PUNTO 40 by Rauw Alejandro Lyrics Meaning – Decoding the Vibrant Beats and Bold Messages


You can view the lyrics, alternate interprations and sheet music for Rauw Alejandro's PUNTO 40 at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Tengo una .40 y es para vo- (po, po)
Tengo una .40 y es para vo- (po, po)
Tengo una .40 y es para vo- (po, po)
Tengo una .40
Cuarenta, cuarenta
Cuarenta, cuarenta

Tengo una .40 y es para vo- (po, po) (Saturno)
Tengo una .40 y es para vo- (po, po)
Tengo una .40 y es para vo- (po, po)
Tengo una .40 y es para vo- (po, po)
Tengo una .40 y es para vo- (po, po)
Tengo una .40 y es para vo- (po, po)
Tengo una .40 y es para vo- (po, po)
Tengo una .40 y es para vo- (po, po)
Yeah, Ra-Rauw

No me la haga’ usar
Tengo una .40 (cuarenta)
Y una gata pa’ perrear
Que con ese culo en lo oscuro te revienta, yeah (cuarenta)
Guayando con esa mini tú ‘tá abusando (cuarenta)
Bellaqueando, ‘tamo ignorando lo que está pasando
Baby, tú sí estás más dura que la de ayer
Tírame la señal si te quiere’ perder
Por ahí comentan que mal me quieren ver
Envidioso’, ¿dónde están, que no se dejan ver?

No me la hagan usar
Tengo una .40 y es para vo-
Yo la quiero usar
Tengo una .40 y es para vo-
No me la hagan usar
Tengo una .40 y es para vo-
Yo la quiero usar
Tengo una .40 y es para vo-
Tengo una .40
Tengo una .40 y es para vo-
No me la hagan usar
Tengo una .40 y es para vo-
Tengo una .40
Tengo una .40 y es para vo-
No me la hagan usar
Tengo una .40

Yo de nadie nunca me voy a dejar
Esta noche la vamo’ a formar
Somo’ los favorito’ de la gente
Ello’ no mienten (cuarenta)
No me odien, si estoy con ella
Tengo la más bella, yeah-yeah (cuaren-)
Yo sí puedo que los borren si la tocan a ella
Yo mato por ella (Sube, Raulito)

Quiero darte en four, en la silla
Ponla ‘e rodillas (wuh) y olvida
Te vo’a martillarte
Como un reloj sin las manecilla’
Tú ‘tá bien pilla, chipete
Le gustan los billete’
Y en un día fueron cinco vece’
Le curé la garganta y no fue con los téses
Ella se lo merece
Porque está sabrosa, crujiente como tempura (wuh-uh)
Se desaparece conmigo, no hay cobertura (uh-uh)
Si le doy de la pura, pura calentura (¡rrra!)

(Tengo una .40 y es para vo-)
¡Su!
Oye (tengo una .40 y es para vo-)
Esto es El Zorro (tengo una .40 y es para vo-)
Junto con Los Lobos (tengo una .40 y es para vo-)
Tengo una .40 (tengo una .40 y es para vo-)
Es hora de moverse, papi (tengo una .40 y es para vo-)
Tengo una .40 (tengo una .40 y es para vo-)
Es hora, Rauw, de pasar factura (tengo una .40 y es para vo-)
Tengo una .40
Ra-Rauw
¡Rauw Alejandro!
Rauw Alejandro
¡Su!
Baby Rasta
Baby Rasta
Gringo World Globe Music (cuarenta)
Eme Music
Nosotro’ somo’ influyente’ de la música, anoten (cuarenta)
Saturno
Saturno
Kenobi
Mr. Naisgai
Dímelo, Colla
The motherfucking Sensei

Full Lyrics

In the ever-evolving landscape of Reggaeton, Rauw Alejandro stands out with ‘PUNTO 40’, a track that seems to reverberate with brash confidence and rhythmic domination. While on the surface ‘PUNTO 40’ may surge like a typical party anthem, there’s an undercurrent of self-assertion and an intricate play of metaphors that merit a deeper dive.

There’s an art to reading between the lines of slick production and catchy hooks. This song is no exception; it’s not just a fusion of beats and bravado but a narrative that invites listeners to decode its true essence. Let’s drop the needle on this record and dissect the layers beneath its pulsating surface.

Revolver or Rhythm: The Metaphorical ‘PUNTO 40’

Rauw Alejandro’s arsenal doesn’t contain mere lyrics but loaded stanzas, with ‘.40’ serving as a central metaphor—one that could represent his musical prowess or possibly a lover’s influence. The constant repetition – ‘Tengo una .40 y es para vo-‘ – spins a hypnotic web, indicating possession of something powerful, potentially dangerous, and ever-ready to be unleashed.

In contrast to the potential violence the ‘.40’ invokes, the song funnels this intensity into the realm of dance, suggesting that Rauw’s real weapon is his ability to control the club atmosphere. Through his music, he expresses a readiness to confront any challenge, be it a rival or just a call to the dancefloor.

A Tale of Nightlife and Envy: Setting the Scene

The environment painted by ‘PUNTO 40′ is a nocturnal playground where the rules are dictated by desire and rhythm. Alejandro’s lyrics create a vivid picture—’somo’ los favorito’ de la gente’—where he and his partner revel in being the epicenter of attention, not just for their allure but their enviable chemistry.

Rauw delves deeper into the social current of the nightlife, acknowledging ‘Envidioso’, who wish to see him falter, laying bare the darker side of fame and preference amidst vibrant beats. The awareness of the peril of jealousy underpins the track, even as he dances it away.

Claiming Territory in Love’s Battleground

Peeling back the layers of flirtation and rhythm, ‘PUNTO 40’ offers a twisted romance where Rauw Alejandro protects his territory—his ‘más bella’. The intensity of his commitment speaks of a love so deep, he’s willing to fend off any threat, underscoring ‘Yo mato por ella’.

The promise of aggression for his beloved might be hyperbolic, yet it serves a dual purpose—showcasing his passion and, metaphorically, affirming his resolve to protect what’s his, be it his love interest or his rank in the music game.

The Allure of the Underground: Escaping the Mainstream

There’s a subtext in ‘PUNTO 40’ that hints at an escape—from surveillance, perhaps, or the relentless exposure that fame brings. ‘Se desaparece conmigo, no hay cobertura’ can be read literally as a loss of cell service or figuratively as a dive into a world removed from the public eye where freedom reigns supreme.

Alejandro conveys a retreat into a private, primal space shared between lovers, paralleling his own shift from the mainstream where he can exert full control without the constraints of celebrity status.

Memorable Lines: Vocalizing the Raw and the Refined

‘Le curé la garganta y no fue con los téses’—with this line, Alejandro uses innuendo to playfully allude to intimate moments, yet another facet of his lyrical dexterity. In the same breath, he manages to incorporate street savvy and refined taste—’Porque está sabrosa, crujiente como tempura’.

It’s this seamless blend of the raw and the polished that makes ‘PUNTO 40’ resonate, melding the grit of the barrio with the glamour of upscale life. Such lines leave indelible marks on the listener’s memory, serving as testaments to Alejandro’s versatile genius.

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