Castle by Halsey Lyrics Meaning – Unlocking the Fortress of Rebellion and Empowerment


You can view the lyrics, alternate interprations and sheet music for Halsey's Castle at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Sick of all these people talking, sick of all this noise
Tired of all these cameras flashing, sick of being poised
Now my neck is open wide, begging for a fist around it
Already choking on my pride, so there’s no use crying about it

I’m headed straight for the castle
They wanna make me their queen
And there’s an old man sitting on the throne that’s
Saying that I probably shouldn’t be so mean
I’m headed straight for the castle
They’ve got the kingdom locked up
And there’s an old man sitting on the throne that’s
Saying I should probably keep my pretty mouth shut
Straight for the castle

Oh, all these minutes passing, sick of feeling used
If you wanna break these walls down, you’re gonna get bruised
Now my neck is open wide, begging for a fist around it
Already choking on my pride, so there’s no use crying about it

Crying about it
Crying about it
Crying about it

I’m headed straight for the castle
They wanna make me their queen
And there’s an old man sitting on the throne that’s
Saying that I probably shouldn’t be so mean
I’m headed straight for the castle
They’ve got the kingdom locked up
And there’s an old man sitting on the throne that’s
Saying I should probably keep my pretty mouth shut
Straight for the castle

There’s no use crying about it
There’s no use crying about it
There’s no use crying about it
There’s no use crying about it

I’m headed straight for the castle
They wanna make me their queen
And there’s an old man sitting on the throne that’s
Saying that I probably shouldn’t be so mean
I’m headed straight for the castle
They’ve got the kingdom locked up
And there’s an old man sitting on the throne that’s
Saying I should probably keep my pretty mouth shut

Straight for the castle
They wanna make me their queen
And there’s an old man sitting on the throne that’s
Saying that I probably shouldn’t be so mean
I’m headed straight for the castle
They’ve got the kingdom locked up
And there’s an old man sitting on the throne that’s
Saying I should probably keep my pretty mouth shut

Straight for the castle

Full Lyrics

In the pantheon of pop music, anthems of rebellion and identity often reign supreme, and Halsey’s ‘Castle’ is no exception. With its brooding beat and defiant lyrics, the song serves as both a declaration of self-assurance and a critique of the forces that aim to constrain individuality.

The layered, metaphor-laden narrative woven by Halsey invites listeners into a modern fairytale of power, resistance, and the pressure to conform within the public eye. It’s a story that resonates with anyone who has ever felt stifled by external expectations, beckoning us to explore the castle’s hidden corridors.

A Defiant Stride Towards Sovereignty

From the outset, ‘Castle’ pulses with an air of defiance as Halsey proclaims her intent to march ‘straight for the castle.’ The castle symbolizes not only a place of power but also the pipedreams of fame and the expectations that come along with it. As Halsey approaches, she embodies the reluctant monarch, fully aware of the crown’s weight and the shadows that lurk within the palace walls.

This defiance is not without its costs. Both the fame (the castle) and those who guard it (the ‘old man on the throne’) attempt to domesticate her rebellious spirit. Yet, her resolve does not waver as she contemplates the struggle between authenticity and the glossy facade of celebrity.

The Labyrinth of Fame’s Façade

Halsey’s weariness towards fame’s intrusive nature is palpable through lines like ‘sick of all these people talking, sick of all this noise.’ The incessant flashing cameras and pressure to remain ‘poised’ leave the artist gasping for space and authenticity, a battle that culminates in the visceral image of ‘begging for a fist around it.’

The ‘noise’ is not just auditory. It represents the suffocating myriad of opinions, criticisms, and demands that come hand-in-hand with public life. ‘Now my neck is open wide,’ conveys vulnerability and the paradox of being at once exposed and silenced, a dichotomy familiar to those subjected to the public’s gaze.

Rebellion’s Battle Cry

‘Straight for the castle’ serves as both a direction and a battle cry, underpinning Halsey’s lyrics with an unyielding momentum. It’s a slogan for those who, despite feeling ‘bruised,’ refuse to be casualties in the onslaught against their personhood.

Halsey’s metaphorical ‘castle’ is barricaded; its ‘kingdom locked up,’ evoking the gatekeeping mechanisms of an industry – and a society – that often decides who is worthy of a voice. Her decision to bypass the opaque gates is a testament to her determination to claim her rightful place within music’s pantheon, with or without the permission of the proverbial ‘old man on the throne.’

The Enigmatic Sage: The Throne’s Old Man

One of the most compelling figures in ‘Castle’ is the ‘old man sitting on the throne.’ He looms as a symbol of patriarchal authority, tradition, and possibly the music industry itself—a barrier to Halsey’s ascension and self-expression.

His admonitions – that Halsey ‘shouldn’t be so mean’ and ‘keep [her] pretty mouth shut’ – serve as attempts to enforce decorum and silence. Yet, Halsey resists, questioning the very foundation of a system that seeks to mute the voices of those who threaten its stability.

Unveiling the Castle’s Hidden Chambers

Beneath the tale of power and rebellion, ‘Castle’ harbors deeper meaning about the human condition. It’s a story of introspection: recognizing the futility of ‘crying about it’ acknowledges the necessity to confront challenges head-on rather than dwell on them.

The refrain, ‘There’s no use crying about it,’ becomes a mantra for resilience in the ongoing battle with our inner critics and the external pressures that aim to sculpt us into shapes we do not recognize. By avoiding the indulgence of self-pity, Halsey advocates for a proactive stance in carving out one’s own destiny.

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