Love & War – Deciphering the Battle Between Affection and Aggression


You can view the lyrics, alternate interprations and sheet music for Kodak Black's Love & War at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. A Symphony of Love in a Battlefield
  5. From Promises to Promiscuity: Kodak’s Love Paradox
  6. The Haunting Echoes of ‘I Ain’t Felt This Way Before’
  7. Trapping Love on the Corner of Lust and Escape
  8. The Heart’s Four Quarters: Love Dismantled and Love Denied

Lyrics

(J Gramm on the beat)
Big ol’ strap like I’ma Haitian
Pompano Puff, my blower sprayin’

Could you send me a flick? I’ma send you a dick pic when I’m horny
If I kiss you on yo’ lips, would you tell your sisters in the mornin’?
Would you keep it a secret? Like, I ain’t felt this way before
Wanna tell you that I like you, but I don’t, ’cause I’m not sure
I just take her heart and score, then I love her ’til she sore
I just break her heart in fours, then I don’t want her anymore
If I eat it, could I treat it? Could I beat it with my sword?
She want love and I want war

You could leave, but where you goin’?
If I hit that thing the right way can I take you to my prom?
Wanna strap you ’round to my waist and come take you to my mom
Do you get that picture? You could be lil’ Kodak
You don’t get the picture, girl, I’m lil’ Kodak
You could be my Cheri, you could be my baby
If you lookin’ for me, I be right on 18
Droppin’ bands, I be poppin’ bands
Poppin’ Xans will make you pop your man
Park it, man, it’s way too hot to dance
If you lookin’ for me, I be right on 18
Droppin’ bands, I be poppin’ bands
Poppin’ Xans will make you pop your man
Park it, man, it’s way too hot to dance
If you lookin’ for me, I be right on 18
Droppin’ bands, I be poppin’ bands

Could you send me a flick? I’ma send you a dick pic when I’m horny
If I kiss you on yo’ lips, would you tell your sisters in the mornin’?
Would you keep it a secret? Like, I ain’t felt this way before
Wanna tell you that I like you, but I don’t, ’cause I’m not sure
I just take her heart and score, then I love her ’til she sore
I just break her heart in fours, then I don’t want her anymore
If I eat it, could I treat it? Could I beat it with my sword?
She want love and I want war

You could leave, but where you goin’?
If I hit that thing the right way can I take you to my prom?
Wanna strap you ’round to my waist and come take you to my mom
Do you get that picture? You could be lil’ Kodak
You don’t get the picture, girl, I’m lil’ Kodak
You could be my Cheri, you could be my baby
If you lookin’ for me, I be right on 18
Droppin’ bands, I be poppin’ bands
Poppin’ Xans will make you pop your man
Park it, man, it’s way too hot to dance
If you lookin’ for me, I be right on 18
Droppin’ bands, I be poppin’ bands
Poppin’ Xans will make you pop your man
Park it, man, it’s way too hot to dance
If you lookin’ for me, I be right on 18
Droppin’ bands, I be poppin’ bands

Could you send me a flick? I’ma send you a dick pic when I’m horny
If I kiss you on yo’ lips, would you tell your sisters in the mornin’?
Would you keep it a secret? Like, I ain’t felt this way before
Wanna tell you that I like you, but I don’t, ’cause I’m not sure
I just take her heart and score, then I love her ’til she sore
I just break her heart in fours, then I don’t want her anymore
If I eat it, could I treat it? Could I beat it with my sword?

Could you send me a flick? I’ma send you a dick pic when I’m horny
If I kiss you on yo’ lips, would you tell your sisters in the mornin’?
Would you keep it a secret? Like, I ain’t felt this way before
Wanna tell you that I like you, but I don’t, ’cause I’m not sure
I just take her heart and score, then I love her ’til she sore
I just break her heart in fours, then I don’t want her anymore
If I eat it, could I treat it? Could I beat it with my sword?

Full Lyrics

Kodak Black, a name that conjures imagery of the struggle between street credibility and the vulnerability of love, offers us a piercing look into this contentious space in his song ‘Love & War.’ With a hauntingly straightforward melody, Black weaves a tale of romance and conflict, illuminating the push and pull of a heart divided by two of the most potent human experiences.

It’s a dive into Kodak’s personal narrative, one steeped in the backdrop of Pompano Beach and characterized by a life that has repeatedly toggled between the allure of love and the reality of war – whether it be the war within or the very real battles on the streets. But what lies beneath these bravado-laden lines? Let’s dissect the layers of ‘Love & War’ and discover the true meaning behind the music.

A Symphony of Love in a Battlefield

At first glance, ‘Love & War’ assaults the senses with its raw depiction of a love story tangled within the barbed wire of masculinity and survival. There’s an almost casual exchange of intimate images, a digital-age courtship seen through Black’s unfiltered lens. In his ominous tones and layered rhythmic beats, he poses questions of loyalty and secrecy, reflecting a guarded heart that fears betrayal as much as it craves connection.

The duality in ‘Love & War’ is as striking as it is deliberate. Kodak Black isn’t just giving us a track; he’s providing a narrative soundscape, where love isn’t just tender, it’s tactical. The repeated questions, ‘Could you send me a flick?’ and the contemplation of sharing vulnerabilities, paints love not as a fairytale but as an active operation within the scars of his experiences.

From Promises to Promiscuity: Kodak’s Love Paradox

The song’s refrain brings a poignant paradox to the fore: ‘She want love and I want war.’ In this, Kodak captures the essence of his internal conflict. While the object of his affections may desire a traditional, nurturing relationship, Kodak admits to craving the mayhem that he knows all too well.

The idea of ‘beating it with my sword’ eclipses the notion of gentle romance in favor of a more primal, perhaps more honest self-reflection. Kodak’s verses oscillate between tender promises and hard-edged declarations of detachment, taking listeners on a jagged journey through the brambles of modern love where desire and doom meet.

The Haunting Echoes of ‘I Ain’t Felt This Way Before’

One of Kodak’s most revealing lines comes as a whisper in a storm: ‘I ain’t felt this way before.’ It’s a confession hidden within bravado, a moment of clarity that shines through the rugged exterior of his well-crafted persona. This line is the key that unlocks the softer side of a man usually heralded for his hardness, his indifference.

The repetition of this line throughout the song serves as a mantra, a reminder that beneath the surface lies an emotional depth that battles with the portrayed image of the relentless soldier in the war of the streets. It’s this nuanced revelation that compels us to keep listening, searching for more truths buried in the lyrics.

Trapping Love on the Corner of Lust and Escape

We find ourselves mired in the complexities of Kodak’s environment in the vivid imagery of ‘right on 18,’ a locale that seems to serve as a rendezvous for escapades fueled by bands and Xans. It is within these verses we find the expression of love as entrapment, coupled with a sense of hedonistic inevitability. Here, love isn’t just strained; it’s almost incidental to the lifestyle that Kodak cannot seem to evade.

Yet, despite the distractions of excess and fleeting pleasure, the song never truly abandons the heart’s pursuit. Whether it’s parading his love interest to his mom or picturing her as ‘lil’ Kodak,’ there is an undeniable pull towards normalcy, towards the kind of love that exists outside the warzone.

The Heart’s Four Quarters: Love Dismantled and Love Denied

Kodak’s lyrics, ‘I just break her heart in fours,’ emerge as a grim blueprint to his approach to love – division, detachment, dismissal. The arithmetic of heartbreak as told by Black speaks to a systematic deconstruction of love, where emotions are compartmentalized for protection or perhaps out of fear.

As listeners, we’re left to wonder if Kodak’s war is actually against the one thing he seems to inadvertently seek – love itself. The juxtaposition of physically loving and emotionally warring creates a jarring dissonance that keeps us engaged, hoping for resolution. It’s a musical journey through the maze of the human condition, orchestrated by Kodak’s uncanny ability to turn his inner turmoil into compelling art.

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