Red Ruby Da Sleeze by Nicki Minaj Lyrics Meaning – Unmasking the Majesty Behind the Metaphors
Lyrics
Only on them C’s if it’s breeze, Red Ruby Da Sleeze
Chinese on my sleeve, these wannabe Chun-Lis
Anyway, nǐ hǎo (nǐ hǎo)
Who the fuck told bitches they was me now? (Ooh)
I knew these bitches was slow, I ain’t know these bitches senile (ooh)
Married a shooter case you niggas tried to breathe loud (brrt)
Boom your face off, then I tell him, “Cease fire”
I’m the A-B side
Seven-hundred on ’em horses when we fixin’ to leave
But I don’t fuck with horses since Christopher Reeves
(Uh-oh, uh-oh)
Gotta be careful when I dip, it’s flips all in the whip
It’s .40s with .30 clips, FN’s with the switch
Guacamole with the taco, waitin’ on El Chapo
Came in the Rolls and left low in a Tahoe
Bad gyal don’t die-die-die (brrt) (die-die)
Hunnid rounds on that grrah-ta-ta (grrah-ta-ta-ta)
Real one lick a shot-ta-ta (baow)
She my lil’ vibe, my lil’ ah-ah-ah (my lil’ ahh)
Bad gyal don’t run from nobody like, ah (ooh)
Rude boy want me touchin’ on his body like, yeah (ooh)
Boy haffi dead if he ever diss me
You know what to do if he ever miss me
Miss me with that na-na-na-na-na-na-na
I stay with my na-na-na-na-na-na-na
His ex hit him, he like, “Nah-nah-nah-nah-nah-nah-nah”
He want the bad gyal sleeze like that, well, I’m a tease like that
Ill na-na-na-na-na-na-na
He told me bring him that na-na-na-na-na-na-na
We don’t be Karen like Donna-na-na-na-na-na
I like it when he grab my cheeks like that (uh)
Well, I’m a freak like that
Bad gyal don’t die-die-die
Hunnid rounds on that, grrah-ta-ta (grrah)
Real one lick a shot-ta-ta (blaow)
She my lil’ vibe, my lil’ ah-ah-ah (my lil’ ahh)
Bad gyal don’t run from nobody like, ah (ooh)
Rude boy want me touchin’ on his body like, yeah (ooh)
Boy haffi dead if he ever diss me (me, yeah)
You know what to do if he ever miss me
When the Queen leave, bitches wanna come out like a cockroach
Until I’m cookin’ in the kitchen like a pot roast
That new Spectre, we don’t fill pot holes
Dorito bitches mad that they not chose
Shout out my vatos
Shout out to hoes that’s watchin’ me like Movados (click, click, click)
All them, all them botched face photos, why would you post those?
Make a gyal duppy since I heard you like my ghost, hoes
Big truck but I’m alone like Post though
Call Malone and tell him I’m goin’ postal (brrt)
These bitches rappin’ like my blooper roll
Desert Eagle if your nigga actin’ super bold
(Got ’em, got ’em, got ’em) got ’em like, “Uh-oh”
Gun fingers like niggas doin’ the bogle
Ya fuckin’ bozo
That .40 cal’ll make ’em dance like a go-go
Super facts, that’s word to Super Cat
We ah rude gyal yute and we nuh tek back we chat
‘Cause bitches couldn’t walk in my Crocs, that’s word to Dundee
Just a bunch of airheads like Kelly Bundy
Man, these bitches so slow, man, they slower than sloths
Six-hundred horse, how you gon’ catch the boss?
Caught ’em with they hand out, tryna catch the sauce
Thierry Mugler flow, tryna cut the cloth
See the difference is I run businesses
If I ain’t employ you then what ya business is?
I’ll have staff roll up, like what the business is?
Oh, you don’t know that my niggas kill witnesses?
Bad gyal don’t die-die-die
Hunnid rounds on that, grrah-ta-ta (grrah)
Real one lick a shot-ta-ta (blaow)
She my lil’ vibe, my lil’ ah-ah-ah (my lil’ ahh)
Bad gyal don’t run from nobody like, ah (ooh)
Rude boy want me touchin’ on his body like, yeah (ooh)
Boy haffi dead if he ever diss me (me, yeah)
You know what to do if he ever miss me
If you want me to stay
I’ll never leave
If you want me to stay
We’ll always be
If you want me to stay
Love endlessly
If you want me to stay
Nicki Minaj has once again graced the airwaves with another track that veers from the conventional, yet feels eerily familiar to her distinct bravado-laden style. ‘Red Ruby Da Sleeze’ emerged gallantly into the sphere of hip-hop, gripping listeners with its multifaceted lyrics. Loaded with barbs and studded with Minaj’s unapologetic prowess, the song isn’t just a sonic experience—it’s a declaration.
In this crescendo of assertive verses, Minaj goes beyond mere surface-level bravado to disseminate themes of resilience, sovereignty in one’s career and personal life, and the inevitable culmination of being a woman at the top of a highly competitive and often merciless industry. Let’s unpack the treasure trove of metaphors and hidden references Minaj has meticulously strung together in ‘Red Ruby Da Sleeze.’
Unraveling the Regal Imagery: The Crimson Crown
At first glance, ‘Red Ruby Da Sleeze’ appears to boast an array of boasts reflective of Nicki’s reign in rap. However, upon closer examination, the color red becomes a central theme, a nod to power, danger, and the immutable force of feminine energy. It is no mere coincidence that the title references ‘ruby,’ a gemstone known for both its brilliance and durability.
Nicki weaves in Chinese symbols, connecting herself to ancient power and wisdom. Her deft invocation of ‘wannabe Chun-Lis’ isn’t merely a throwaway line but a decisive reminder of both her role as an archetype in modern rap and the proliferation of imitators in the wake of her success.
Metaphorical Mastery: The Equestrian Imagery and Its Darker Turn
Not one to shy away from invoking poignant elements, Minaj unexpectedly switches gears with the line about Christopher Reeves. Here, she harnesses the dual meaning of power and vulnerability, recognizing the risks inherent in the rap game, akin to horseback riding—a balance between control and the potential for disaster.
The tactility of ‘guacamole with the taco’ layers a sense of cultural richness, melding luxury with relatability, while her allusion to El Chapo speaks to an underbelly of danger and the unseen pursuits behind her acclaimed success.
The Hidden Meaning: Autonomy in an Ever-Watching World
Nicki observes the scrutiny of ‘hoes that’s watchin’ me like Movados,’ capturing the pervasive gaze she’s under as a public figure. The song becomes a discourse on autonomy, the pressure to maintain her position, and the isolating effects of fame similar to ‘big truck but I’m alone like Post [Malone]’.
Her claims are not ungrounded boasting but are woven with threads of truth: the song reveals the weighty crown of a queen in the industry who must navigate an ever-watchful and judgmental audience while securing her fortress of self-reliance and authority.
Memorable Lines: Searing into Hip-Hop’s Collective Memory
‘Dorito bitches mad that they not chose’ inflicts a fiery sting on the fleeting and often inauthentic nature of success juxtaposed against Nicki’s longevity. ‘Just a bunch of airheads like Kelly Bundy’ underlines the superficiality she perceives in the industry, a vehemence towards a lack of depth that permeates our culture.
Even more piercing is the introspection masked in the bravado of ‘Thierry Mugler flow, tryna cut the cloth’ acknowledging her exceptionalism while scrutinizing the fabric of her environment. These lines are not only catchy; they serve as a reflection of her reality bereft of sugarcoating.
The Sovereign’s Stand: Conclusion in Commands
The anthem’s refrain ‘bad gyal don’t die-die-die’ surfaces as an undying mantra. Nicki crystallizes her stance as untouchable, resilient, and perpetual. The call to action if ‘he ever diss me’ is not a threat but a command, echoing the consequences of challenging the queen in her court, solidifying her governance.
And In a landscape that’s ever in flux, the permanence in Nicki’s tone creates a musical scripture: her listeners are left with a clear edict that to stay relevant, to ‘love endlessly,’ one must evoke the eternal; much like ‘Red Ruby Da Sleeze’ is positioned to do within the pantheon of hip-hop anthems.
