UK Rap by Dave Lyrics Meaning – A Deep Dive into the Streets and Sheets of London

You can view the lyrics, alternate interprations and sheet music for Dave's UK Rap at Lyrics.org.

Lyrics

She don’t listen to UK rap if it ain’t Dave or Cench
She a six but her friend is a four
A three-way gonna make that ten
Are you sure you wanna make that wife?
We know her since way back when
If it’s a Rolls then it gotta be a Cullinan
G63 if Mercedes-

Wide selection of gyal that we got right now
Go broke and watch them all leave us
I can’t give a ho my jumper, she’ll go home and put it on Depop
I’m in the car with my girl and my guy called me
I’m like, “Bro, you’re on speaker”
Toxic relationship with my bitch
One day, we’re split, now we’re goin’ Antigua
Three man jump out the four-door vehicle
It’s a miracle if a boy don’t get touched
Don’t step on our block and trespass
Gotta check in and apply for a ESTA
Young G came to the Dragon’s Den
He want a nine bar and he need a investor
Uberlux with a thot inside, she ain’t comin’ to fuck
There’s a key in the S-Class
Alright, I come a long way from a Vespa
When I put foot on the gas, wanna hear it rip, nah, I don’t want a Tesla
Come a long way from givin’ out testers
Crackhead itchin’ like he got Eczema
‘Member I tried do fraud on my metro
I got blacklisted like Skepta
Peculiar mixture in a Pyrex like Nesquik
Been livin’ a movie since Block Busters, way before Netflix
I just made a play for a M, it’s 11 AM, I ain’t even had breakfast
She only listen to RapCaviar, she in her car playin’ hella Americans (yeah)

She don’t listen to UK rap if it ain’t Dave or Cench
She a six but her friend is a four
A three-way gonna make that ten
Are you sure you wanna make that wife?
We know her from way back when
If it’s a Rolls then it gotta be a Cullinan
G63 if Mercedes-Benz, huh

Missin’ person, parents think he’s a runaway
The mandem think I’m tapped, two of the same car in a different colorway
Can’t turn no ho to a housewife, more time, just do it the other way
If I ask her to send me a foot picture, she’ll think I’m a weirdo
Back then, man do a robbery, tell a civilian, “Don’t be a hero”
Huh, she got curve like Andrea Pirlo
I know a chick that’ll get into character
Line man up while she nibble his earlobe
Nokia 9010, this phone come like the splits on Distro
Me and bro like Skep’ and Frisco, disco, three man hop out the rental
No need for the drum and bass, call, bae, if you wanna see rude or mental
Huh, I feel like I’m Tony Soprano
Gold tips in a black beater, it’s a man-eater like Nelly Fur-, Nelly
F-feel like I’m Nelly Furtado
Pay him a hundred grand in a Sunderland like Amad Diallo
Try come back from this one
My girl got a job, good salary and I’m still her main source of income
No expiry date on a, uh
Minor setback, man soon grip one

She don’t listen to UK rap if it ain’t Dave or Cench
She a six but her friend is a four
A three-way gonna make that ten
Are you sure you wanna make that wife?
We know her since way back when
If it’s a Rolls then it gotta be a Cullinan
G63 if Mercedes-Benz

She don’t listen to UK rap if it ain’t Dave or Cench
She a six but her friend is a four
A three-way gonna make that ten
Are you sure you wanna make that wife?
We know her from way back when
If it’s a Rolls then it gotta be a Cullinan
G63 if Mercedes-Benz

Dave, often lauded as the poet laureate of the UK streets, weaves a narrative in his song ‘UK Rap’ that stretches beyond simple bars and beats. His mastery of storytelling through rhyme not only gives a voice to the unvarnished reality of British youth but also delves into the psyche of relationships molded by a fusion of affluence and grim urbanity.

At first glance, ‘UK Rap’ may seem like another braggadocios track, but a layer-by-layer dissection reveals the complexity of socioeconomic dynamics, romantic disillusionment, and the stark materialism relayed through Dave’s striking wordplay. The underlying ethos of the music speaks volumes on the state of British youth culture, tinged with a satirical edge that demands a closer listen.

Decoding Dave’s Dialect: The Truth Behind the Glamour

The juxtaposition of ‘a six and her friend is a four’ opens a dialogue about superficiality, where attractiveness is conflated with worth. Dave’s arithmetic of human value exposes the dehumanizing aspect of the fame game, critically examining the reduction of women to mere numbers—a societal fallacy painfully prevalent.

Elaborating on Dave’s reference to ‘a Rolls…or a G63,’ we see the symbols of success not merely as assets but as anchors of identity in the cutthroat landscape of UK rap. These status symbols are passports to respect, fortifying a façade of invincibility that masks the volatility of relationships and success.

From Speakerphone Confessions to Antiguan Escapes: A Tale of Toxic Tenderness

Dave’s vivid storytelling in ‘toxic relationship with my bitch’ lays bare the tumultuous romance—a seesaw of passionate takeoffs and crash landings. The vulnerability phrased as casual banter reflects a deeper struggle, painting a reality where love is both a drug and a battleground, embodied in the resigned backdrop of routine.

The line ‘Three man jump out the four-door vehicle’ throws us headfirst into a scene resonating with tension. It’s this omnipresent undercurrent of force and ferocity that contributes to the ever-present theme of survival, where every interaction is fraught with the potential for confrontation or camaraderie.

Unlocking The Hidden Meaning: Dave’s Gritty Reflection on Social Clout

A glance into the lyrics, ‘Wide selection of gyal that we got right now, Go broke and watch them all leave us,’ spirals into a commentary on fair-weather relations, tying affection to affluence—Dave’s grim prognosis of socio-intimacy dynamics. The artist speaks truth to experience, articulating the fickleness of companionship in a world measured by material gain.

Dave skilfully exploits the motif of identity theft, ‘Member I tried do fraud on my metro, I got blacklisted like Skepta,’ to highlight a metaphorical loss of self in society, where personal value is dangerously intertwined with one’s economic veneer. The reference to Skepta, another UK rap titan, invokes a shared understanding of navigating the urban gauntlet of legitimacy and respect.

Navigating the Verses: A Juxtaposition of Disparate Worlds

‘I know a chick that’ll get into character, Line man up while she nibble his earlobe,’ heralds a narrative of deception and the guerrilla warfare of street romance, illustrating women who match and manipulate the machismo that defines the genre. Dave transposes a narrative of female empowerment, albeit one crafted in the abyss of hard-knock lives.

Continuing into this saga, ‘My girl got a job, good salary and I’m still her main source of income,’ serves as both a braggart’s quip and a biting social critique. While seemingly aggrandizing his fiscal prowess, Dave inadvertently shines a light on systemic inequalities—where economic dependency entwines with romantic engagements.

Memorable Lines that Echo into Eternity

Lyrics such as, ‘Been livin’ a movie since Block Busters, way before Netflix’ encapsulate the paradox of nostalgia and the relentless march of progress. Dave captures the essence of UK rap’s evolution, reminiscing about a tangible shared past while acknowledging the current digitized era of streaming and immediacy.

And in ‘Peculiar mixture in a Pyrex like Nesquik,’ Dave conflates the gritty lab of street pharmacology with the innocuous childhood memory of chocolate milk, offering a stark and disturbing contrast that elicits a gut reaction to the normalized violence and vice of inner-city struggle. It’s the kind of bar that cuts deep, ringing with both poetic ingenuity and disturbing resonance.