Sacrifices by Drake Lyrics Meaning – Unpacking the Struggle Beneath the Surface


You can view the lyrics, alternate interprations and sheet music for Drake's Sacrifices at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning

Lyrics

Wrote this shit, January 21
Baby girl, I had to run, I’ll be back a couple months
Kendall turned 21, was up the street with 21
They could see me online but they won’t see me on the ones
I got Dubai plates, in the California state
I got her waitin’ at my place, I got no baby on the way
I’m talkin’ Baby like Stunna, I’m talkin’ Baby like Face
Lost millions in the past, I’m talkin’ maybe like eight
Couple niggas from the city wishin’ on a star, can they be like Drake
Sorry no, not today, you gotta find your own way
Big dog from the 6, I’m talkin’ Dogg like Nate
My shit be raw out the gate, I don’t need another take
40 got house on the lake, I ain’t know we had a lake
She complainin’ how I’m late, I ain’t know it was a date
Niggas see me in person, first thing they say is, “I know you need a break”
Hell naw, I feel great, ready now, why wait?
Like a kiss from a rose, I could be the one to seal your whole fate
So be careful what you think, think about what you gon’ say
Gotta deal with people straight, I got my 23’s laced
It’s a marathon, not a sprint, but I still gotta win the race, yeah

And I’m convinced
I made sacrifices, I been ballin’ ever since
We seein’ so many blessin’s, shit don’t make no sense
Someone watchin’ over us, so shout goes out to him
Yeah, I’m convinced
I made sacrifices, I been ballin’ ever since
Yeah, I did some wrong, I had no choice, in my defense
Someone watchin’ over us, so shout goes out to

2 Chainz, I’m a real one
Few shows, that’s a mil run
When she bust it down, I said, “Thanks for givin’ to me,” like a pilgrim
Cold world, I be chillin’
Earmuffs on the children
Used to trap out the Hilton
Got wood on the Cartiers, that’s a face full of splinters
Count a bankroll for dinner
This the wrong place to enter
Phone sex, just for breakfast
All kinda women text us
Met her at the Super Bowl, told her I stayed down the street from Texas
A-Town, I stay down
Yeah, it’s all in the wrist
This one here out the fence
Trap jumpin’ like the Carter
Mean it jumpin’ like Vince
Moved on from the election
Introduced her to the plug, can’t believe they tried to take the connection
Ooh, girl, you a blessin’
Fine ass, be finessin’
Yeah, I love my fans but I don’t wanna take pictures in the restroom
Drench God with the 6 God
Point guard and the two-guard
“Pretty Girls Like Trap Music” so I woke up with my wood hard

And I’m convinced
I made sacrifices, I been ballin’ ever since
We seein’ so many blessin’s, shit don’t make no sense
Someone watchin’ over us, so shout goes out to him
Yeah, I’m convinced
I made sacrifices, I been ballin’ ever since
Yeah, I did some wrong, I had no choice in my defense
Someone watchin’ over us, so shout goes out to

I was stealin’ from a bitch (slime), back when I was 21 (facts)
My favorite gun was a SIG (nine), 20 in the clip, head one (no cockin’)
Growin’ up, I was a runnin’ back, you never made me ran once (goddamn)
I got shot, sweat started runnin’, that shit was red like Hunt (Ketchup)
I’m kickin’ pimpin’ like I punt (beat it), but don’t you think shit’s sweet
I’m talkin’ sweet, deer meat (ooh), I’m talkin’ suite like he sleep (like he sleep)
We ain’t doin’ too much talkin’, I’m talmbout talkin’ like a speech (election)
Like the President I kill ’em neat (scammers), I’m talkin’ neat like freak
I’m talkin’ neat like fleek, I’m talkin’ neat like a geek
You come with beef, I eat a B
I’m talkin’ B’s, spellin’ bee (sheesh)
Double R, that’s a Rolls
Paint it yellow like it’s dairy
I’m talkin’ Rose like Derrick
I’m talkin’ rolls like a belly (woo)
Like a new car, I got two keys
Tryna score the bucket like a Chevy seat
Then I heard they been pullin’ all week
I’ma use ya name like who is he, you get it?
I said I’ma username like who is he
Got some gold on, leprechaun sheets
Deep sleep short for deceased
Big bezel on the Patty (woo), I’m talkin’ PADI, I mean Patek
Don’t try to take it, I got guns
I’m talkin’ guns, not pellets
I watch the game from the floor (floor seats)
I’m talkin’ wood, first mattress
I’m talkin’ wood, pants down
I’m talkin’ woods like them clowns (you get it?)
I got my mink off a monkey
I’m talkin’ monkey like Jumanjib (hrr)
All your diamonds partly sunny
I’m talkin’ sunny like D, Sunny (Sunny Delight)
My diamonds wet, it cost me money
I’m talkin’ wet like it’s runnin’ (sink)
I’m talkin’ wet like Katrina (New Orleans)
I’m talkin’ wet like Dasani, huh

And I’m convinced
I made sacrifices, I been ballin’ ever since
We seein’ so many blessin’s, shit don’t make no sense
Someone watchin’ over us, so shout goes out to him
Yeah, I’m convinced
I made sacrifices, I been ballin’ ever since
Yeah, I did some wrong, I had no choice in my defense
Someone watchin’ over us, so shout goes out to

Full Lyrics

In the mosaic of Drake’s music, ‘Sacrifices’ stands out as a textured narrative swept in the themes of success, hardship, and spiritual acknowledgment. Drake, alongside featured artists 2 Chainz and Young Thug, flits between braggadocio and introspection, crafting an anthem for the toll that ambition exacts from its pursuer.

Yet, as with many of Drake’s tracks, ‘Sacrifices’ skims past the facade of luxury to dive into deeper waters, exploring the duality of success and the inherent costs involved. The rap verses become confessionals, revealing the weight that comes with the crown.

The Paradox of Prosperity: Dissecting ‘Sacrifices’

The track’s refrain, ‘I made sacrifices, I been ballin’ ever since,’ echoes as a mantra throughout the song, serving as a reminder that victories are often accompanied by losses. Drake and his counterparts weave a tale of the hustle required to reach the upper echelon, a hustle that’s not without losses – of time, relationships, and innocence.

In Drake’s verse alone, there is a juxtaposition of the glamor—parties with Kendall Jenner and exotic license plates—with the isolation and the missed connections signified by plates in California but a heart and presence that are nowhere to be found.

A Glimpse Behind the Curtain: Unveiling the Hidden Meaning

Drake, playing the role of a soothsayer, warns of the perils that accompany the spotlight, ‘So be careful what you think, think about what you gon’ say.’ Here, he underscores the careful choreography of fame—where a single misstep can cascade into tabloid fodder or a fall from grace.

Moreover, the song illuminates the relentless pace demanded by success (‘It’s a marathon, not a sprint, but I still gotta win the race’), a pace that does not permit the weary to rest. Despite the strain, the spiritual undertones suggest a higher power at play, ‘Someone watchin’ over us,’ implying that this pursuit is not simply worldly but also divinely observed.

The Crossroads of Choices: Deciphering the Moral Quandaries

The artists confess to past transgressions (‘Yeah, I did some wrong, I had no choice in my defense’) indicating a complexity to their ascent that goes beyond hard work and talent—it’s also about the choices one makes when cornered by circumstance. It’s here, within these gray areas, that the idea of sacrifice takes on its full form.

Their admissions of guilt and justifications beg the question of whether their sacrifices were noble or necessary evils. Perhaps, Drake suggests, it is a mix of both that composes the patchwork of a star’s ascension.

The Cadence of Culture: Nods to Contemporary Influencers

Drake and his fellow rappers pepper the track with cultural references (‘Big dog from the 6,’ ‘Drench God with the 6 God,’ ‘Trap jumpin’ like the Carter’), anchoring their stories within the rich tapestry of hip-hop culture and modern-day icons.

These lines not only serve as memorable catchphrases but also as testament to their own influence, asserting their roles as architects and products of the era they inhabit.

Legacy in Lyrics: The Memorability of Drake’s Lines

Throughout ‘Sacrifices,’ Drake delivers lines that both ignite the imagination and offer a stark portrait of his world view (‘Like a kiss from a rose, I could be the one to seal your whole fate’). His wordplay—dexterous and dense with metaphor—spurs listeners to decode his insights about fate, mortality, and the roles we play in each other’s lives.

His knack for crafting phrases that resonate on multiple levels—be it emotional, intellectual, or purely aesthetic—ensures that ‘Sacrifices’ imprints itself upon the psyche, prompting a repeated return to the complexities beneath its surface.

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