Dreams and Nightmares by Meek Mill Lyrics Meaning – Unraveling The Anthemic Journey from Struggle to Triumph


You can view the lyrics, alternate interprations and sheet music for Meek Mill's Dreams and Nightmares at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Ain’t this what they’ve been waitin’ for?
You ready? Uh, uh

I used to pray for times like this, to rhyme like this
So I had to grind like that to shine like this
And a matter of time I spent on some locked up shit
In the back of the paddy wagon, cuffs locked on wrists
See my dreams unfold, nightmares come true
It was time to marry the game and I said, “Yeah, I do”
If you want it you gotta see it with a clear-eyed view
Got shorty, she tryna bless me like I said achoo
Like a nigga sneezed, nigga please, ‘fore them triggers squeeze
I’m gettin’ cream, never let them hoes get in between
Of what we started, lil’ nigga but I’m lionhearted
They love me when I was stuck and they hated when I was departed
I go and get it regardless, draw it like I’m an artist
No crawlin’, went straight to walkin’ with foreigns in my garages
All foreign bitches ménagin’, fuckin’, suckin’, and swallowin’
Anything for a dollar, they tell me get ’em, I got ’em
I did it without an album
I did shit with Mariah
Lil’ nigga, I’m on fire
Icy as a hockey rink, Philly nigga, I’m flyer
When I bought the Rolls-Royce they thought it was leased
Then I bought that new Ferrari, hater, rest in peace
Hater, rest in peace, rest in peace to the parking lot
Phantom so big, can’t even fit in the parking spot
You ain’t talkin’ ’bout my niggas, then what you talkin’ ’bout?
Gangstas move in silence, nigga, and I don’t talk a lot
I don’t say a word, I don’t say a word
Was on my grind and now I got what I deserve, fuck nigga (Maybach Music)

Hold up, wait a minute (minute), y’all thought I was finished? (Whoa)
When I bought that Aston Martin, y’all thought it was rented? (Yeah)
Flexin’ on these niggas, I’m like Popeye on his spinach
Double M, yeah, that’s my team, Rozay the captain, I’m lieutenant
I’m the type to count a million cash then grind like I’m broke
That Lambo’ my new bitch, she don’t ride like my Ghost
I’m ridin’ ’round my city with my hands strapped on my toast
‘Cause these niggas want me dead and I gotta make it back home
‘Cause my mama need that bill money, my son need some milk
These niggas tryna take my life, they fuck around, get killed
You fuck around, you fuck around, you fuck around, get smoked
‘Cause these Philly niggas I brought with me don’t fuck around, no joke, no
All I know is murder, when it come to me
I got young niggas that’s rollin’, I got niggas throwin’ B’s
I done did the DOA’s, I done did the KOD’s
Every time I’m in that bitch, I get to throwin’ thirty G’s
But now I’m hangin’ out that drop head, I’m ridin’ down on Collins (skrrt)
They let my nigga Ern back home, that young nigga be wildin’ (let’s go)
We young niggas, we mobbin’ (mobbin’), like Batman and we’re robbin’ (whoa)
In this two-door Maybach, with my seat all reclinin’
I’m like, “Real nigga, what up? Real nigga, what up?”
If you ain’t about that murder game, then pussy nigga, shut up
If you diss me in your raps, I’ll get your pussy-ass stuck up
When you touchdown in my hood, no, that tour life ain’t good
Catch me down in MIA, at that Heat game on wood
With that Puma life on my feet, like that little engine I could
Boy, I slide down on your block (block), bike on 12 o’clock (rah)
And they be throwin’ deuces, I’m the same nigga they watch (Meek Milly)
And I’m the king of my city ’cause I’m still callin’ them shots
And these lames talkin’ that bullshit, the same niggas that flopped
I’m the same nigga from Berks Street with them nappy braids, that lock
The same nigga that came up and I had to wait for my spot
And these niggas hatin’ on me, hoes waitin’ on me
Still on that hood shit, my Rolls-Royce on E
They gon’ remember me, I say remember me
So much money, have your friends turn to your enemies
And when there’s beef, I turn my enemies to memories
Weigh them bricks, they go for forty, ain’t no ten a ki
Hold up, broke nigga turned rich (rich), love the game like Mitch
And if I leave, you think them pretty hoes gon’ still suck my dick?
It was somethin’ ’bout that Rollie when it first touched my wrist
Had me feelin’ like that dope boy when he first touched that brick
I’m gone
Woo

Full Lyrics

In an era where hip-hop often oscillates between the braggadocious and the brutally heartfelt, Meek Mill’s ‘Dreams and Nightmares’ stands as a seminal work that captures the raw intensity of life on the streets while also encapsulating the dizzying heights of success. Released in 2012, it has since become an anthem, renowned for its visceral narrative and emotional heft, painting a picture of Meek’s journey with a stark honesty that is as captivating as it is revealing.

Peering beyond the surface of its hard-hitting beats and infectious flows, ‘Dreams and Nightmares’ is a dichotomous tale of an individual in transition, grappling with his past while fiercely grabbing at the future. It’s a tale of transformation, perseverance, and the sheer force of will. But to truly understand the lyrical odyssey Meek takes us on, one must delve into the nuances and metaphors woven throughout his rap opus.

The Opening Bell of a Street-Bred Symphony

The haunting piano melody that introduces ‘Dreams and Nightmares’ serves as the prelude to Meek Mill’s autobiographical saga. The low tempo, underscored by Meek’s contemplative rhymes, signals a reflection on the past, a testament to the grind, and a memory of confinement—literal and metaphorical. It’s a crescendo of dreams manifested and nightmares endured, telling of a time when freedom was a mere concept, restricted by the harsh realities of street life and the literal cuffs that bound him.

Here, every line drips with the authenticity of struggle, etching out an elevation from the margins to the main stage. What resonates is not just Meek’s personal ascent but a universal narrative of overcoming adversity. The phrase ‘I used to pray for times like this, to rhyme like this,’ is a repetitive spell, showcasing a climb from desperation to deliberation.

The Pivot Point: A Dynamic Shift from Reflection to Bravado

Mid-track, like awakening from a haunting dream, the beat switches — it’s not merely a change in tempo but a symbolic transformation. As Meek’s voice escalates, ‘Hold up, wait a minute. Y’all thought I was finished?’, it’s clear that a chapter has turned. No longer just a dreamer, Meek commands respect as someone who has actualized his visions. There’s a palpable shift in energy, from the melancholy to the triumphant, mirroring Meek’s own rise from obscurity to the glitz of fame.

In these verses, Meek dexterously flips the narrative, asserting his newfound status with a dizzying display of luxury and power. It’s a celebration of resilience that feels almost religious in its fervor, a sonic hallelujah to the grind that now yields opulent fruit.

Beyond the Bling: A Hidden Message of Tenacity and Truth

Despite the grandiose mention of ‘Rolls-Royce’ and ‘new Ferrari,’ ‘Dreams and Nightmares’ transcends typical rap tropes of materialism. These elements serve as concrete proof of victory, totems of triumph rather than shallow boasts. The real essence here is Meek’s insatiable determination to rise above his circumstances, to use the tangible as evidence of what’s possible when one dares to ‘grind like they’re broke’ while sitting atop a mountain of success.

This tension between the past and the present, the hard-knock life and the lap of luxury, emerges as Meek’s manifesto for those who dare to dream amidst despair. It articulates an unyielding spirit that refuses to succumb to the circumstances from which it arose.

Iconic Bars: Phrases That Seize the Cultural Zeitgeist

Certain lyrics from ‘Dreams and Nightmares’ have taken on a life of their own, transcending the confines of the song to become standalone catchphrases. ‘I’m the type to count a million cash then grind like I’m broke’ operates as a modern age proverb, a rallying cry for hustle over complacency. These words resonate with a generation that values authenticity and the relentless pursuit of one’s goals, regardless of the progress already made.

And then there’s the unapologetic rawness of ‘If you ain’t about that murder game, then pussy nigga, shut up,’ embodying the song’s duality. It’s a line that’s as much about violence as it is about the stakes Meek feels he’s navigating—a stark reminder that for some, the dangers of the street don’t vanish with success; they evolve.

The Lasting Echo: ‘Dreams and Nightmares’ Enduring Cultural Legacy

‘Dreams and Nightmares’ stands as more than a song; it’s become an anthem for the underdog and a banner for triumph over tribulation. The track is a unifying force in the culture of hip-hop, especially in Meek’s hometown of Philadelphia, where it serves as both pump-up track for the Eagles and a sonic emblem of the city’s gritty resilience.

As the final notes fade, what lingers is the emotional resonance of a journey shared. Meek Mill has accomplished something extraordinary with this masterwork—he has crafted a narrative that is as personal as it is universal, a sonic monument that continues to inspire those who dream amidst their nightmares.

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