No Pole by Don Toliver Lyrics Meaning – A Deep Dive into Liberation and Dependency
Lyrics
Uh-uh, yeah-yeah, yeah-yeah
Uh-uh, yeah-yeah
She don’t wanna strip no more, don’t wanna hit that pole (oh)
Hit my old plug, I get it in and go (ooh, ooh)
Shawty owe me something, better pay your toll (pay, yeah, pay, yeah)
I lick the spoon and I scrape the bowl (skrrt, skrrt)
Scrape the bowl (skrrt, skrrt), scrape the bowl (skrrt, skrrt)
Like did you get the memo?
She eat out of the relay
I’m poppin’ hella Skittles
Then I can solve your riddle
Will smoke you like it’s menthol
This dude is crazy mental
A suave, hood hero
Got johnny dang dental
She’s a nympho
She slobbin’ on her pillow
Got chicken, Rob’ De Niro
She’s too gone and she can’t hear, yeah (ooh, ooh)
She don’t wanna strip no more, don’t wanna hit that pole
Hit my old plug, I get it in and go
She don’t wanna strip no more, don’t wanna hit that pole (oh)
Hit my old plug, I get it in and go (ooh, ooh)
Shawty owe me something, better pay your toll (pay, yeah, pay, yeah)
I lick the spoon and I scrape the bowl (skrrt, skrrt)
Scrape the bowl (skrrt, skrrt), scrape the bowl (skrrt, skrrt)
Seen way too many ones
I’m ’bout to go some hunnids (I’m ’bout to throw some hunnids)
In that old life that you run from
Baby girl, keep running (ooh, keep running)
It’s pressure with me, sexually (sexually)
Check my bank account (ooh, ooh), it’s precious to me
Got my anchor out (ooh, ooh), I’m locked in your sea
You know you my baby now, you’re special to me
I bought you time, I bought you diamonds, you can keep the receipt
I got you down, I got you loose, I guess you owe it to me
Is you down or nah? Fuck around, find your spot
I get you lit, lit, drunk, trip
Watch me slip inside, yeah-yeah
She don’t wanna strip no more, don’t wanna hit that pole (oh)
Hit my old plug, I get it in and go (ooh, ooh)
Shawty owe me something, better pay your toll (pay, yeah, pay, yeah)
I lick the spoon and I scrape the bowl (skrrt, skrrt)
Scrape the bowl (skrrt, skrrt), scrape the bowl (skrrt, skrrt)
I know she don’t wanna
Pull out, sent her on her way
She don’t wanna hit the strip club, no, no
She don’t wanna go strip, no, no
She don’t wanna go strip, no way
To the untrained ear, Don Toliver’s ‘No Pole’ might just seem like another addition to the trap genre’s largess—full of bravado, lust, and the cryptic lingo of the streets. Yet, upon closer listen, ‘No Pole’ reveals itself as a narrative rich with subtext, melding the everyday grind with a more introspective look at liberation and dependency.
In the exploration of this piece, one is compelled to peel back the layers of its seemingly straightforward message, to unearth a more complex commentary on personal growth and empowerment that resonates far beyond the striptease it ostensibly describes.
Escaping the Grind: A Striptease of Personal Liberation
At first blush, the chorus’ repetition of ‘She don’t wanna strip no more, don’t wanna hit that pole’ seems to underline a simple desire to break free from the literal act of stripping. Yet, as Toliver weaves his narrative, it becomes clear that this refrain is a potent metaphor for shedding one’s old skin, resisting the gravitational pull of a former life laden with expectation and exploitation.
The protagonist’s companion in the song is more than an individual; she embodies everyone’s battle to escape the ‘strips’ of their past—the jobs, relationships, and identities that confine and define them against their will.
Transaction or Relationship? Navigating the Complexities of Dependency
While the subject of the song initially seems in control, with Toliver commanding ‘Shawty owe me something, better pay your toll,’ a deeper examination suggests a symbiotic, albeit somewhat exploitative relationship. The lyrics speak to the intricate dance between freedom and the inevitable lean on others, questioning whether liberation can truly exist without detachment from these binds.
This push and pull, vividly depicted through the imagery of owed debts and anchoring each other down, illustrates the complexity of human interaction and the blurry line between using and caring for one another.
The Hidden Meaning Behind ‘I Lick the Spoon and I Scrape the Bowl’
The lyric ‘I lick the spoon and I scrape the bowl’ might be earmarked as a memorable hook, but it’s rife with a deeper significance. Toliver isn’t just content with the taste of victory–he’s savoring every last drop of success, making the most out of the opportunities seized.
It stands as a powerful symbol for the thoroughness with which he and his companion intend to rewrite their destinies, refusing to leave anything on the table in their pursuit of a new life.
Settling Scores with the Past: The Ritual of Throwing Hundreds
The verse ‘Seen way too many ones, I’m ’bout to go some hunnids’ punctuates a certain disdain for a minimalist existence and a voracious hunger for abundance. The act of throwing hundreds, often associated with strip club bravado, is recontextualized here as a cleansing ritual. Toliver is not just flaunting wealth; he’s casting off the chains of a past replete with small victories and settling the real or metaphorical debts associated.
Such verses underline the theme of ascension from a life of petty gains to one of substantial, meaningful prosperity, allowing for a broader interpretation of the song as a blueprint for progress.
Memorable Lines that Echo Beyond the Music
The riddle ‘Will smoke you like it’s menthol, This dude is crazy mental’ amidst the descriptions of nymph-like women and Skittles can be baffling at first. However, the intrigue lies not in the literal smoking reference but in the clever wordplay signifying how past habits and vices can consume an individual whole—adding another layer to the song’s meditations on overcoming inner demons.
‘No Pole’ is speckled with phrases that linger in the psyche long after the song ends, serving as reminders that transformation is as much about a new mindset as it is about changing circumstances. As listeners, we’re invited into Toliver’s world not just to observe, but to reflect on our own paths and what we might be clinging to—or letting go of—in pursuit of freedom.
