Splashin by Rich The Kid Lyrics Meaning – Unraveling the Depths of Hedonism and Success
Lyrics
Ayy, we can fuck lil’ mama, I can’t lip lock (I can’t what)
Gucci, spent a hunnid on some new socks (new socks)
Coulda bought a crib, bought a drop top (skrt, skrt)
I can’t love a bitch, trust no thot (no thot)
Never bring a freak to your spot (whoop, whoop)
Dolce and Gabanna on my flip flops
I don’t do no relaxing (relaxing)
Run up a bag, get the cash in (racks)
Fendi, am I drippin’ or I’m splashin’ (or I’m splashin’)
12, they can’t catch me when I’m passin’
How you got a check and went broke again? (went broke again)
Bitches wanting clout and I ain’t kissin’ ’em (I ain’t kissin’ ’em)
Since I first got them hundreds, I’ve been flippin’ ’em (flippin’ ’em)
Off-White with the Gucci, I might mix-match (I might mix-match)
When I fuck her, you can get your bitch back (get your bitch back)
What the hell she was thinking? I can’t kiss that (why the hell)
Why she ask me where the hell I got my wrist at? (got my wrist at)
Why the hell a hundred-thousand in my backpack? (in my backpack)
Why these bitches think we can come in contact? (come in contact)
This is my drank, this ain’t cognac (this ain’t cognac)
You ain’t get a milli, why you sign that? (why you sign that)
She wanna fuck, I decline that (decline)
Look at my bitch, she a dimebag (bitch)
Look at my pinky, it’s a waterslide (it’s a waterslide)
Rich Forever, come and see the money side (rich, rich)
We can fuck lil’ mama, I can’t lip lock (I can’t what)
Gucci, spent a hunnid on some new socks (new socks)
Coulda bought a crib, bought a drop top (skrt, skrt)
I can’t love a bitch, trust no thot (no thot)
Never bring a freak to your spot (whoop, whoop)
Dolce and Gabanna on my flip flops
I don’t do no relaxing (relaxing)
Run up a bag, get the cash in (racks)
Fendi, am I drippin’ or I’m splashin’ (or I’m splashin’)
12, they can’t catch me when I’m passin’
How you got a check and went broke again? (went broke again)
Bitches wanting clout and I ain’t kissin’ ’em (I ain’t kissin’ ’em)
Since I first got them hundreds, I’ve been flippin’ ’em (I’ve been flippin’)
I flip the money, got my check up (got my check up)
I’m flexing up, but I’m no wrestler (flex)
Blue cheese pockets got the extras (the extras)
I stack the money up like Tetris (Tetris)
How I got two-fifty from my neck up? (neck up, ice)
How I made it from the hood to a Bent truck? (skrt, skrt)
Bitches wanna fuck, I got them lined up (lined up)
How you with the gang but you ain’t signed up? (you ain’t signed up)
Pull out my dick, tell her kiss that (kiss that)
She just want a nigga with a big sack (with a big sack)
Pull out the choppa, we in combat (brrah)
Touchdown on the plug like a lineback (rich)
We can fuck lil’ mama, I can’t lip lock (I can’t what)
Gucci, spent a hunnid on some new socks (new socks)
Coulda bought a crib, bought a drop top (skrt, skrt)
I can’t love a bitch, trust no thot (no thot)
Never bring a freak to your spot (whoop, whoop)
Dolce and Gabanna on my flip flops
I don’t do no relaxing (relaxing)
Run up a bag, get the cash in (racks)
Fendi, am I drippin or I’m splashin’ (or I’m splashin’)
12, they can’t catch me when I’m passin’
How you got a check and went broke again? (went broke again)
Bitches wanting clout and I ain’t kissin’ ’em (I ain’t kissin’ ’em)
Since I first got them hundreds, I’ve been flippin’ ’em (I’ve been flippin’)
In the cacophony of mainstream hip-hop, it’s easy to lose sight of the nuanced storytelling that often underpins braggadocious lyrics. Rich The Kid’s ‘Splashin’ is a concoction of ostentatious wealth, mistrust, and the relentless hustle of a man obscured by his riches. On the surface, the song’s focus on luxury and excess might seem like another page from the rap playbook, yet diving deeper into the lyrics reveals a stylized narrative of wealth, authenticity, and survival in the cutthroat world of the music industry.
To the untrained ear, ‘Splashin’ could be dismissed as merely a tribute to extravagance. However, by examining the carefully chosen motifs and the rapper’s personal journey, it becomes clear that there’s more than meets the eye—or ear. Rich The Kid paints a picture that is a vivid blend of his reality and fantasy, a glimpse into the psyche of those who have emerged triumphant in their pursuit of the ‘American Dream,’ but still find themselves haunted by the specters of their beginnings.
A Symphony of Excess: The Anthem’s Materialist Undercurrent
From the outset, Rich The Kid establishes a tapestry woven with the threads of material wealth, from ‘Gucci’ and ‘new socks’ to ‘drop tops’ and ‘flip flops.’ The rapper’s narrative isn’t just about flaunting wealth—it’s a form of storytelling that uses luxury brands as characters and status symbols as plot points. When he opts for ‘a hunnid on some new socks’ rather than a more permanent asset like a ‘crib,’ the decision underscores a world where immediate gratification and the appearance of wealth are king.
These symbols of opulence aren’t just accessories; they convey a larger message about success and the transformative power of money. Rich The Kid uses these items to communicate his departure from a previous life of constraints into a world where he sets the rules, where his outfit can freely ‘mix-match’ and prerogatives like trust are a luxury he can’t afford—or simply doesn’t desire.
Unpacking the Duality of Trust and Vulnerability
Incessant repetition of ‘I can’t love a bitch, trust no thot’ cuts through the groove of ‘Splashin’ like a stark confession. It’s not just a catchy line—it’s a summation of the defensive stance often adopted when one finds themselves in a new echelon of fame and fortune. Rich The Kid’s aversion to emotional entanglement and his utilitarian approach to relationships point to deeper issues of trust.
Perhaps it’s a symptom of the environment that nurtured him, a protective measure in an industry notorious for its fickleness. As he splashes through the waters of success, he remains alert, lest he drowns in its depths driven by betrayal. This undercurrent of mistrust serves as a reminder that even in the midst of unlimited indulgence, vulnerability is perceived as a risky endeavor.
Breaking Down the High-Flying Hedonism
The unabashed hedonism of ‘Splashin’ is a celebration and a coping mechanism. When Rich The Kid asserts ‘I don’t do no relaxing,’ it’s a display of his relentless work ethic, juxtaposed against an environment where luxury masks the grind behind his lifestyle. The mention of ’12, they can’t catch me when I’m passin” is a brash nod to evading the authorities—a metaphor for dodging the obstacles and naysayers that have attempted to impede his progress.
The bravado of lines like ‘Run up a bag, get the cash in’ encapsulates a mindset fixated on accumulation, oblivious—or perhaps indifferent—to the diminishing returns of pleasure. This brand of hedonism is an integral part of his artistic persona, a commitment to indulgence that draws a line between the haves and the have-nots, amplifying the allure of Rich The Kid’s world.
The Echoes of Success: Hidden Meanings in ‘Splashin”
Beneath the shimmering surface of wealth and opulence lies the song’s hidden meaning—a narrative about survival, identity, and isolation. When Rich The Kid poses questions like ‘How you got a check and went broke again?’ he’s not simply mocking financial missteps—he’s highlighting the precariousness of wealth, especially within the context of his ascent from humble beginnings.
His introspective reflections, ‘How I made it from the hood to a Bent truck?’, serve as a rhetorical bridge between past and present, acknowledging his background while focusing on the present manifestation of his dreams. In these lines, the artist grapples with the reality that money and fame may change one’s circumstances but can’t erase history. His success is both a trophy and a daily reminder of where he comes from.
Memorable Lines: The Sticky Hooks of Success
Rich The Kid’s lyrical arsenal is loaded with lines that stick long after the song fades out. The casual interplay between luxury and relatability in ‘Off-White with the Gucci, I might mix-match’ delivers an audacious sartorial juxtaposition that mirrors his disregard for unwritten rules. It’s these pithy, confident assertions of self-assuredness that resonate with listeners—each one an anthem of defiance against norms and constraints.
Even more striking is the eminently quotable, ‘Look at my pinky, it’s a waterslide.’ It’s a humorous yet potent visualization of his excess. His braggadocio becomes an art form, juxtaposing the childlike whimsy of a waterslide with the serious weight of expensive jewelry. These moments of lyrical levity ignite the imagination, allowing audiences to slide into the fantasy world Rich The Kid has constructed—one where wealth, attitude, and rebellion coalesce into a resonant narrative.
