Still Trappin’ by Lil Durk Lyrics Meaning – Charting the Hustle and Confronting the Streets
Lyrics
Von (Go Grizz)
Woah (Hitmaka)
Von
This ain’t OG, this shit smokin’
This shit Thrax for real (this that Thrax for real)
This that shit that have you chokin’ and got Tooka killed (this got Tooka killed)
Niggas chasin’ clout and claimin’ bodies they ain’t do for real
And my bitch got ass shots, but I promise that this strap is real (yeah, grrah, grrah, grrah)
This ain’t OG, this shit smokin’
This shit Thrax for real (this that Thrax for real)
This that shit that have you chokin’ and got Tooka killed (huh? What? This got Tooka killed, yeah)
Niggas chasin’ clout and claimin’ bodies they ain’t do for real
And my bitch got ass shots, but I promise that this strap is real (damn, damn, grrah, grrah, grrah, uh)
Niggas ain’t gon’ shoot for real (uh-uh)
They ain’t gon’ shoot for real (ain’t gon’ shoot)
Call up Muwop, he grab his Glock and he gon’ shoot to kill (grrah, grrah)
I hit his stains for real, uh
Niggas ain’t gang for real, uh
Niggas go to jail and tell (uh)
I done seen hits from my cell (dead)
Bad bitch posted my bail, uh
Scream, “Fuck 12”, uh (12)
All these bales, came from the cartel (the cartel)
They say I got mail (I got mail, yeah)
Who got nailed? (Who got nailed?)
That boy a trophy, I’ma put him on a shelf (boom, boom, boom, boom, boom)
This ain’t OG, this shit smokin’
This shit Thrax for real (this that Thrax for real)
This that shit that have you chokin’ and got Tooka killed (this got Tooka killed)
Niggas chasin’ clout and claimin’ bodies they ain’t do for real
And my bitch got ass shots, but I promise that this strap is real (yeah, grrah, grrah, grrah)
This ain’t OG, this shit smokin’
This shit Thrax for real (this that Thrax for real)
This that shit that have you chokin’ and got Tooka killed (huh? What? This got Tooka killed, yeah)
Niggas chasin’ clout and claimin’ bodies they ain’t do for real (yeah, it’s Smurk, gang, gang)
And my bitch got ass shots, but I promise that this strap is real (damn, damn, grrah, grrah, grrah, uh)
I ain’t gon’ lie, that shit major
My hoes carry tasers (yeah)
When it comes to this lil’ paper, my shit come in pages (for sure)
When I had to slow down off them drugs, I had to go through phases (for sure)
Even though we fightin’ all them cases, keep them guns on stages (yeah)
Booka gave me X pills, told me chase it but I cannot take it (man, what? Yeah)
Why these niggas actin’ like they real when niggas know they fake it
I can’t take it
He a bitch, just ho his ass
Bro slide with a COVID mask (facts)
Last opp, he overgassed, smoked him (facts)
Goddamn, he got backdoored
Goose, goose, he over-gassed, dope (nope)
Loose screws, I’ll buy they ass poles (gang)
Fool, fool, them chains for the lows (low)
Goof dude, he a stain, he don’t know (bitch)
This TuTu smoke (dope)
Doo-doo, that deuce-deuce blow (go)
Boo-hoo, why you cryin’? You a ho (bitch)
Fuck you, now he mad, he ain’t know (gang)
This ain’t OG, this shit smokin’
This shit Thrax for real (this that Thrax for real)
This that shit that have you chokin’ and got Tooka killed (this got Tooka killed)
Niggas chasin’ clout and claimin’ bodies they ain’t do for real
And my bitch got ass shots, but I promise that this strap is real (yeah, grrah, grrah, grrah)
This ain’t OG, this shit smokin’
This shit Thrax for real (this that Thrax for real)
This that shit that have you chokin’ and got Tooka killed (huh? What? This got Tooka killed, yeah)
Niggas chasin’ clout and claimin’ bodies they ain’t do for real
And my bitch got ass shots, but I promise that this strap is real (damn, damn, grrah, grrah, grrah, uh)
Lil Durk’s ‘Still Trappin’ isn’t just another anthem from the Chicago drill scene—it’s a narrative, woven with the threads of street life, authenticity, and survival. With verses that slice through the glamorized façade of the rap game, Durk delivers a raw depiction of his experiences.
The track, ripe with stark imagery and heavy beats, doesn’t meander around its intentions. It’s a confession, a boast, and a warning siren, all at once. Unraveling the layers of ‘Still Trappin’,’ we find more than rhythm and rhymes—we find a story of grit, determination, and the stark realities of the life Durk knows all too well.
Grit over Glamour: Peeling Back the Façade
Durk’s opening lines cut straight to the chase—this is no ordinary struggle. The reference to ‘OG’ versus ‘Thrax’ labels not just a distinction in drug quality, but a metaphor for the real versus the fake, the substance over the superficial. It’s a world where street cred is currency, and Durk’s assertive claim that his ‘strap is real’ juxtaposes the reality of danger against superficial enhancements, like his partner’s ‘ass shots.’
In these verses, Durk characterizes the duality of life in the trap: the adherence to a code where authenticity holds weight over appearance. There’s a mockery of those ‘chasing clout’ with false claims of violence, underscoring the gravity of the consequences in this hyper-real environment.
The Echo of Reality in Every Verse
Durk doesn’t just paint a picture; he recounts lived experiences with a candor that’s palpable. His reflections on peers who ‘go to jail and tell’ or claims of witnessing ‘hits from my cell’ aren’t just for show; they’re admissions of a life that involve recurring themes of imprisonment and violence.
This authenticity elevates the track beyond mere entertainment. When Durk speaks, his audience listens not to a character, but to a narrator familiar with every street corner he raps about. The song becomes a confession booth, where the rapper admits to the hardships of his past while confronting the realities of his present.
The Trophies of the Trenches: A Dive into Machismo
A standout line, ‘That boy a trophy, I’ma put him on a shelf,’ underpins a grim aspect of street life. It suggests a chilling perspective where human lives are reduced to notches on a belt, a morbid score-keeping of survival or dominance.
Here lies a deeper commentary on how the street code often conflates masculinity with violence. Durk’s lyricism isn’t glorifying this viewpoint as much as it’s acknowledging its existence in the trenches where he’s come from.
Navigating Through the ‘Phases’: Durk’s Personal Evolution
An element of introspection is woven through lines like ‘When I had to slow down off them drugs, I had to go through phases.’ Durk uses his personal battles as a lens to explore broader themes of addiction and the pursuit of clarity amidst chaos.
This rare vulnerability is an example of Durk’s growth, not just as an artist but as an individual. His reflection on the necessity of change, of pushing through the ‘phases’ of recovery and understanding, mirrors a journey many in his audience may be all too familiar with.
Unmasking the Hidden Meaning: Still Trappin’ as a Cautionary Tale
Beyond the beats and bravado, ‘Still Trappin” offers a sobering lesson. Durk’s narrative spotlights the harsh realities of the streets but also serves as a deterrent. His mention of ‘Bro slide with a COVID mask’ captures the essence of a world where masks are worn not just for the pandemic but to conceal identities in the commission of violence. It’s a modern twist on an age-old problem, seamlessly blending current events into the ongoing issues plaguing the streets.
Ultimately, ‘Still Trappin” presents an intricate tapestry of ambition, danger, and realism. It’s an evocative piece that eschews glorification for a more nuanced representation of life in the trap, ensuring listeners grasp the gravity of the choices faced by those who inhabit such worlds.
