Life Goes On by Oliver Tree Lyrics Meaning – Unpacking the Persistent Beat of Existence
Lyrics
I’ma feed you to the wolves
When you get nasty, back at me
But, baby, don’t distract me
I’m a goner, I lost her
Like why the hell you wanna
Play me that way? You’re bad, babe
You double-faced entendre
Life goes on and on and on and on and on and
On and on and on
On and on and on and on and on and
On and on and on
On and on and on and on and on and
On and on and on
On and on and on and on and on and
On and on and on
Babe, you best believe it
I’ma rip you up to pieces
I’m a lover, not a fighter
But I’ll light this place on fire
I want it, I’m on it
But, babe, at least I’m honest
I get tired of explainin’
As these seasons keep on changin’
Life goes on and on and on and on and on and
On and on and on (yeah, yeah, yeah, yeah)
On and on and on and on and on and
On and on and on (yeah, yeah, yeah, yeah)
On and on and on and on and on and
On and on and on (yeah, yeah, yeah, yeah)
On and on and on and on and on and
On and on and on (yeah, yeah, yeah)
Work all day, and then I wake up
Work all day, and then I wake up
Work all day, and then I wake up
Work all day (yeah, yeah, yeah)
Work all day, and then I wake up
Work all day, and then I wake up
Work all day, and then I wake up
Work all day
(Yeah, yeah, yeah, yeah)
(Yeah, yeah, yeah, yeah, yeah)
(Yeah, yeah, yeah, yeah)
(Yeah, yeah, yeah, yeah, yeah)
(Yeah, yeah, yeah, yeah)
(Yeah, yeah, yeah, yeah, yeah)
(Yeah, yeah, yeah, yeah)
Oliver Tree’s ‘Life Goes On’ is not just another catchy tune to add to your playlist; it’s a multi-layered narrative veiled within upbeat tempos and sing-song choruses. The track delves into the nuances of human emotion, relationships, and the incessant passage of time, all themes that resonate with Tree’s ever-growing fanbase.
As the looping refrain promises, life does indeed go on, but Tree’s interpretation is hardly as straightforward as the words may imply. The song’s infectious melody stands in contrast to the complexity of its subject matter, a technique that Oliver Tree has come to master. Let’s dig deep into what resonates beneath the surface.
The Paradox of a Lover and a Fighter
Tree’s persona vacillates between being a ‘lover’ and a ‘fighter,’ an internal struggle that is as old as time. However, his contemporary spin on this duality highlights the fractious nature of modern love, where maintaining the balance between passion and peace becomes a battleground unto itself.
The dichotomy of wanting to ‘rip you up to pieces’ while asserting he’s not a fighter but a lover who could ‘light this place on fire’ speaks volumes about the intensity and volatility of Tree’s envisioned relationships. It also portrays a universal tension within us – the desire to engage but the necessity to defend.
No Coincidence: The Droning On of Existence
The repetitive mantra ‘Life goes on and on and on’ is more than a catchy phrase; it is a meditative reflection on the relentless march of time. The hypnotic nature of these lines echoes the monotony many feel in their day-to-day existence, heightened by the bridge’s relentless work-sleep cycle.
This segment could be Oliver Tree’s nod to the all-too-common grind many face, hinting at a critique of the hustle culture that glorifies overwork and undervalues personal fulfillment. The ‘yeah, yeah, yeah’ might be Tree’s indifference to the mundane routine or possibly, a surrender to its inevitability.
The Revelation in Disguise: A Hidden Meaning
While first impressions lean heavily on a tale of personal relationships and societal commentary, ‘Life Goes On’ harbors layers that reach deeper into existential territory. The song addresses identity, persistence, and acceptance of life’s paradoxical twists in its verses.
The use of the ‘double-faced entendre’ points towards the inherent deceptions in interactions and perhaps, self-delusions we entertain as coping mechanisms. Breaking through the surface reveals a candid look at the song’s narrative on personal growth amid deceit and confrontation.
Captivating Lines That Echo in the Mind
Among the song’s most gripping lyrics is the first verse ‘Babe, you too controllin’, I’ma feed you to the wolves,’ bringing forth an imagery of liberation from control and a return to the wild, raw aspects of life.
This line stands out for its bold assertion of autonomy and serves as a pivotal moment in the track where the protagonist chooses self-preservation over toxic entanglement. It’s a memorable line that invites listeners to contemplate their relationships with control, be it external or internal.
The Audacious Honesty in Oliver Tree’s Expression
Central to the song’s appeal is Tree’s audacious honesty, fashioning a narrative that’s as genuine as it is provocative. He manages to capture the essence of a generational angst – ‘I want it, I’m on it, but, babe, at least I’m honest’ – a candid declaration of his motivations and truths.
In an age where authenticity is often upheld yet rarely-practiced, Tree’s forthrightness strikes a chord. This aligns with his broader artistic ethos, where rebellion against the norms, even within the musical tapestry, becomes a form of lyrical confession and, ultimately, liberation.
