Poles 1469 by Trippie Redd Lyrics Meaning – Unraveling the Bravado in Modern Rap
Lyrics
Yuh, ayy
Whoa, saucin’, yeah, ayy
Huh, ayy
1400, bitch, you know I tote a pole
With 6ix9ine, bitch, you know we tote them poles
Tote a pole, tote a pole, tote a pole
You talk down, we gon’ let that shit go
Let it blow, let it blow, let it blow
Got the scope, got the scope, got the scope
.223’s and I put ’em to your nose
Let it go, bitch, we let that shit go
Yeah, and send shots off at your dome
Pussy boy, we’ll pull up at your home
You’re home alone, home alone, home alone
Hit your chromosome, bitch, chromosome, uh
Ballin’ White Iverson, talkin’ Post Malone
Yeah, 14, yeah, 14, yeah, ayy, uh
Tote a pole, tote a pole, tote a pole
Let it go, let it go, let it go
(Tote a pole, ah)
I’m toting big shit (big shit)
Get your wig split (wig split)
4-5, I call that the big bitch (big stick)
We don’t miss shit (miss shit)
Get the ribs hit (limbs hit)
Hollow tips hit you with a cross fit
Drum on the gun, it’s a pump with a red beam
Catch him in the bed while he sleep, that’s a wet dream (that’s a wet dream)
Nigga, try and test me
Close range, chest shot, fuck with a vest, B
If a nigga try to test me, I off him (off him)
Put a hole in his head, he a dolphin (you a dolphin)
Pull up on a nigga, you don’t want it (that’s that dummy shit)
Pull up with the Glock, you won’t want it (brrrah!)
I leave a nigga flat, no warning
Scum Gang, bitch, we on it, you don’t want it (ooh, ooh)
1400, bitch, you know I tote a pole
With 6ix9ine, bitch, you know we tote them poles
Tote a pole, tote a pole, tote a pole
You talk down, we gon’ let that shit go
Let it blow, let it blow, let it blow
Got the scope, got the scope, got the scope
.223’s and I put ’em to your nose
Let it go, bitch, we let that shit go
In an industry where the energy and bravado of lyrics often mask deeper commentaries, Trippie Redd’s ‘Poles 1469’, featuring 6ix9ine, presents itself as a perplexing amalgam of aggression, boasting, and a peek into the psyche of today’s youth. The song reverberates with the kind of raw intensity and unapologetic presence that defines much of SoundCloud rap.
On its face, the track is a brash display of power, with lyrical projectiles as its medium. Yet, to dismiss ‘Poles 1469’ as merely a volley of threats would be an oversight. Dive into the gritty layers of subtext and you’ll find an anthem that grapples with identity, territory, and the nuances of a fame-obsessed, challenge-centric culture.
A Symphony of Aggression: Comprehending the Literal Revelations
‘Poles 1469’ oscillates between veritable threats and declarations of supremacy in the SoundCloud rap hierarchy. The ‘pole,’ a slang term for a firearm, becomes an extension of the artist’s limb, a non-negotiable aspect of their existence. The repetition of ‘tote a pole,’ in conjunction with the visceral imagery of violence, produces a chilling anthem for the streets, where might is right, and words are secondary to action.
Trippie Redd and 6ix9ine’s collaborative energy intwines to create a fortress of sound, assaulting the listener with a blend of audacious boasts and a relentless rhythm. Succinct and unruly verses, such as ‘Got the scope, .223’s’, puncture the track’s surface to reveal a stark picture of a life where survival hinges on one’s capability to wield power—be it through words or weapons.
The Metaphor of Might: Peering Beyond the Surface
Delving into the metaphorical realm, ‘pole’ transcends its literal gun connotation to symbolize a psychological tool in the artists’ arsenal. Each verse stands as a pillar, upholding the idea that in the court of public opinion and cultural relevance, self-assuredness and a show of strength are indispensable.
The metaphoric ‘poles’ also reach into the concept of societal divisions, with each ‘pole’ representing a different camp, ideology, or background. In this light, the song becomes a microcosmic depiction of wider societal clashes, with allegiances and rivalries sketched out in the firm lines of rap.
Captivating Slang and the Allure of Linguistic Rebellion
Trippie Redd’s adept use of contemporary jargon—terms that resonate deeply with the youth—crafts a linguistic tapestry that is both encompassing and exclusionary. The language in ‘Poles 1469’ isn’t just about articulation but about belonging, creating a visceral connection with listeners who identify with the song’s rugged syntax.
For those entrenched in the culture from which this jargon springs, every line pulses with recognition and identity. Trippie Redd and 6ix9ine don’t simply use words; they wield them with the same precision and intentionality as the titular ‘poles,’ defining and defending their cultural territory.
Dissecting the Anthem of a Defiant Generation
‘Poles 1469’ presents an anthem to defiance, a theme that resonates with the youth’s desire to assert and protect their own identities. It’s a musical incarnation of the new generation’s narrative, willing to face societal norms with a sustained force and the eagerness to overturn the status quo.
Unsettling and provocative, this song encapsulates the turmoil and defiance that fuel the hearts of young rebels. It’s a melodic insurgence, which, while heavy with bravado and menace, also offers solace to those who seek a voice to echo their own internal upheavals.
Memorable Lines: ‘Hit your chromosome, bitch, chromosome, uh’
Amidst the stark imagery of violence and power, the song provides memorable lines that catch the listener off-guard with their inventiveness. ‘Hit your chromosome, bitch, chromosome, uh’ uses genetic metaphor as a vehicle for impact, suggesting a deeply personal and quintessential breach.
This line, although quick and perhaps easily lost in the barrage of threats, stays with us, hinting at the intricacy with which Trippie Redd and 6ix9ine weave their narratives – a brash surface covering a calculated underpinning that aims not only to showcase rebellious force but to highlight the inescapable imprint they intend to leave on the listener and the music industry at large.
