That’s It by Future Lyrics Meaning – Decoding the Opaque Reflections of Luxury and Loyalty
Lyrics
Look through the ice in this platinum, I did a one-eighty, I went up the wrong way
Look at the bezel, it twinkle and glisten and shine, you gon’ need you some sunblock
Thousands of grams on grams and certified stones, it came on a timeclock
All of my woadies coyotes, we stickin’ together, we comin’ like shottas
Put a tracker on that bitch if you love her, ’cause she comin’ through like a goon squad
I put it on, then it’s over, I got different designers all over
Coupes on coupes, chop the top off the Rolls-Royce truck, you know it’s gon’ be over
Bitch do whatever I say, she on front line, come through like a soldier
Now that you got my attention, you ’bout to get put on suspension if I see the greed
Like I’m a part of the lynching, got twenty-one chains on my neck, had to go Dominique
Break the codeine and roll up a leaf, I fuck on his bitch, now she so bossy
Stella McCartney, I’m drippin’ so nerdy, my fit was a birdie alone, that was it
Talk a few bales, oh yeah, that’s it
Burnin’ down Rodeo, oh yeah, that’s it
I could put it on a scale, oh yeah, that’s it
Ballin’ in Chanel, like a player, that’s it
Rainbow Rollie, oh no, that’s it
Got a bisexual girl, that’s it
Do it professional, girl, that’s it
Treat me like a mayor, oh yeah, that’s it
Put her on a jet at the Clear, that’s it
She got no face, and for me, that’s it (that’s it)
I’m pulling her hair every time, that is it (that’s it)
She don’t wear no underwear in my crib (my crib)
Every time I’m in it, you know I’m gon’ slip (gon’ slip)
Touchin’ on the water, start matching my wrist (whoa, whoa)
Off an X pill, it look like exorcist (off an X pill)
I ain’t never tell her was ready for this, that’s it (me and Wheezy, that’s the wave)
Look through the ice in this platinum, I did a one-eighty, I went up the wrong way
Look at the bezel, it twinkle and glisten and shine, you gon’ need you some sunblock
Thousands of grams on grams and certified stones, it came on a timeclock
All of my woadies coyotes, we stickin’ together, we comin’ like shottas (coyote)
Put a tracker on that bitch if you love her, ’cause she comin’ through like a goon squad
I put it on, then it’s over, I got different designers all over
Coupes on coupes, chop the top off the Rolls-Royce truck, you know it’s gon’ be over (O-V)
Bitch do whatever I say, she on front line, come through like a soldier (yes)
I walk around, can’t get sidetracked
Walking around with them thigh pads
Movin’ so sneaky, my ‘Sace, Venini, my body graffiti (whew)
She’s tryna blow off my mind, she’s tryna get my release (my release, yeah)
Bought her Chanel No. 9, now my girl smell like a peach (smell like a peach)
This ain’t my second piece, yeah, do you get it?
Don’t aim at your tee, we aim at your fitted (ayy)
We upgrade our choppers, we upgrade the blicks (yeah)
The guns that we got is two seconds, no minutes (baow)
I got two milli’ on my chest
Bitches line up like a contest
Smokin’ on Keisha, so I sip
I’m gettin’ my checks like Nike (whoa, whoa)
Molly off-white, it’s lightskin
Countin’ up mula like Weezy F. Baby (Mula)
I walked in the jeweler and I had to go crazy (Young Mula)
Surfed in the bitch, Honolulu
Now she wanna go do voodoo (surf)
Rich shit, Balenciaga house shoe (rich shit)
I trap every day like the rent’s due (trap)
For a milli’ or the Richard Mille gloss
Look through the ice in this platinum, I did a one-eighty, I went up the wrong way
Look at the bezel, it twinkle and glisten and shine, you gon’ need you some sunblock (coco)
Thousands of grams on grams and certified stones, it came on a timeclock (for sure, though)
All of my woadies coyotes, we stickin’ together, we comin’ like shottas (let’s go)
Put a tracker on that bitch if you love her, ’cause she comin’ through like a goon squad (whoa, whoa)
I put it on, then it’s over, I got different designers all over
Coupes on coupes, chop the top off the Rolls-Royce truck, you know it’s gon’ be over (whoa)
Bitch do whatever I say, she on front line, come through like a soldier
Future’s track ‘That’s It,’ produced by frequent collaborator Wheezy, sizzles with the flair of haughty extravagance and cryptic nods to steadfast loyalty. More than a mere reflection of wealth and hedonism, this track unravels the complex tapestry of rap culture’s obsessive glorification of opulence and unspoken codes of brotherhood.
Through a labyrinth of sharp metaphors and boisterous declarations, ‘That’s It’ entices listeners into a world where superficiality and depth are interwoven. It serves as a pristine avenue to explore the psyche of an artist who navigates fame’s tributaries, while still anchored by the crux of street principles.
The Bezel and Beyond: A Dive into Material Majesty
The glistening bezel that Future flaunts serves as a symbol of success, not just for its monetary value but for its power to captivate and outshine. It’s a persuasive emblem of power and prestige, acting as a sun around which the rest of society orbits, powerless against its gravitational pull. The need for ‘sunblock’ becomes an analogy for the blinding effect of his wealth on onlookers—beautified, excessive, inescapable.
This obsession with the physical parallels the track’s constant return to themes of substance over illusions of depth. The hypnotic repetition of ‘that’s it’ underscores the notion that in Future’s universe, these emblems of wealth are the pinnacle, the absolute – there is nothing further to seek, no higher truth beyond the platinum ice.
More Than Ink on Skin: Dissecting References to Loyalty and Brotherhood
Future’s comparison of his crew to ‘all of my woadies coyotes, we stickin’ together, we comin’ like shottas’ is telling. It’s a grim portrayal of loyalty, concocted from street vernacular and drenched in the blood of solidarity. The animalistic imagery anchors the idea that brotherhood is primal, a survival trait honed in the urban wilds that shape and define his world.
Yet, this brotherhood comes with a caveat. The mention of a ‘tracker on that bitch’ hints at distrust within intimacy, juxtaposing love with control, suggesting that even the deepest affections are vulnerable to the corrupting influence of fear and the pursuit of power. Future paints a world where loyalty must be enforced, and only the most vigilant and cunning can evade betrayal’s sharp-toothed menace.
Deciphering the High Fashion Codes in ‘That’s It’
The universe within ‘That’s It’ is embellished with the names of high fashion brands, ‘drippin’ so nerdy, my fit was a birdie’ signifies a certain ‘nerdy’ attention to detail in the choice of outfit, one that achieves perfection— or a ‘birdie’ in golf terms. In this garden of materialism, one’s attire becomes an extension of their worth and social currency.
But Future’s references to luxury also serve to establish a hierarchy within his world. Donning Chanel and Balenciaga distinguishes him as not just a successful artist, but as an arbiter of taste, a protagonist in the narrative of glamorous excess, and crucially, a person who, despite the larger-than-life persona, meticulously curates his self-presentation down to the soles of his Balenciaga house shoes.
Navigating the Seas of Narcotic Nihilism
Substance abuse is often glamorized in contemporary rap, but in ‘That’s It,’ there’s an undercurrent of nihilism that adds a layer of darkness to the euphoric high. Future’s admission of drug use ‘Off an X pill, it look like exorcist’ is a stark portrayal of the transformative—and possibly destructive—power of narcotics on the human psyche and spirit.
Yet, even as he navigates these tumultuous tides, there is a calculated coolness to his tone. This isn’t just about mind-altering experiences. It’s about maintaining control amidst chaos, a testament to Future’s ability to weather the storms that come with the luxuries and leviathans of his lifestyle.
Memorable Lines: The Syntax of Seduction and Control
The line ‘She don’t wear no underwear in my crib, every time I’m in it, you know I’m gon’ slip’ isn’t just lascivious boastfulness; it’s a power play. Future is making clear that within his domain, he commands not only respect but complete submission. It’s as if he’s puppeteering a world where every aspect bends to his will and desire.
The invocation of ‘the mayor’ further builds on this framework. In Future’s universe, he isn’t just a figure of affluence; he’s the elected official of his own hedonistic city-state, dictating terms, presiding over excess, and commanding obedience. It’s a crossroads of ego and command, each line dripping with the authority of someone used to being heeded without question.
