Cheyne Stokes by Chelsea Grin Lyrics Meaning – Unraveling the Deathly Echoes of Retribution

You can view the lyrics, alternate interprations and sheet music for Chelsea Grin's Cheyne Stokes at Lyrics.org.

Lyrics

This will be your bleak dissolution
I will rid the world of your filth
And I will scourge you with no remorse

I will abolish all the pain you’ve caused
By your pillage of the innocent
Your horrid fate will not be quick
Grisly horrors will fall upon you

I will make your insides
On the fucking outside
I’ll tear through your skin
And watch you rot

So where’s your pleasure now?
It’s not so pleasing when you are the one
At the end of this misery

Oh but it is for me to sit
And watch you bleed
So say your final prayer
But I’ll promise you

God can’t show you where to hide

Chelsea Grin’s ‘Cheyne Stokes,’ a track off their eponymous EP, is a devastating storm of metalcore ferocity that goes beyond the realm of sheer auditory assault. As the dissonant guitars and guttural vocals ensnare the listener, the song’s lyrics writhe with themes of vengeance, justice, and a chilling deliverance of pain.

Delving deeper into the cavern of grisly metaphors and stark imageries, ‘Cheyne Stokes’ emerges as more than just a sonic reckoning. It’s an invocation of cathartic destruction towards an entity that personifies evil, a merciless odyssey into the heart of darkness and the consequences reserved for those who’ve sown suffering.

Anatomy of Anguish – ‘I will make your insides on the outside’

Perhaps the most visceral line of ‘Cheyne Stokes,’ these words serve as an embodiment of the song’s wrathful spirit. The gruesome transformation of the body is not an end in itself, but a means to manifest the retribution that the subject is said to deserve. This line is a vivid reminder of the song’s overarching theme: the transmutation of internal wickedness into a spectacle of external torment.

The carnage hinted at in these lyrics is more than physical; it’s a graphic allegory for exposing the true, grotesque nature of a malevolent soul. It is about laying bare the deeds done in the dark and subjecting them to the harsh light of justice.

Echoes of Justice – Peeling Back the Layers of Retribution

Chelsea Grin crafts a narrative of stark retribution, where the protagonist – or rather the executor of justice – vows to ‘rid the world of your filth.’ There’s a palpable sense of cleansing throughout the song, one that speaks to the idea of scourging as both a physical and moral purification.

In ‘Cheyne Stokes,’ this scourging takes on a mythic proportion, akin to the ancient rituals of expiation where only through extreme acts could guilt and corruption be expunged. The song confronts the audience with the uncomfortable question of what justice looks like when faced with the irredeemable.

Unmasking the Villain – ‘By your pillage of the innocent’

Chelsea Grin doesn’t just present an antagonist, but constructs a symbol of vile corruption: one who pillages the innocent. This line draws the listeners’ ire by invoking the basic human instinct to protect the vulnerable. The song thus amplifies its message with a moral imperative, imploring the listener to consider the depths of the antagonist’s depravity.

It is not simply physical violence that earns the wrath of the lyrics, but a breach of the social contract that underpins all civilized worlds. The ‘pillage of the innocent’ line stands as an accusation, highlighting the breakdown of communal trust and the righteous vendetta that ensues.

Finding Pleasure in Pain – ‘It’s not so pleasing when you are the one’

There is a turning of tables in ‘Cheyne Stokes’ that introduces a jarring form of poetic justice. The pleasure once derived from causing misery is now inverted, as the perpetrator becomes the recipient of their previously inflicted horrors.

This lyrical flip reflects a deep-seated desire for karmic balance that resonates through the human experience – the idea that joy found in another’s pain is deserving of an equal and opposite retribution. The lyrics pose a confronting reflection on the nature of suffering and enjoyment, challenging the listener to engage with the darker recesses of their psyche.

The Hidden Divine – ‘God can’t show you where to hide’

Buried within the fierce lyricism of ‘Cheyne Stokes,’ lies a subtle commentary on divine justice and the limits of redemption. By claiming even God cannot provide sanctuary, the song sets up an inescapable fate for the subject; a notion that some sins are so great that they rend asunder any chance of divine intervention or forgiveness.

The line signifies both a challenge to conventional morality and a profound statement on the intractability of certain evils. It undermines the idea of an all-forgiving deity and instead suggests that the universe has a darker sense of equilibrium, one where some acts can place individuals beyond any hope of absolution.