Super Gremlin by Kodak Black Lyrics Meaning – Decoding the Complexities of Loyalty and Betrayal

You can view the lyrics, alternate interprations and sheet music for Kodak Black's Super Gremlin at Lyrics.org.

Lyrics

Man, we could be superstars
We been ridin’, wreckin’ cars (ayy bro, is that Jambo?)
What is at stakes for us?
Kickin’ off power mirrors
Yeah, we could be superstars
But I’m pretty sure time is up
And so we fell in love with spinnin’ drops
Still only a child, but faithful error (ATL Jacob, ATL Jacob)

Say you my nigga, I’ma be your killer
Nobody gon’ play with you when I’m with you
Go against any nigga, like fuck this glitter
Skeet off dirt, I’m ditchin’
I put it in for you, I spin for you
Whatever you with, I’m with it
How you gon’ cross a nigga that rockin’ with you?
I got you lit in the city
I been multitaskin’, rappin’ and bein’ a daddy to my lil’ children
I been standin’ on business
And spinnin’ and spinnin’ and spinnin’ until I’m dizzy
I do all the smackin’, he ain’t never step or help
With none of these killings, you doin’ a lot of cappin’
Watch when I catch you, I’ma whack you in front of the witness

Damn, my nigga you trippin’
We could’ve been superstars (superstars)
Remember when we was jackin’ cars (jackin’ cars)
Now it’s not safe for you (safe for you)
You switched like a pussy, lil’ bitch
Damn, my nigga you trippin’
We could’ve been superstars
Can’t help it, now I’m reminiscing
Remember when we was jackin’ cars
Now you better keep your distance
‘Cause it’s not safe for you (safe for you)
You switched like a pussy, lil’ bitch

Trackhawk with the kit, snatch off on a bitch
When I slide, night light on the blick
Bet I’m on my shit when I’m outside
Zoe done ran down
Caught him pants down, nigga you shitted
I knew the Perc was fake, but I still ate it
‘Cause I’m a gremlin
Yeah, cutthroat business, KTV, backdoor wide open
Wait ’til my sniper get live, all you niggas gon’ die
Time rollin’, bustin’ on my opponent
No half-steppin’, I’m crunchin’ my opps totally
We was just broke with no motion
Sleepin’ on sofas, creepin’ in houses like roaches
I done went cages to stages to cages
Now free me, baby, can’t keep me, baby
I beat them cases, they already hate
When they gon’ want me dead when I’m off probation
Oh, y’all think lil’ Yak retarded?
Y’all ain’t seen none yet, I promise
Niggas can’t take me, niggas can’t guard me
I be on a fuck-nigga ass like Charmin
AK, twenty inch carbons

We could’ve been superstars (superstars)
Remember when we was jackin’ cars (jackin’ cars)
Now it’s not safe for you (safe for you)
You switched like a pussy, lil’ bitch
Damn, my nigga you trippin’
We could’ve been superstars
Can’t help it, now I’m reminiscing
Remember when we was jackin’ cars
Now you better keep your distance
‘Cause it’s not safe for you (safe for you)
You switched like a pussy, lil’ bitch

Trackhawk with the kit, snatch off on a bitch
When I slide, night light on the blick
Bet I’m on my shit when I’m outside
Zoe done ran down
Caught him pants down, nigga you shitted
I knew the Perc was fake, but I still ate it
‘Cause I’m a gremlin

Yeah, we could be superstars (Super Gremlin)
But I’m pretty sure our time is up (now your time is up)
And so we fell in love with spinnin’ drops
Still only a child, but faithful error
I ain’t slimin’, I’m grimin’
Any way you put it I’m SG with it, I’m Super Gremlin
Snatch and grab, sneak and geek
Sniper Gang, trust

Nightmare, baby, you know I
I bet you always see me in your dreams
Glee

Kodak Black’s ‘Super Gremlin,’ a standout track from his expansive discography, spirals through the complexities of fame, loyalty, and the street code. In the pulsating rhythms and raw lyrics of this track, the Florida rapper weaves a tale of potential glory turned sour, exploring a narrative that resonates with the unpredictable turns of life and relationships within the rap game.

Beneath the surface, ‘Super Gremlin’ is far more than a mere recount of personal exploits; it’s a reflection on the precarious balance between success and the environment one hails from. Kodak artfully addresses themes of friendship turned enmity and the haunting lure of what could have been. Let’s delve into the underlying narratives and dissect the piercing truths hidden within the song’s charged verses.

Betrayal Over Beats: Navigating Companionship in the Fast Lane

The chorus hits with a nostalgic ache as Kodak evokes images of a shared dream, ‘We could be superstars.’ The repetition of the past tense, a subtle, somber nod to a shared journey derailed. As he recounts ‘ridin’, wreckin’ cars’ and ‘jackin’ cars,’ it’s clear that these aren’t just pastimes but symbols of a bond—a brotherhood tested and ultimately severed by the very lifestyle that once united them.

His words shed light on a universal truth within both the microcosm of hip-hop and the wider human experience: partnership is fraught with potential for both greatness and downfall. The intimate betrayal he faces isn’t just personal; it’s emblematic of a pattern that weaves itself into the tapestry of human connections, especially those forged under the heat of shared ambitions.

Shrouded Sentiments: The Hidden Meaning Behind the Gremlin

The term ‘gremlin’ isn’t random—though it may conjure images of mischievous creatures, Kodak redefines it, painting himself as a creature of chaos who ‘still ate it’ despite knowing something was off. This self-identification with the gremlin is cryptic—the artist acknowledges his willingness to immerse in the destructive side of fame and street life, a decision that both empowers and entraps.

It’s an admission of complicity in the convoluted narrative of street loyalty—a cycle of retaliation, protection, and ultimately, the sinking realization that one’s environment is a participant in their undoing. The gremlin is both a reflection and a prophecy: a symbol of Kodak’s struggle with the byproducts of his surroundings and decisions.

Echoes of Regret and Reminiscence: A Lyrical Journey into the Past

Amidst the bravado, there’s a palpable undertone of remorse as Kodak reflects on the turns their lives could have taken. ‘Now I’m reminiscing,’ he reflects, cementing the song as a eulogy for what could have been. His ambivalence toward his own life choices, set against the backdrop of his ascension to fame and the ostracization of a once-close affiliate, serves as a modern-day cautionary tale.

These poignant moments of self-reflection suggest an awareness of the futility of the cycle of retribution. ‘You switched like a pussy, lil’ bitch,’ he laments, the disappointment laced with indignation. These lines aren’t just catchy; they’re piercing reminders of the thin line between trust and betrayal among those who live by the street code.

Visualizing the Verse: The Cinematic Quality of Kodak’s Storytelling

Kodak’s gritty narrative unfolds against the backdrop of ‘Trackhawk with the kit’ and ‘night light on the blick.’ These vivid snapshots invite listeners into a high-octane world of thrilling escapes and dark alleys, an arena where loyalty is your strongest weapon, and betrayal is the cruellest of cuts.

The track is drenched in the paradoxes that define human existence—the desire to be ‘superstars’ contrasted with the gravitational pull of old habits and loyalties. Every line pulses with the intensity of a life lived at the edge, a raw depiction of the tightrope walk between fame and infamy.

Memorable Lines that Strike a Chord: Kodak’s Lyrical Mastery

‘Say you my nigga, I’ma be your killer,’ instantaneously encapsulates the complexities of street camaraderie, setting the tone for an odyssey through loyalty and loss. These words are emblematic of the double-edged nature of deep bonds in a world where trust and treachery oscillate with the rhythm of the beat.

As Kodak positions himself against an ever-changing backdrop of erstwhile allies and formidable foes, each line resonates with the gravity of personal truth. The song isn’t just an expression of grief for a departed friend—it’s a defiant stand against the inevitability of change and the pain of realizing that not everyone riding with you is destined for the same destination.