120 – Decoding the Rush of Desire and The Pursuit of the Forbidden

You can view the lyrics, alternate interprations and sheet music for Bad Bunny's 120 at Lyrics.org.
Article Contents:
  1. Music Video
  2. Lyrics
  3. Song Meaning
  4. The Allure of The Forbidden: Behind the Serpent Imagery
  5. Speed as a Metaphor: The Intensity of Passion
  6. A Glimpse into Opulence and Lifestyle
  7. Exposed Vulnerability: A Romance Without Claims of Love?
  8. ‘120’: A Kaleidoscope of Love in The Fast Lane


Ey, ey

Por ti me monto en el carro y meto ciento veinte
Si me dice’ qué quiere’ de frente
Me está’ tentando, tú ere’ una serpiente
Psíquica, te metiste en mi mente (eh, eh)
Por ti me voy en contra de la corriente (ah)
No te quite’ la ropa sin ponerme los lente’ (eh, eh)
Que quiero verte bien (quiero verte bien), ey
Que quiero darte bien (que quiero darte bien), ey (ey, eh)
¿Bajarle yo? Nah, nunca se me va a ocurrir (no)
Bad Bunny en una pista e’ un Bugatti en un carril (uh-uh)
Ya salió el sol y no quiero dormir (ey)
Mueve ese culo y yo tiro cien mil (ey, ey)
Tú cumple’ en octubre, pero yo te quiero abril (ey, ey, ey)
Ven, que te voy a hacer venir (uh)
A la casa en P.R. o la de Beverly Hills (uh-uh)
Por si me llaman los Lakers pa’ dirigir (ey, ey, ey)
Porque saben que aquí siempre coronamo’ (ey, ey, ey)
Invicto’, nunca perdemo’ (ey, ey, ey)
La baby e’ piquetúa’, por eso roncamo’
En la G-Wagon siempre prendemo’ (ey, ey, ey)
Fuck you, ey, a to’ el mundo le pichamo’ (ey, ey, ey)
Porque nadie sabe lo que tenemo’ (ey, ey, ey)
Y lo rico que se siente cuando chingamo’ (ey, ey, ey)
Después a la normalidad volvemo’ sin decirno’ “te amo”

(Uh, uh, uh, uh, uh, uh-uh)
(Uh, uh, uh, uh, uh, uh-uh)

Por ti me monto en el carro y meto ciento veinte (ciento veinte, ciento veinte)
Me está’ tentando, tú ere’ una serpiente (una serpiente)
Psíquica, te metiste en mi mente (en mi mente, en mi mente)

(Uh, uh, uh, uh, uh, uh-uh)
(Uh, uh, uh, uh, uh, uh-uh)

Full Lyrics

In the world of Reggaeton, few artists have managed to arouse the intrigue and influence of Benito Antonio Martínez Ocasio, known universally as Bad Bunny. With his song ‘120’, the Puerto Rican sensation isn’t just pushing the boundaries of tempo, but he’s delving into the depths of human emotion and connection. This track becomes a conduit for exploring our most daring impulses.

On the surface, ‘120’ could be marshaled into the cohort of songs that underline the themes of lust and allure but, upon closer inspection, we decipher a narrative that is rich with psychological insight. It encapsulates the fusion of danger with desire, the psychic connection between two souls, and the intoxicating dance of a relationship that defies conventional bounds.

The Allure of The Forbidden: Behind the Serpent Imagery

When Bad Bunny speaks of a partner as a ‘serpiente’ (serpent), he’s dipping into an ancient well of symbolism. The serpent, often associated with temptation and the forbidden, represents a magnetic, dangerous attraction. It hearkens to the mythological and biblical, where the serpent is a cunning creature that lures one towards the taboo.

Yet, in the context of ‘120’, the serpent is also psychic; it resides in the mind, showcasing a mental and emotional entanglement that transcends the physical. It’s a testament to an allure that is not just surface-level seduction but a deeper, more cerebral connection.

Speed as a Metaphor: The Intensity of Passion

Pushing the ‘carro’ to ‘ciento veinte’ (120) isn’t just about physical speed—it’s a robust metaphor for the intensity and urgency of desire. Bad Bunny captures the idea of accelerating towards someone with an ardor that defies the limits, suggesting a passion that demands quick, immediate satiation.

This illustration of speed aligns with the modern pace of relationships, where things move quickly and often burn bright and fast. It’s a reflection of a generation that values the depth of experience over the longevity, daring to push the limits of how rapidly one can fall into, and out of, lust.

A Glimpse into Opulence and Lifestyle

References to material wealth and luxury are not new in the sphere of reggaeton, but in ‘120’, they serve a dual purpose. Mentioning Beverly Hills, Lakers, and ‘G-Wagon’ is a commentary on status and the kind of life that Bad Bunny has access to, which could be a part of the allure.

However, these mentions aren’t just braggadocio. They are indicative of the options and avenues that success opens up, and how those elements add to the complexity of relationships. Even in the lap of luxury, there is an understanding of the ephemeral nature of both success and romantic involvement.

Exposed Vulnerability: A Romance Without Claims of Love?

Perhaps the most emotionally charged aspect of ‘120’ is the fleeting nature of the connection described. Bad Bunny sings of a fiery, physical romance but notably excludes declarations of love. It’s a portrayal of modern liaisons where the terms of engagement are physical pleasure and the thrill of the chase, rather than romantic love.

By highlighting this, Bad Bunny is making a poignant statement about the changing landscape of romantic encounters. The absence of ‘te amo’ (I love you) at the pinnacle of connection speaks to a societal shift towards compartmentalization of love and pleasure.

‘120’: A Kaleidoscope of Love in The Fast Lane

The track ‘120’ thus becomes a lyrical labyrinth, a reflection of the multifaceted nature of (non)relationships. Each verse adds color and complexity to a story of desire, impulse, and the thrill of the unknown. As much as it is about the adrenaline of forbidden attraction, it’s also about the search for something that might be indescribable or indefinable.

Through ‘120’, Bad Bunny manages to encapsulate an entire spectrum of emotions tied to modern love – or the current zeitgeist of what passes for it. The track, quite metaphorically, speeds through the stages of desire, confrontation, indulgence, and the eventual, inevitable deceleration to normality, creating a track that resonates with anyone who’s ever felt love’s urgent call.

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