Untitled by Eminem Lyrics Meaning – Deciphering the Marvel of Marshall’s Musings
Lyrics
Nah, man, not quite finished yet
(I’m not just one of your many toys)
Haha, woo
Girl, I think you just might’ve tried to pull a motherfuckin’ fast one, I’m mad
You just hurt my goddamn feeling and that was the last one I had
Does this look like an arcade? Tryna play games? See this saw blade?
See this silhouette of a stalker in your walkway?
Better cooperate or get sautéed and rotisseried while you’re hog-tied
MC’s get so quiet you can hear a motherfuckin’ dog whistle when I walk by
Colt Seavers on a mule, stuntin’ on that ass like the fuckin’ Fall Guy
I don’t gas my Mercedes after midnight, I treat it like a Mogwai
‘Cause it will turn into a Gremlin and run over kids, women, and men
Vrin-vrin, motor so big, you can fit a midget in his engine
Bitch, give me them digits, why you cringin’?
Not by the hair on my chinny-chin-chin
Will I spend-spend even ten cents on you, since when
Do you think it’s gonna cost me a pretty penny? Shit, if I think a penny’s pretty
Just imagine how beautiful a quarter is to me, eenie-meenie-miney-mo
Catch an Eskimo by his toe while he’s tryna roll a snowball (you don’t own me)
But don’t make him lose his cool, if he hollers, better let him go, y’all
‘Cause (you don’t own me)
Now here we go, go, go
Get up, baby, get a move on like a U-Haul
You can rack your brain like pool balls
You won’t ever think of this shit, yeah, honey, you called?
Well, here I come, Havoc on the beat, I wreak it
Evil, I see, hear, and speak it
Lady, put your money on Shady, fuck that other weak shit
Put your eggs in the same basket
You can count every motherfuckin’ chicken ‘fore it hatches
‘Cause you can bet your ass that we gon’ get it crackin’
Like the Kraken and Titans when they’re clashin’
Get your brains bashed in so bad, you’re gonna have Kurt Cobain askin’
To autograph a bloodstained napkin
Unfashionable, and ’bout as rational as a rash on a fag’s asshole
Now let’s take that line, run it up the flagpole
With Elton, see if he’s cool with it
Don’t stand there and look stupid at me
Bitch, I ain’t in the mood for this shit
Get my dick, Google it ’til it pops up
Y’all are so motherfuckin’ full of shit that you stopped up
Me, I’m always shittin’ diarrhea of the mouth
‘Til your speakers crap out, huh, what?
Girl, you got a hot butt like a lit cigarette (chig-chigga-ret-ret)
But you won’t get a hot fudge sundae from me
So do not strut my way, slut, because
(You don’t own me)
Now here we go, go, go
And now that I got your panties in a bunch and your bowels in an uproar
I’ma show you why I came, so you stop askin’ me what the fuck for
Now look you little slut, cunt, whore, I know you want more
Bitch, it’s time to put the math back into Mathers
‘Cause I’m a fuckin’ (problem), run, boy
Every flow, got it mastered so every last word that you fuckin’ fags heard
Comes straight from the fish’s ass, yeah, in other words, I’m a bass-turd
Lookin’ at me like I killed Kenny, gas in the tank, yeah, still plenty
No morals are instilled in me, so remorse, I really don’t feel any
Eat your heart out, Hannibal, understandable why you’re jealous
Fuck an animal, I got cannibal magnetism, can’t resist him now, can you, ho?
“Shady, I don’t understand your flow”
Understand my flow? Bitch, I flow like Troy Polamalu’s hair, boy
Don’t you dare try to follow or compare, boy
I’m raw, you ain’t even medium-rare, stay the fuck outta my hair, boy
You can look, you can stare, point, but you can’t touch, I’m too (clairvoyant)
I don’t get it, man, is there a void? All this weak shit, what am I, steroids?
Well, bitch, I’m back with some shit for that ass and your trunk, elephant (hemorrhoids)
And remember, boys
(You don’t own me)
Now here we go, go, go
Thank you for coming out
Hope you enjoyed the show
‘Til next time
Haha, peace
At first glance, ‘Untitled,’ the final track on Eminem’s seventh studio album ‘Recovery,’ might seem like a haphazard closer to an otherwise intensely personal and structured record. But as with much of Marshall Mathers’ oeuvre, beneath the surface-level braggadocio and visceral imagery lies a deeper, more complex narrative.
In this hidden gem, Eminem playfully juggles with language and cultural references, while offering a glimpse into his psyche. His rap prowess is on full display, with wordplay and punchlines that invite listeners to peel back the layers of his intricate persona. But what truly underpins ‘Untitled’ is Eminem’s battle with ownership—of his craft, his image, and his narrative.
A Labyrinth of Language: Eminem’s Wordplay Wizardry
It’s no secret that Eminem possesses a gift for bending words to his will, and ‘Untitled’ is a veritable showcase of his linguistic dexterity. The rapper turns his verses into a playground, bounding from clever puns to striking metaphors. When he raps ‘Get my dick, Google it ’til it pops up,’ it’s not just a boast—it’s a testament to his cultural saturation and his confidence in his ability to stay relevant.
Moreover, the sprawling range of references—from Gremlins to Troy Polamalu’s hair—paints a picture of Eminem’s mental landscape. He’s not just throwing out random pop-culture nods; he’s purposefully crafting a mosaic of the world as he sees it, one where horror films intertwine with sports, where the funny meets the ferocious.
Clash of References: Pop Culture Meets Harsh Reality
Eminem’s art has often walked the tightrope between the world of celebrity and the harshness of reality. ‘Untitled’ is rife with this tension, with Eminem brazenly dropping names and conflating the iconic with the ironic. He’s the sinister silhouette, the chaos-causing Gremlin after midnight, but also the cold observer aware of his tendency to wreak havoc on his personal life and the music industry.
Eminem’s references serve as a coping mechanism, an armor that allows him to deal with his inner demons while simultaneously acknowledging the absurdity of the world he inhabits. It’s this duality that defines much of his work—the personal struggles and the public persona.
Ownership and Autonomy: The Emblem of Eminem’s Existence
At the core of ‘Untitled’ is Eminem’s ongoing struggle with the concept of ownership. He resolutely declares independence from external control, whether it’s by defiantly stating ‘You don’t own me’ or rejecting the romantic advances of a woman who’s crossed him. It’s a refrain that doesn’t just apply to physical possession but to his narrative and his craft.
This song is Eminem’s declaration that he will not be commodified, that his thoughts and his art are his own. This sentiment echoes through much of ‘Recovery,’ where Eminem grapples with regaining control over his life and career after his battle with addiction.
Delving Into the Hidden Depths of ‘Untitled’
‘Untitled’ may mask its depth beneath layers of bravado, but a closer examination reveals Eminem’s acute awareness of his own place in the rap game. He’s aware of the cannibalistic nature of fame, as seen in lines like ‘Eat your heart out, Hannibal.’ His lyrics invite listeners to confront not just the artist’s experiences but also the voracious appetite of an audience perpetually seeking the next big thing.
Eminem confronts his fears, his critics, and the media, questioning everything from his inspiration to his impact. The song thus becomes a microcosm for the artist’s broader tension with the modern state of entertainment and consumerism.
From Puns to Punchlines: Memorably Vicious Verses
Eminem’s ‘Untitled’ brims with lines that stick in the mind long after the track ends, in true Slim Shady fashion. ‘You can bet your ass that we gon’ get it crackin’ / Like the Kraken and Titans when they’re clashin” doesn’t just vividly evoke mythic battles; it also asserts Eminem’s readiness to take on any and all challengers in his domain. His verbiage is visceral, violent, yet artistic—a ménage of his craft.
Perhaps the most memorable facet of ‘Untitled’ is its refusal to conform to easy interpretation or to be neatly categorized. Eminem throws down the gauntlet, both daring us to keep up with his rap acumen and to parse the layers of meaning that he weaves so effortlessly. ‘Untitled’ might be the track’s name, but the song itself is anything but undefined.
