters of their domain.
Euphoria on the Dance Floor: When Movement Sparks Power
In ‘Show das Poderosas’, dancing is more than movement – it’s a weapon, it’s hypnotic, it’s a means to enliven and enchant. Anitta speaks of her dance as something that possesses the power to drive one to madness, to ‘enlouquecer’, making it clear that her artistry isn’t just for show; it commands respect.
But it’s also about the community—her ‘exército’, or army. It’s heavy, it has power. Here lies the nexus of Anitta’s philosophy: unity in the name of self-expression. The collective power of her and her followers is formidable, a force to be reckoned with that threatens the establishment.
Defying Envy: Shunning the Naysayers with Poise
Anitta is aware of her detractors, the ‘invejosas’ or the envious ones. Yet, ‘Show das Poderosas’ delivers a strong message of resilience. It’s a narrative that shuns envy and elevates above pettiness. Anitta doesn’t just ignore her detractors; she rejects their presence entirely.
The exclusion of the envious serves as a metaphor for overcoming societal constraints. It’s about banishing negativity and creating an oasis where empowerment thrives. The powerful ones, therefore, are not just dancing; they’re celebrating their victory over the bitterness of jealousy.
Between the Lines: Hidden Meanings in Anitta’s Battle Cry
At a glance, ‘Show das Poderosas’ might seem to recount a captivating escapade at a dance club, but under the surface, it’s a cleverly veiled feminist anthem. The repeated calls to prepare, the alluring dance sequences—they are an exercise in agency.
The song is a metaphorical battleground where women assert their power in spaces typically dominated by male energy. ‘Show das Poderosas’ subverts expectations, proposing that the act of dancing can be a display of dominance and self-assertion, not just an act to please the onlooker.
Echoing Anthems: The Memorable Lines that Define a Movement
Within Anitta’s ‘Show das Poderosas’, certain lines reverberate more profoundly than others. Take ‘solta o som que é pra me ver dançando’ (‘play the sound for me to be seen dancing’). Here, the necessity of being ‘seen’ is potent—it’s about visibility, recognition, and owning the spotlight.
‘Chama atenção a toa, perde a linha fica louca’ (‘calls attention for nothing, loses control and goes crazy’), this line is seismic. It captures the essence of carefree abandon and the uninhibited freedom emblematic of feminine power. These lines don’t just linger in the mind; they become rallying cries for those hungry to embrace their own poderosas.
