Baby Are You Home by LIL UZI VERT Lyrics Meaning – Deciphering the Call for Connection

You can view the lyrics, alternate interprations and sheet music for LIL UZI VERT's Baby Are You Home at Lyrics.org.

Lyrics

Baby, are you home?
Baby, are you home?
Baby, are you home? Yeah
Baby, are you home?
Baby, are you home?
Baby, are you home? (if young Metro don’t trust you, I’m gon’ shoot you)

Yeah, she call my phone (what?)
Ask me what I’m on (yeah, yeah)
Baby, is you home?
I’m in the area
Like, tell me what he on
He ain’t scaring none
You know why you text my phone
Tell me if you home
Like, Baby, are you home? (ayy)
Baby, are you home? (yeah)
Baby, are you home? Yeah
Baby, are you home? (huh?)
Baby, are you home? (what?)
Baby, are you home? (yeah)
Baby, are you home? Yeah
Baby, are you home? (yeah)

Like, counting all my dough (yeah)
With my eyes closed (huh?)
I don’t trust a hoe
But, I trust my hoe
Like, money in my pants (ayy)
Sticking out my thigh, bro (yeah)
Yes, Lil Uzi, like hit that eye roll (that eye roll)
I don’t got no money, that’s a lie hoe (that’s a lie hoe)
Kinda got messy, got rid of my side hoe (yeah)
I don’t wanna fuck you if you a dry hoe (what?)
Up in Mexico with the plug, eating Pico de Gallo (yeah)
You a rockstar, now pills try those (ayy)
Traded in my chakra, now I got a bright hoe (uh)
Man, I got my head right (yeah, yeah)
Man, I got my bread right (yeah, yeah)
Livin’ my life just so right (yeah)
You can see my diamonds at night
Girl you know I’m higher than a satellite (satellite)
Can I come over, or are you the playin’ type? (what?)

Yeah, she call my phone (what?)
Ask me what I’m on (yeah, yeah)
Baby, is you home?
I’m in the area
Like, tell me what he on
He ain’t scaring none
You know why you text my phone
Tell me if you home
Like, Baby, are you home? (ayy)
Baby, are you home? (yeah)
Baby, are you home?, yeah
Baby, are you home? (huh?)
Baby, are you home? (what?)
Baby, are you home? (yeah)
Baby, are you home?, yeah
Baby, are you home? (yeah)

I swear boy, you do not know me (yeah, yeah)
Boy, you ain’t my homie
Ballin’ like I’m Kobe
Now, I’m ballin’ like Ginobili
Like, boy your style so old (what?)
Balding like Ginobili (what?)
Pull up in that Porsche
Brittany in the Lotus (skrrt, skrrt)
I get money, yeah (yeah, yeah)
And I put that on my oldest (oldest)
I ain’t got no kids, so I put that on my Rollie (Rollie)
They say that he real, so that nigga got to show me
And that nigga homies, really ain’t his homies (ayy)
I got red homies
I got blue homies (yeah)
Yeah, I got the gun, and it shoot homies
Yeah, I got them crash dummies, they my new homies
Girl, I made you famous
Ain’t no need to thank me
Like yeah I put you first you’re my lady (yeah, yeah
Um, skrrt in the water with my baby (skrrt)

Yeah, she call my phone
Ask me what I’m on
Baby, is you home?
I’m in the area
Tell me what he on
He ain’t scaring none
You know why you text my phone
Tell me if you home
Like, Baby, are you home?
Baby, are you home? (ayy)
Baby, are you home? Yeah (yeah)
Baby, are you home? (huh?)
Baby, are you home? (what?)
Baby, are you home? (yeah)
Baby, are you home? Yeah
Baby, are you home? (yeah)

Baby, are you home?
Baby, are you home?
Like, tell me what he on
He ain’t scarin’ none
Baby, are you home?
Baby, are you home?

LIL UZI VERT, an artist who has rocketed to popularity with his unconventional approach to trap music, infuses his tracks with a blend of melodic prowess and lyrical introspection. ‘Baby Are You Home’ is a prime example of Uzi’s ability to merge catchy hooks with deeper reflections on relationships, fame, and personal growth.

This examination of ‘Baby Are You Home’ goes beyond the surface to explore the potential complexities embedded within Uzi’s seemingly straightforward inquiries. Is it a simple call to a lover, or does it excavate the ethos of an artist grappling with the isolations of success?

The Eternal Query: ‘Baby, Are You Home?’

On the face of it, the song’s refrain is a repetitive question, lyrically minimalist in nature. Uzi persistently inquires about the presence of a significant other, but this fixation might symbolize more than a literal quest. It could signify the search for stability and reassurance in a life littered with uncertainty and chaotic fame.

The question is a leitmotif; more than wanting to know if someone is home, Uzi is possibly reaching out for a connection in a world where authentic ties are scarce. Amidst the whirlwind of celebrity, the home is both a physical and an emotional refuge.

Trust Issues in the Limelight: ‘I don’t trust a hoe, But, I trust my hoe.’

Trust is a prevailing theme in Uzi’s music, and in these lines, he juxtaposes his general mistrust with an exception to the rule. Here, ‘hoe’ might be less a derogatory term and more a reflection of his attitude towards fleeting relationships.

The artist acknowledges the difficulty in distinguishing genuine affection from the type fueled by his status. By entrusting his ‘hoe,’ it’s possible Uzi is expressing a deeper struggle to find and maintain loyalty within his inner circle.

Breaking Down Barriers with Pico de Gallo: Culinary References and Cultural Fusion

Uzi’s mention of being in Mexico ‘with the plug, eating Pico de Gallo’ introduces an element of cultural exchange and points to the globalized world we inhabit. Music transcends boundaries, and Uzi’s personal experiences reflect that interconnectedness.

Furthermore, food can be a metaphor for nourishment—beyond the physical. It could illustrate a craving for cultural richness and the need for a diverse palette of experiences to feel truly ‘home.’

Satellites and Stardom: ‘Girl you know I’m higher than a satellite’

LIL UZI VERT’s ascent to stardom positions him externally—in orbit—yet symbolically detached from the world below. This line evokes not only the ‘high’ of celebrity but also the distance it creates between the artist and those he cares about.

The satellite metaphor could hint at the loneliness of success, where one is physically present but emotionally miles away. It resonates with the repeated calls to know if his partner is home, revealing the gap between the persona and the person.

Echoes of Recognition: ‘Girl, I made you famous’

Uzi’s claim of bestowing fame carries the weight of power dynamics often prevalent in the music industry. The assertion is doubled-edged—it speaks to influence and artistry’s ability to elevate, but also the way success can complicate personal relationships.

Is this line a boast, a lament, or a bit of both? As Uzi reflects on the impacts of fame, he seems to acknowledge the trade-offs of his public life, including the ability to shape the destinies of those closest to him.