Man of the Year by ScHoolboy Q Lyrics Meaning – Decoding The Hierarchy of Hip-Hop Hedonism
Lyrics
Bruh I see, girls everywhere
Titties, ass, hands in the air
It’s a party over here
Shake it for the man of the year
Uh ma-man of the year
Ma-man of the bounce
Bruh I see, girls everywhere
Titties, ass, hands in the air
It’s a party over here
Shake it for the man of the year
Uh ma-man of the year
Ma-man of the bounce
Bruh I see, girls everywhere
Titties, ass, hands in the air
It’s a party over here
Shake it for the man of the year
Uh ma-man of the year
Ma-man of the bounce
Yeah, home of the party and the trees
Sunny la-land of the G’s
Please let a nigga breathe
Tank top top down for the breeze
Burnt lips, got a blunt full of weed
Peace, love, enemies
Nigga I ain’t come for the beef
You ain’t know she came for the skeet?
Got pipe for the cheeks
Nigga, I’m the life of the beat
Fuck that bitch, she ain’t gotta eat
B-bounce for the crown
You be hating and I still hold it down
When you round man the girls never lounge
Man I heard you a hound
Bruh man, that bitch need a pound
Tip, tip, tip bounce out her gown
Hands high to the sound
Uh yeah I’m the rich nigga now
Bi-bitch, I’m the talk of the town
Make a bitch run her mouth
Go south for the border
Pop, pop, pop, down to the floor
Bounce (bounce)
Uuh, (uuh)
A-huh, (a-huh)
Bounce (bounce, bounce)
Y-y-y-yeah
Bruh I see, girls everywhere
Titties, ass, hands in the air
It’s a party over here
Shake it for the man of the year
Uh ma-man of the year
Ma-man of the bounce
Bruh I see, girls everywhere
Titties, ass, hands in the air
It’s a party over here
Shake it for the man of the year
Uh ma-man of the year
Ma-man of the bounce
Bruh I see, girls everywhere
Titties, ass, hands in the air
It’s a party over here
Shake it for the man of the year
Uh ma-man of the year
Ma-man of the bounce
Uuh, (uuh)
A-huh, (a-huh)
Bounce (bounce, bounce)
Uuh, (uuh)
A-huh, (a-huh)
Bounce (bounce, bounce)
Uuh, (uuh)
A-huh, (a-huh)
Bounce (bounce, bounce)
Yo (y-y-y-yeah)
Home of the slangin’ on the curb
Weed card every corner sell herb
Watch you fly to a bird
Nigga I could pitch you a curb
Let this real shit occur
Make mills from a verb
Nigga cop a crib in the burbs
Nigga you ain’t said nothing but a word
Smoke something for ya nerve
Home of the paid on the first
Then nigga going broke by the third
Bounce for the crown
Fast forward getting real tell me now
Every dog need a cat to meow
Every once in a while
I see hands in the crowds
See whites, blacks blazing a pound, ju-jumping around
Tits, ass bump out her gown
B-b-b-bounce from the ground
High for the sound
This verse straight from the morgue
Pop, pop, pop down from the floor
Bounce (bounce)
Uuh, (uuh)
A-huh, (a-huh)
Bounce (bounce, bounce)
Bruh I see, girls everywhere
Titties, ass, hands in the air
It’s a party over here
Shake it for the man of the year
Uh ma-man of the year
Ma-man of the bounce
Bruh I see, girls everywhere
Titties, ass, hands in the air
It’s a party over here
Shake it for the man of the year
Uh ma-man of the year
Ma-man of the bounce
Bruh I see, girls everywhere
Titties, ass, hands in the air
It’s a party over here
Shake it for the man of the year
Uh ma-man of the year
Ma-man of the bounce (bounce)
Uuh, (uuh)
A-huh, (a-huh)
Bounce (bounce, bounce)
Uuh, (uuh)
A-huh, (a-huh)
Bounce (bounce, bounce)
Uuh, (uuh)
A-huh, (a-huh)
Bounce (bounce, bounce)
ScHoolboy Q’s ‘Man of the Year’ is not merely a track laid against the backdrop of bouncing beats and a party atmosphere. It’s a dissertation on triumph, an exploration of the party lifestyle as sustenance for the psyche of the successful. The song, from the artist’s third studio album ‘Oxymoron,’ thrums with the vibrancy of the West Coast rap scene and stands as a sonic monument to both living large and the deeper nuances beneath the glamour.
Beneath the hedonistic shouts and pulsating production lies a nuanced narrative of fame, success, and the ephemeral nature of both. The track epitomizes the juxtaposition of the highs and lows within the industry, and the personal battles an artist faces in the climb to becoming the ‘Man of the Year.’
The Hedonism of Success: More Than Meets the Ear
At first blush, ‘Man of the Year’ reads as an anthem for unabashed celebration. The incessant name-dropping of pleasure-inducing elements—girls, partying, and consumerism—paints a picture of an artist at the zenith of his career, bathing in the spoils that fame has afforded him. Yet, this is a surface skim of a deeper pool of meaning.
ScHoolboy Q taps into the culture’s narrative that equates success with excess and indulgence. It speaks to the aspirational lifestyle that so many yearn for and the braggadocio spirit that permeates much of hip-hop. The repetition of luxuries serves to emphasize the cyclical nature of this lifestyle – one minute you’re up, the next you could be down, but for now, he revels in the moment.
A Party Anthem with Purpose: The Hidden Commentary
Amid the revelry, ScHoolboy Q’s lyrics encapsulate a criticism of the transient nature of fame and the fickleness of its constituents. ‘Bounce for the crown, Fast forward getting real tell me now,’ he muses, suggesting that his steadfast hold on his title is momentary, and the adulation from the crowds is just as fleeting.
The song’s persistent ‘bounce’ also serves as a metaphor for the oscillating fortunes of the music industry, and possibly a reminder to enjoy the crest of the wave before it inevitably breaks. The subdued reference to ‘home of the paid on the first/Then nigga going broke by the third’ hints at the financial instability that can plague even the most successful artists. It’s a poignant reminder nestled within the celebration.
Lyrical Legerdemain: The Mastery of Brevity
ScHoolboy Q’s lyrics in ‘Man of the Year’ employ an economy of language that maximizes imagery with minimal verbosity. Through a succinct and repeatable hook, he hooks the listener, crafting an earworm that requires little effort to memorize but offers layers for those who mine its depths.
The brevity is by design, inviting audiences to chant along while simultaneously reflecting upon the repetition’s significance. In fashioning a hook that adheres to the consciousness, ScHoolboy Q secures his message’s longevity, embedding it within the very culture he critiques.
Memorable Lines and Their Heft
Certain lines within ‘Man of the Year’ stand taller than the rest, carrying the weight of their meaning beyond the confines of the track. ‘Make mills from a verb,’ for instance, hits with the force of a self-made axiom, encapsulating the power of words in crafting one’s destiny, particularly in the rap game.
Another striking moment ‘Every dog need a cat to meow, Every once in a while’ could signify the artist’s acknowledgment of needing the other—be it a partner, opposition, or audience—to define one’s success. It’s this interplay of reliance and independence that furthers the complexity of the song’s message.
The Verdict: Why ‘Man of the Year’ Resonates
Why does ‘Man of the Year’ resonate with such a broad audience? It could be the intoxicating beats, the hook that lodges itself in your brain, or perhaps it’s because ScHoolboy Q has captured a snapshot of the zeitgeist that feels both candid and curated.
In ‘Man of the Year,’ Schoolboy Q has achieved a balancing act of creating a track that serves both as a club-ready banger and a contemplative piece on the nature of success. It’s a reminder that even at the height of celebration, there is a depth of experience, and a hint of the ephemeral—a duality that the ‘Man of the Year’ lives out loud.
