Capital Letters by Hailee Steinfeld Lyrics Meaning – Unearthing the Anthem of Fearless Love


You can view the lyrics, alternate interprations and sheet music for Hailee Steinfeld's Capital Letters at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Never was a leader
Never had a thing for fairytales
Not really a believer, oh-oh
Small voice in the quiet
Guess I never dared to know myself
Can my heart beat quiet? No

But then there was you (but then there was you)
Yeah, then there was you
Pull me out of the crowd
You were telling the truth (you were telling the truth)
Yeah (yeah, yeah)
I got something to say now
‘Cause you tell me that there’s no way I couldn’t go
Nothing I couldn’t do
Yeah

I want to get louder
I got to get louder
We ’bout to go up baby, up we go
We ’bout to go up baby, up we go
We’re blowing out speakers
Our heart a little clearer
We ’bout to go up baby, up we go
We ’bout to go up baby, up we go

For worse or for better
Gonna give it to you
In capital letters

We put a crack in the shadows
And you tell me it’s okay to be the light
And not to swim in the shallows
No, no
And I wanna get drunk with you
When we lie so still, but you’re taking me places
Holding me onto you
And we don’t care who’s watching us, baby

But then there was you
(But then there was you)
Yeah, then there was you
Pull me out of the crowd
You were telling the truth
(You were telling the truth)
Yeah (yeah, yeah)
I got something to say now
‘Cause you tell me that there’s no way I couldn’t go
Nothing I couldn’t do (no, no, no, no)
Yeah

I want to get louder
I got to get louder
We ’bout to go up baby, up we go
We ’bout to go up baby, up we go
We’re blowing out speakers
Our heart a little clearer
We ’bout to go up baby, up we go
We ’bout to go up baby, up we go

For worse or for better
Gonna give it to you
In capital letters

In capital letters
In capital–
Gonna give it to you
Gonna give it to you
Gonna give it to you

I want to get louder
I got to get louder
We ’bout to go up baby, up we go
We ’bout to go up baby, up we go
We’re blowing out speakers
Our heart a little clearer
We ’bout to go up baby, up we go
We ’bout to go up baby, up we go
I want to get louder
I got to get louder
We ’bout to go up baby, up we go
We ’bout to go up baby, up we go
We’re blowing out speakers
Our heart a little clearer
We ’bout to go up baby, up we go
We ’bout to go up baby, up we go

For worse or for better
Gonna give it to you
In capital letters

Full Lyrics

Hailee Steinfeld’s ‘Capital Letters’ is a song that belts the euphoria of boundless love and self-discovery. Teetering on the edge of pop anthemics, it’s a true embodiment of what it means to find one’s voice, and consequently, one’s heart, in the vast predominance of young love.

While the track could initially be misconstrued as a simple ode to romantic love, a deeper dive into its lyrical essence reveals a tapestry rich with themes of empowerment, liberation, and the transformative power that comes with embracing one’s truest identity in the face of love.

The Emancipation of Self: Beyond the Fairytales

In ‘Capital Letters,’ Steinfeld constructs a narrative that begins in a state of existential quietude—’Never was a leader/Never had a thing for fairytales.’ These opening lines serve as a confession of self-restraint; a life lived beneath the potential of her voice and truth. It’s about the journey from a life in grayscale to one that is rich with color and sound, set in motion by the catalyst of another’s influence.

The transformation is one that speaks to the human condition, our oft-hidden desire to break free from the shadows of conformity. Steinfeld’s lyrics push this message, urging listeners to find that one spark, whether in love or within themselves, that demands they no longer ‘swim in the shallows’ but instead, rise to the volume and vibrancy of their potential.

The Crescendo of Love: Up We Go

Love, as Steinfeld’s song suggests, is about ascension—the ‘up we go’ that pulls us skyward. It isn’t merely closeness to another person; it’s about volume, clarity, and the amped-up beats of a heart set free. ‘We’re blowing out speakers/Our heart a little clearer,’ she proclaims, marking love as not just a whisper but a shout from the rooftops.

Herein lies an infectious call to action. To love loudly is to live loudly. It’s a melody that resonates with the youthful, the brave, and the romantic, etching the trajectory of a journey powered by harmony and a shared heartbeat that drowns out the noise of everyday life.

Fearless Declarations: The Weight of Capital Letters

One cannot discuss ‘Capital Letters’ without nodding to its titular symbolism. In a world that often communicates in subdued tones and lowercase deliveries, to write in capital letters is to defy the norm—it’s assertive, bold, and unapologetic. Steinfeld’s repeated declaration to deliver love ‘in capital letters’ is the verbal action of staking claim, of giving oneself to love, or to someone, completely.

It’s an empowerment mantra clothed in romance—when she howls that she’s going to ‘give it to you / In capital letters,’ it’s a double entendre of giving one’s full emotional self to love, while simultaneously embracing the fullest expression of oneself.

The Hidden Call to Authenticity

Beneath the flourish of love and loudness, ‘Capital Letters’ reveals itself as a hidden narrative on authenticity. The reference to ‘put a crack in the shadows’ suggests a dawning, an emergence from hiding wherein love provides the impetus to be seen and known in full illumination.

‘And you tell me it’s okay to be the light,’ Steinfeld sings, nodding to the allegorical encouragement we seek that gives permission to anyone hesitant to shine. In love’s acceptance, we find a mirror reflecting our most genuine selves, dissolving the fearful whispers that once urged us to play it safe.

Lingering on the Lyricism: Memorable Lines That Resonate

With its anthemic production, ‘Capital Letters’ boasts many lines that sear themselves into the listener’s memory. ‘Can my heart beat quiet? No’ acts as a subtle war cry, asserting that some parts of us thrum too loudly to be contained.

‘For worse or for better / Gonna give it to you / In capital letters’ solidifies itself as the banner under which the song marches – a commitment to the grandeur of all-consuming love and existence; moments too vast for subdued expression. It’s less a promise and more a proclamation, a tattoo of intent in the language of the bold.

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