Landed by Drake Lyrics Deconstructed – The Art of Effortless Triumph in Hip-Hop
Lyrics
If I gotta land, I’ma stick it
Baby, let it go and you gon’ miss it
Wrote this with a Cartier pen, do I sound different? Yeah, yeah
Overseas and back, I was round-trippin’
I’ve been, uh, I’ve been, what?
I’ve been pop, whippin’, wrist is on another rhythm
I was not kiddin’, don’t know why they playin’ with him
I was not finna let them get no top billin’
Man, they really tried to take this shit and run with it
And I bought my dawg a Rollie ’cause he rolled with it, yeah
And I bought that girl a shovel ’cause she gold-diggin’, yeah
If he talkin’ out his head, then it’s off with it, yeah
Boardin’ Air Drake, then we takin’ off in it, yeah
And if I gotta land, I’ma stick it, ayy, yeah
Baby, let it go and you gon’ miss it
Wrote this with a Cartier pen, do I sound different?
Yeah, you always said I changed, I’m just now switchin’
Ayy, ayy, what?
Ayy, ayy, I done dosed off
I done got a different number ’cause I’m closed off
Used to hit the bitch and now she wanna, huh
Now she wanna call me
Like she doesn’t know that phone’s off, uh, what?
I just met her friend and now her clothes off, yeah
Drop around whoever, bet it goes off, yeah
Patek doin’ backflips, showin’ off
Yeah, and if I gotta land, I’ma stick it
Baby, let it go and you gon’ miss it
Wrote this with a Cartier pen, do I sound different? Yeah, yeah
Overseas and back, I was round-trippin’
I’ve been, uh, I’ve been, what?
I’ve been pop, whippin,’ wrist is on another rhythm
He been block-switchin’, don’t know how you ride with him
Got a supermodel, wanna be a down missus
All my niggas, they be on them out-of-town missions
Wasn’t hearin’ me before, okay, but now listen
Pushin’ five Cadillacs like a politician
I be in and out arenas like I’m Scottie Pippen
Yeah, pop, whippin’, wrist is goin’ thirty with it, ooh, yeah
Put the beat in front of me, I’m dirtyin’ it, yeah, what?
Do this shit for real, you niggas dabble in it, yeah
Say you need a minute, I don’t have a minute, uh, yeah
And if I gotta land, I’ma
Stick that motherfucker at the Clearport and park that
In the realm of hip-hop, few artists manage to capture the zeitgeist with the same precision and bravado as Drake. With his track ‘Landed,’ the Toronto-native continues his legacy of weaving intricate narratives that delve deep into the tapestry of success, loyalty, and the often-understated complexities of personal growth.
Through a seamless blend of sharp wit, luxurious imagery, and braggadocio, ‘Landed’ serves as an auditory manifesto of Drake’s continuous ascension. Yet, beneath the surface of the track’s seemingly straightforward celebration of success, lies a multifaceted exploration of the motifs that have come to define Drake’s era in music.
The Allure of Accomplishment – More than Just Bragging Rights
Drake’s “Landed” isn’t just a laundry list of achievements; it’s a textured narrative on the intricate relationship between success and identity. As he touches down, figuratively and literally, each verse becomes a testament to the relentless pursuit that underscores his career. The boast of sticking a landing—a nod to precision and skill—is as much about navigating life’s machinations as it is about flaunting triumphs.
The Cartier pen reference isn’t mere gloating on material wealth; it signifies the evolution of Drake’s craft, suggesting a maturation and unique change in his artistic expression. It’s the mark of an artist who is aware of his influence and is deliberate in the strokes he paints across the canvas of the hip-hop landscape.
Wrist Movements and Rhythm – Beats Beyond Music
Drake’s linguistic prowess shines as he rhythmically aligns his life’s cadence with his music’s beats. The line ‘pop, whippin’, wrist is on another rhythm’ isn’t solely a braggadocio about his success or a nod to the manufacture of drugs; it doubles as a metaphor for his creative process. Each ‘whip’ of the wrist carries the weight of his experiences, and every moment becomes a beat in the symphony of his career.
As he acknowledges, he is not kidding with his ambition nor his reach, never allowing others to take top billing in the story he authors. Whether it’s literal or metaphorical flights on Air Drake, each movement is orchestrated carefully, a well-planned cadence to ensure the beat goes on.
Decoding Luxe Lifestyle – The Undercurrents of Excess
Beyond the glamour, there exists a cutting commentary in ‘Landed.’ Gifting a Rolex to a loyal friend is more than extravagance; it’s a testament to loyalty and reciprocity. Similarly, the mention of a gold-digging companion with a shovel in hand isn’t just a cynical view of romance; it’s a reflection on the solitary side of success—where intentions of others are always in question.
This unearthing of ulterior motives beneath the glittering surface illustrates Drake’s understanding of the double-edged sword that comes with a public life soaked in luxury. The lines speak to the skeptical scrutiny he employs when navigating the labyrinth of success’s social consequences.
Unforgettable One-Liners – Wordplay Woven into Memory
Drake’s lyrical craftsmanship shines with quotable quips that resonate long after the song ends. ‘Overseas and back, I was round-trippin’ and ‘used to hit the bitch and now she wanna, huh’ playfully toy with dual meanings of travel and personal relationships. The memorability comes from the delivery as much as from the wit—a hallmark of Drake’s style.
These lines do more than merely lodge themselves in the listener’s memory—they provide a narrative punctuation, moments of levity within a tale of uncompromising personal tenacity. Drake’s ability to blend the playful with the profound is what marks ‘Landed’ as an earworm with a message.
The Subliminal Depths – The Hidden Meanings Within ‘Landed’
Scratching below the surface reveals ‘Landed’ as a ruminative piece on the nature of change and perception. ‘Yeah, you always said I changed, I’m just now switchin’’—this line underscores the duality of personal growth against public perception. Drake alludes to a transition that’s been in the works, an evolution unseen by the public eye but soon to be revealed.
This acknowledgment of change serves as a preemptive strike against critics and a declaration of independence. Drake is hinting at a reinvention, a fresh approach to the game, and asserting that while he lands his mark with the public, his personal landing—his true self—remains his own to stick.
