de nadie by Kali Uchis Lyrics Meaning – Unveiling the Layers of Independence and Identity
Lyrics
Tú no te ofendas si no aparezco
El sentimiento yo no lo presto
Es que no soy de nadie, no soy dueto
Please don’t take it personal, nah, nah, nah
If I don’t check up here through the phone, woah
Me dicen bipolar
Porque un día quiero todo
Pero al otro ya no me interesa verte más, ah ah
Me dicen bipolar
A veces fuego, a veces frío
A veces noche, a veces día
Pero soy real, ah ah
Vengo, me voy ya
Yo sé cómo soy, va
I know that I got issues, that’s the truth
And if you get offended, that’s on you
Every emotion I felt that times two
It hurts when you play to lose
Been burned and I’ve been accused, yeah yeah
Me dicen bipolar
Porque un día quiero todo
Pero al otro ya no me interesa verte más, ah ah
Me dicen bipolar
A veces fuego, a veces frío
A veces noche, a veces día
Pero soy real, ah ah
Que si me escribes y no contesto
No te ofendas si no aparezco
Mi sentimiento yo no lo presto
Que no soy de nadie, no soy dueto
Please don’t take it personal, nah, nah, nah
If I don’t check up here through the phone, woah
Me dicen bipolar
Porque un día quiero todo
Pero al otro ya no me interesa verte más, ah ah
Me dicen bipolar
A veces fuego, a veces frío
A veces noche, a veces día
Pero soy real, ah ah
Me dicen bipolar
Porque un día quiero todo
Pero al otro ya no me interesa verte más, ah ah
Me dicen bipolar
A veces fuego, a veces frío
A veces noche, a veces día
Pero soy real, ah ah (nah nah nah nah nah nah nah nah)
Kali Uchis’s sultry voice dances over a smooth, confident beat in her song ‘de nadie,’ crafting an anthem that entwines themes of autonomy and the complexities of emotional availability. With lyrical prowess, Uchis plays a dual role: she’s both the articulator of her spirited independence and the scrutineer of how her behavior is perceived by those who crave her attention.
It’s easy to get ensnared by the track’s seemingly straightforward melody, but Uchis is painting a storied canvas of modern love, self-reliance, and the internal conflicts that come with it. Beyond the catchy chorus and beats, ‘de nadie’ is a philosophical query into the very nature of identity, highlighting the tension between personal truth and societal labels.
Under the Microscope: The Burden of Being Misunderstood
The chorus of ‘de nadie’ resonates as a powerful refrain, where Kali Uchis shakes off the chains of other people’s expectations. By declaring herself as belonging to no one, she’s not just rejecting relationship labels; she’s challenging the very idea that a person can be owned or encapsulated by another’s perceptions. Uchis knows that society is quick to put a name on what it doesn’t understand, and here, she makes it clear she won’t cater to the misdiagnoses.
Uchis’s lyrics are an intimate exploration of what it means to navigate relationships without losing oneself in the process. She asserts her right not to be responsive at all times, an act of self-preservation in a world that often mistakes availability for obligation. This bold declaration is a banner for anyone who has felt the need to assert independence against the tide of societal expectations.
The Stereo Label: ‘Bipolar’ as a Smokescreen
‘Me dicen bipolar’—the repeated line where Kali Uchis is labeled as erratic resonates as a deeply felt expression of frustration. Listeners can feel the sting of being misunderstood and placed in a box of convenient labels that disregard personal depth. Such a label is a reduction, a simplification of the emotional spectrum that Uchis embodies and embraces in her personal journey.
This cry against the bipolar label becomes a cry for authenticity. Uchis doesn’t shy away from owning her fluctuating desires and moods, presenting them not as inconsistencies but as genuine expressions of her multifaceted nature. Like day and night, fire and ice, these opposing states are not contradictions but coexisting truths of her identity.
Riding the Emotional Roller Coaster: The Highs and Lows of Feeling Deeply
The immersive depth of emotion that Kali Uchis reveals in ‘de nadie’ is both a gift and a curse. It’s the raw vulnerability of someone who feels everything with intensity—’Every emotion I felt that times two.’ Her acknowledgment of ‘got issues’ isn’t an apology; it’s an unapologetic ownership that to feel profoundly is to also experience pain in equal measure.
The confession of being scorched and wrongfully blamed is a testament to the cost of living with an open heart. Here, Uchis binds the listener to her experience—an odyssey marked by grievances and misunderstandings—while also holding firm to the truth of her existence, unfiltered and unflinching in its reality.
A Symphony Of Contrasts: Kali Uchis’s Realness in Duality
The duality in ‘de nadie’ serves as a symphony where each note is a deliberate expression of contrast—sometimes desiring closeness and sometimes distancing herself from it. Kali Uchis’s proclamation of being ‘real’ within these fluxes is a powerful reminder that authenticity doesn’t equate to consistency in the eyes of the beholder.
Uchis celebrates this duality not as disorder but as harmony, finding balance in the varying shades of her persona. Her insistence on the legitimacy of this duality defies simplistic narratives around womanhood and emotions, reclaiming the narrative to reflect a more nuanced understanding of the self.
Lingering Lines: When Lyrics Encapsulate a Journey
‘Es que no soy de nadie, no soy dueto’—the lyrics that carry the weight of Kali Uchis’s musical manifesto pierce through the heart of ‘de nadie.’ These words resonate as an enduring echo, a mantra for those journeying on the path of self-discovery and defiance against being owned or defined by someone else.
In these lyrics, Uchis scales the lofty climb of autonomy, valuing her sentiment as sacred, not to be lent or dispersed at another’s whim. It is a declaration that her journey is a solo act—even when intertwined with others, the essence of her path remains distinctly and unapologetically hers.
