LIVIDI SUI GOMITI by Måneskin Lyrics Meaning – Unveiling Raw Youthful Rebellion
Lyrics
È finito il tempo di nascondersi dietro quegli angoli
Adesso dimmi dove corri e perché ansimi
Non l’hai mai visto chi ha ballato coi fottuti diavoli
Chi è cresciuto a sogni forti e mani fragili
Chi è stato spinto nella fossa, schiacciato ai margini
Coperto d’oro e poi trafitto, la bella Kahlo Frida
Davanti a tutti stavo zitto e invece adesso guardami
Quindi tu resta con il tuo gruppo
Striscia, prega, confonditi
A noi il coraggio non ci manca, siamo impavidi
Siamo cresciuti con i lividi sui gomiti
Non ce ne frega un cazzo di te
E del tuo gruppo con cui mangi, strisci, preghi, vomiti
A noi il coraggio non ci manca, siamo impavidi
Siamo cresciuti con i lividi sui gomiti
Non ce ne frega un cazzo di te
E del tuo gruppo con cui mangi, strisci, preghi, vomiti
A noi il coraggio non ci manca, siamo impavidi
Siamo cresciuti con i lividi sui gomiti
Non ce ne frega un cazzo
E se vuoi sapere la mia storia siediti ed ascolta
Dura una manciata di secondi quindi adesso contali
Voler brillare aver paura e tutti gli altri complici
Della paura di brillare che abbiamo da giovani
È una bellissima morale ma da mezzi uomini
Una cultura secolare ma di stereotipi
Disprezza chi ha meno di te e quelli più in alto lodali
Onora tua madre e tuo padre ma da dietro sputagli
Però mi resta la mia strada, gli sguardi, tre amici non codardi
E se il mondo l’ha capito adesso inizierà a guardarci
E sono tanti gli stracci che ho preso senza lamentarmi
Io sono zero, ma lo zero piscia in testa a te e il tuo gruppo
Striscia, prega, confonditi
A noi il coraggio non ci manca, siamo impavidi
Siamo cresciuti con i lividi sui gomiti
Non ce ne frega un cazzo di te
E del tuo gruppo con cui mangi, strisci, preghi, vomiti
A noi il coraggio non ci manca, siamo impavidi
Siamo cresciuti con i lividi sui gomiti
Non ce ne frega un cazzo di te
E del tuo gruppo con cui mangi
Ah sì, del tuo gruppo con cui mangi
Sì, del tuo gruppo con cui mangi
Måneskin, the Italian phenom that has captured the world’s attention, continues to blaze their trail with ‘LIVIDI SUI GOMITI,’ pushing the boundaries of rock and exposing the underbelly of youthful defiance. The song is an anthem of resilience and fearlessness, echoing the battle cries of a generation steadfast in its desire to shake off the chains of societal expectations.
With searing lyrics and a storm of unapologetic energy, Måneskin dives into the complexities of growing up with scars to bear – both physical and emotional. Through their tale of perseverance, emboldened by the bruisings of life’s struggles, they remind us that grit often trumps gloss. Let’s peel back the layers of this provocative track and uncover the meanings etched within its lines.
The Symphony of Scars: Embracing Hardship as Armor
The relentless rhythm of ‘LIVIDI SUI GOMITI’ mirrors the very bruises referenced in its title. Måneskin attaches a very physical manifestation – elbow bruises – to the battles fought and the resilience built in their path to identity. The song evokes a visceral response, compelling listeners to consider their own scars as medals of honor, earned in the pursuit of authenticity.
In a world saturated with picture-perfect illusions, Måneskin strips down pretenses, exposing raw emotion and the pain that has shaped them. The bruises on the elbows signify conscripted soldiers in the war of life, fighting in the trenches and walking away stronger for it.
The Beat of Defiance: The Unwavering Pulse of Courage
Advocating for courage in the face of conformity, the thumping beats of the song underscore the determination to stand apart from the crowd. Måneskin’s robust clarion call, ‘A noi il coraggio non ci manca, siamo impavidi,’ which translates as ‘We are not lacking in courage, we are fearless,’ is not just a phrase but an embodiment of their unwavering spirit.
Each verse reverberates with the courage to be different, to dissent from groupthink, and the refusal to bow before societal norms that dictate obedience and mediocrity. It’s a battle cry rallying those who refuse to blend in, compelling listeners to stay true to themselves even if that means standing alone.
Unwrapping the Hidden Meanings: More Than Just Elbow Bruises
Hidden amidst the call to arms are deeper messages about societal structures and the values they perpetuate. The song challenges the notion of honoring authority without questioning it, taking a jab at the hypocrisy entrenched within traditional maxims like ‘Honor thy father and mother.’
Måneskin contrasts this submissive virtue with the fierce independence of creative spirits who ‘danced with the f***ing devils.’ They speak for those who were pushed to the margins, drawing comparisons to iconic figures like Frida Kahlo, who also bore her scars with an unflinching gaze.
Memorable Lines: Confronting the Cultural Narrative
One cannot gloss over the song’s searing indictment of society: ‘Disprezza chi ha meno di te e quelli più in alto lodali.’ This translates to ‘Despise those who have less than you and praise those above you,’ exposing the duplicity of a culture that worships success while condemning the underprivileged.
By celebrating the scars and the zero-to-hero journey, Måneskin illustrates the inherent power within the undervalued and overlooked. ‘Io sono zero, ma lo zero piscia in testa a te e il tuo gruppo,’ which loosely translates as ‘I am zero, but zero pisses on you and your group,’ is a potent testament to turning nothing into something formidable.
Echoing through Generations: The Timeless Cry of Rebellion
The defiance and resilience Måneskin exalts are not confined to this era. Echoing the timeless cries of rebellion voiced by generations past, the band connects the dots between the historic fight for independence and contemporary struggles to break free.
With ‘LIVIDI SUI GOMITI,’ Måneskin proves that the spirit of rebellion is alive and well, mutating and adapting to the current times. The song is more than just an anthem for the youth; it’s a harbinger for continued cultural shifts, resonating with anyone daring to challenge the status quo.
