Praise God by Kanye West Lyrics Meaning – Unraveling Divine Struggle and Redemption in Hip-Hop


You can view the lyrics, alternate interprations and sheet music for Kanye West's Praise God at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

“That she wrote, Speech to the Young: Speech to the Progress Toward
Say to them, say to the down-keepers, the sun-slappers
The self-soilers, the harmony-hushers
Even if you are not ready for the day, it cannot always be night”

Serve, flex I do work (work), six, I’m like Mike
He’s out of sight (ayy), woo, you done got me piped
Two-man like Ike, six out the spot (uh, uh)
Into the night (ayy)

Yeah, I’m shakin’ the drop (drop)
I’m still up on top (ayy)
I been had the bop (ooh-ooh)
The devil my opp, can’t pay me to stop (it’s lit)
My God at the top (La Flame)

We gon’ praise our way out the grave, dawg
Livin’, speakin’, praise God
Walkin’ out the graveyard back to life
I serve, follow your worth, see with new sight, into the night (hey)

Yeah, this life I’m livin’ (I’m livin’)
All the advice been tipped in (that thing)
Gave me that grip, no slippin’ (that grip)
Out of my mind, went trippin’ (my mind)
Tell me take two when I’m on one (I’m on)
That lookout like no one, kept it real tight like yo’ son (yo’ son)
Yeah (La Flame)

We gon’ praise our way out the grave, dawg
Livin’, speakin’, praise God
Walkin’ out the graveyard back to life (hey)
I serve, follow your worth, see with new sight, into the night (hey)

Still on side, huh, still outside
I just, huh, still outside, huh, still outside
Tame Imp-, Tame Impala
Tame Impala, stay outside, huh
And I’m still outside, I’m still outside, still outside, huh
Let’s get right, huh, let’s get right, uh, let’s get right, uh, huh
Let’s get right, let’s get (ayy, ayy, ayy), let’s get right
Let’s get (ayy, ayy, ayy), let’s get (hey)
Look at new scenes, I opened my life
I’m subject to memes
I signed a few n-, I polished their dreams
An angel on earth come under my wing
Stop runnin’ your publishers, n-
They publish the headlines and say the wrong things
Y’all treat your Lord and Savior like renters’ insurance, you know what I mean?
Bada the bada the boom, I bada the boom, I bada the bing
I need a new girl, my old one was mean
I had to let go, forgave all them evils that came to my shows
I channeled them bad b-, all in abode
I channeled your trust, I channeled the turbulence, came with the life
I gathered my sinners and asked if I’m right
Let’s get, I just get right (huh)
Let’s get right, let’s get right, let’s get right (shh, shh)
Ain’t on sight, it’s on sight
I don’t know you, you, you, you, it’s on sight
I don’t know you, you, you, you (ayy, ayy), let’s get right
Ayy, all of my n- on Channel 5
I don’t channel ten ’til it go time
Used to throw up my Uncle’s spaghetti
Been told to tote since before I was ready
Back when my mama told me that I was challenged
A single Black woman, you know that she petty
I turned a heavy heart to two million dollars
I put that in totals, reverse outta debt
I gotta, I gotta put on the Virgil one time
I snort the powder with magic one time
I know some white people servin’ no time
I gotta do it for me, do it for, pray for me
Do it for all the ones’ dyin’
I wanna do it for all the one’s cryin’
I wanna, uh, uh, uh, let’s get right, huh

Full Lyrics

Kanye West’s ‘Praise God’ is a tumultuous canvas of introspection and spirituality, showcasing West’s lyrical dexterity as he balances earthly trials with celestial triumphs.

In the midst of striking beats and a haunting sample, West delivers an anthemic meditation on the complex relationship between sin and sanctity, providing listeners with a narrative as much about personal revival as it is about universal resilience.

The Dawn After the Dark: A Spiritual Awakening

In the opening lines, sampled from poet Gwendolyn Brooks’s ‘Speech to the Young’, Kanye West transports us into a realm where challenge and progression coexist. West commands ‘the down-keepers, the sun-slappers,’ those who oppress or doubt, to grasp that darkness is not perpetual.

This prophetic intro sets the emotional infrastructure of the song: a relentless pursuit of light amidst the engulfing darkness – an acknowledgment that although ‘it cannot always be night,’ the path traversing through the dark is necessary for growth.

A Lyrical Baptism in the Fire of Reality

Much like the phoenix rising from ashes, ‘Praise God’ captures West’s ascension from the ‘graveyard back to life.’ He pitches himself as both the celebrant and survivor of his life’s ceremony, where flexibility and hard work serve as his liturgical garb.

There’s a juxtaposition within the verse’s core—while his ego flexes with a ‘like Mike’ swagger, he’s simultaneously open about the demonic opposition and personal battles that mark him.

Hidden Meanings: West’s Veiled Lamentations and Revelations

Delving deeper, the song serves as an esoteric map to Kanye’s psyche; the boastful veneers are layered over cryptic admissions of vulnerability. His self-characterization as ‘still outside’ doubles as a profound admission of a personal and industry outsider.

West dons the paradoxical robes of grandeur and modesty. References like ‘Tame Impala’ underscore a dichotomous existence where material success envelops spiritual seeking, pointing towards an ongoing quest for balance.

Praising Through Imperfections: The Celebratory Mantra

True to form, West delivers a refrain that is as much a battle cry as it is a prayer. ‘We gon’ praise our way out the grave, dawg.’ speaks to a testament of using praise as the lever to transcendence. In Kanye’s gospel, praise is the mechanism to rise above mortal binds.

It’s all about movement for West—acknowledging faults, confronting sins, and dancing on the tightrope between blasphemy and holiness. Yet he admits it’s the praising—perhaps of God, music, or even self-worth—that provides the necessary momentum to move forward.

Memorable Lines That Echo Beyond the Beat

West’s artistry adorns the track with lines meant to linger: ‘My God at the top,’ vocalizes an apex of spiritual and perhaps egotistical positioning, reaffirming his belief in divine sovereignty as well as his own place within it.

‘I turned a heavy heart to two million dollars, I put that in totals, reverse outta debt,’ serves as both a humblebrag and a blueprint for transformation—a blend of material gain and the burden of personal troubles as the catalyst for success and change.

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