Fall by Eminem Lyrics Meaning – Unraveling the Deep Personal and Industry Commentary

You can view the lyrics, alternate interprations and sheet music for Eminem's Fall at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning


You know, everybody’s been tellin’ me what they think about me for the last few months
It’s too loud
Maybe it’s time I tell ’em what I think about them
Can’t hear it coming down the hallway stairs from the parking lot
It’s too loud
Three’s not a crowd all up in it
Slow fire

Don’t fall on my face
Don’t fall on my faith, oh
Don’t fall on my fate
Don’t fall on my faith, oh
Don’t fall on my fate
Don’t fall on my

Gotta concentrate, against the clock I race
Got no time to waste, I’m already late, I got a marathoner’s pace
Went from addict to a workaholic, word to Dr. Dre in that first marijuana tape
Guess I got a chronic case
And I ain’t just blowin’ smoke, ‘less it’s in your mama’s face
I know this time Paul and Dre, they won’t tell me what not to say
And though me and my party days have all pretty much parted ways
You’d swear to God I’ve forgot I’m the guy that made “Not Afraid”
One last time for Charlamagne
If my response is late, it’s just how long it takes
To hit my fuckin’ radar, I’m so far away
These rappers are like Hunger Games
One minute, they’re mocking JAY
Next minute, they get they style from Migos or they copy Drake
Maybe I just don’t know when to turn around and walk away
But all the hate, I call it “Walk on Water” gate
I’ve had as much as I can tolerate
I’m sick and tired of waitin’, I done lost my patience
I can take all of you motherfuckers on at once
You wanted Shady? You got him!

Don’t fall on my face (yeah)
Don’t fall on my faith, oh
Don’t fall on my fate (line ’em up)
Don’t fall on my faith, oh (rrr)
Don’t fall on my fate (look)

Somebody tell Budden before I snap, he better fasten it
Or have his body bag get zipped
The closest thing he’s had to hits is smacking bitches
And don’t make me have to give it back to Akademiks
Say this shit is trash again, I’ll have you twisted
Like you had it when you thought you had me slippin’ at the telly
Even when I’m gettin’ brain, you’ll never catch me with a thot
Lacking with it, “He ain’t spit like this on his last shit”
Hoe, you better go back and listen
You know me better, thinkin’ I’ll slow or let up
Call it trap ’cause it’s a total setup
Hopin’ that you rappers fall in that
Dre said, “Hold your head up” Kathy Griffin
Stackin’ ammunition, slap the clip and cock it back on competition
This is how I shot ahead (pew)
Gabby Gifford, my attack is viscous, Jack the Ripper, back in business
Tyler create nothing, I see why you called yourself a f’, bitch
It’s not just ’cause you lack attention
It’s because you worship D12’s balls, you’re sack-rilegious
If you’re gonna critique me, you better at least be as good or better
Get Earl the Hooded Sweater, whatever his name is
To help you put together some words, more than just two letters
The fans waited for this moment
Like that feature when I stole the show
Sorry if I took forever

Don’t fall on my face (yeah)
Don’t fall on my faith, oh (I won’t)
Don’t fall on my fate (line ’em up)
Don’t fall on my faith, oh (Ha)
Don’t fall on my fate (it’s too easy)

Just remember, I was here before you
And I’ll be here after you make your run-in for you
Detractors, I might have to fuck Pitchfork with a corkscrew
Just what the doctor ordered
Revenge is the best medicine
Increase the dose, from least to most
Then tell the Grammys to go and fuck themselves
They suck the blood from all the biggest artists like some leeches
So they nominate ’em, get ’em there, get a name to MC the show
Every parasite needs a host (ha)
Then give Album of the Year to somebody that no one’s ever even heard of
All I know is I wrote every single word of everything I ever murdered
Time to separate the sheep from goats (yeah)
And I got no faith in your writers, I don’t believe in ghosts
When rap needed it most, I was that wing and a prayer
A beacon of hope put a B-I-R-D in the air
Somewhere, some kid is bumping this while he lip-syncs in the mirror
That’s who I’m doin’ it for, the rest I don’t really even care
But you would think I’m carryin’ a Oxford dictionary in my pocket
How I’m buryin’ these artists
On a scale of turnt you’re minus
Mine says very, yours says hardly
And what’s scary is you probably can compare me to your car
‘Cause I’m just barely gettin’ started (woo)
And far as Lord Jamar, you better leave me the hell alone
Or I’ll show you an Elvis clone
Walk up in this house you own
Thrust my pelvic bone
Use your telephone, then go fetch me the remote
Put my feet up and just make myself at home
I belong here, clown!
Don’t tell me ’bout the culture
I inspire the Hopsins, the Logics, the Coles, the
Seans, the K-Dots, the 5’9″s, and oh
Brought the world 50 Cent, you did squat
Piss and moan, but I’m not gonna fall, bitch! (Yeah)

It’s too loud
Can’t hear it coming down the hallway stairs from the parking lot
It’s too loud
Three’s not a crowd all up in it
Slow Fire

Full Lyrics

Eminem’s ‘Fall’ off the album ‘Kamikaze’ isn’t just another track in the rapper’s expansive library; it’s a sonic embodiment of his raw response to critics and the current state of hip hop. As the beat cascades, Eminem takes us on a journey through his introspections and retaliations.

The song’s charged lyrics are a rich tapestry of personal reflection, industry critique, and unfiltered dissent against what the legendary rapper perceives as a compromised and inauthentic culture. Parsing through the layers of ‘Fall,’ one finds an individual standing in defiance of an ever-shifting musical landscape, while still battling his own demons.

The Audible Defiance – Eminem’s Rally Against His Detractors

The essential core of ‘Fall’ is Eminem’s full-throated riposte to those who have doubted him. The opening lines ‘Everybody’s been telling me what they think about me for the last few months’ sets a confrontational tone for the song, signifying a break from absorption of external judgment to the unleashing of his own.

Through this song, Eminem is literally falling into the fray, refusing to ‘fall on his face,’ his faith, or his fate. This hook becomes a manifesto of perseverance, a relentless commitment to his own path despite the harsh glare of the public eye.

Behind the Barriers – Addressing Personal Battles

Eminem’s admission of going ‘from addict to a workaholic’ acknowledges his journey and transformation. The poignant admission of his relentless resolve alludes to his struggles with addiction and the ceaseless grind of his career, painting a narrative of growth and relentless self-discipline.

These intricate narratives highlight the artist’s fearlessness in exposing his vulnerable underpinnings, defying not only the media’s critique but his own shadowy reflections.

Hungry for Authenticity – Critiquing the Hip Hop Industry

‘These rappers are like Hunger Games’ suggests a survivalist state within the rap industry, where authenticity is compromised for popularity and relevance. Eminem, throughout ‘Fall,’ delineates his distaste for rappers who imitate others for success, positioning himself above the fray of what he sees as copycat musicians.

The track serves as a beacon for originality, positing Eminem’s own career as a bastion of authenticity in an industry filled with emulators and trend-followers.

The Hidden Layers – What ‘Fall’ Says About Eminem’s Legacy

Eminem doesn’t just defend his present; he invokes his legacy, citing his previous works like ‘Not Afraid’ and his role in bringing artists like 50 Cent to the forefront. ‘Fall’ is a testament to his enduring influence on the culture and the industry standards, becoming somewhat of a guardian at the gate of Hip Hop’s history.

The lyric, ‘Just remember, I was here before you and I’ll be here after you’ speaks volumes of his perceived permanence in an ephemeral industry, marking his terrain among the greats.

Unforgettable Lines – Eminem’s Lyrical Precision Strikes Again

Eminem excels in creating lines that not only resonate but imprint themselves in the listeners’ memory. One of the most compelling comes in the form of: ‘Everybody’s been tellin’ me what they think about me for the last few months… Maybe it’s time I tell ’em what I think about them,’ which is both a setup for the song and an inversion of perspective.

‘I belong here, clown! Don’t tell me ’bout the culture’—each word is a reinforced brick in the fortress of his status, a direct message to anyone who dares to contest his place in the rap world.

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