No Long Talk by Drake Lyrics Meaning – Unraveling the Cryptic Vibes and Street Vernacular

You can view the lyrics, alternate interprations and sheet music for Drake's No Long Talk at Lyrics.org.

Lyrics

(Wheel it!, Six!)
Yeah
Yeah
(Murda on tha beat so it’s not nice)

That’s Baka, he’s a no-long-talker
Quick to let the motherfuckin’ TEC slam
We don’t need to hear about a next man
Yutes talk down, then they get ran
Left dem, get dipped from the whole ends
If Gilla call shots, no questions
G-way ’til I’m restin’
But we still got love for the West End
If it’s a chit-chat ting, better talk nice
Murda on the beat so it’s not nice
Skull gets hot, then I’m not nice
You tryna date her and she been let me wop twice
Now you man are on a diss ting
Just know man like Chubbs
He’s a fixer if I ever gotta fix tings
Just know man like Fif, he’s a sickaz
You get tanned, he don’t miss tings
Just know man like me, I’m a Sixer
And I oversee the whole thing
Yeah, I pree the whole thing (SN1)
Yeah, I pree the whole thing
Preme got the err tucked, can’t see the whole thing
Niggas wanna talk splits, nah we need the whole thing

Man gets duppy when we touch a button
Man catch suckers, then we’re touchin’ somethin’ (yeah)
Man get stuck in, yeah we’re stuck in somethin’ (yeah)
Man gets wrappin’ when we’re suckin’ somethin’ (straight)
Man gets battered with the crutch or somethin’ (battered)
Man bat bat it, then we buck or somethin’ (buck-bucker)
If man child play it, then we Chucky somethin’ (straight)
If man start throwin’, then we’re chuckin’ somethin’ (mmh)
I’m on the best side, got the TEC lined
In the whip, on the left side, on a death ride
Mac-10 and the spesh flies, and the TEC slide
Nutty shit like somethin’ just climbed out the X-Files (whoa)
Textbook, like it’s old school
Like in textiles
Lighty lookin’ healthy
And she gets smiles
Home time, grab a quick drink
And she gets wild
Sexy, and I rate that
And her sex style
(Switch it) fuckin’ somethin’
Yeah nigga, fuckin’ somethin’ (fuckin’ somethin’)
Back bent, pussy, I’ll fuck her somethin’ (yeah)
Cognac, better grab a cup of somethin’ (cup of somethin’)
Glue pussy like a nigga stuck or somethin’
Stuck or somethin’, like a nigga stuck or somethin’ (stuck or somethin’)
Saw the monster, it’s like a truck or somethin’ (jheeze)
Spread the pussy out, I’m ’bout to butter somethin’ (yeah)
Man gone Hollywood, it’s like I’m Buck or somethin’ (Buck)

Yeah, you dun know, it’s Hollowman Giggs
Right now, just here with the big man Drizzy, you get me?
More Life flex, you dun know
Ovo and SN1 to the world, brap

Drake, the chart-topping maestro has never been one to shy away from the fusion of braggadocio with minimalist beats, and ‘No Long Talk’ from his 2017 mixtape ‘More Life’ stands as a testament to this blend. Featuring the unmistakable grime of the UK’s Hollowman Giggs, the track is a bass-heavy, sharp-edged anthem that delves into themes of loyalty, street credibility, and the uncompromising aspects of fame.

Through the symbiosis of Drake’s penned verses and Murda Beatz’s production, ‘No Long Talk’ captures the essence of two worlds colliding—Toronto’s cold charm alongside London’s gritty scene. But behind the aggressive delivery and the ostensible show of strength, lies a rich tapestry of meaning that calls for a closer examination. Let’s dissect the layers of ‘No Long Talk’ and unearth the hidden messages stitched within the threads of its lyrics.

Breaking Down Baka – No Mere Name-Drop

When Drake opens with ‘That’s Baka, he’s a no-long-talker,’ it’s not just an arbitrary shout-out. Rather, it’s a deep-seated nod to a loyal associate turned OVO Sound partner, solidifying ties that transcend music. The phrase ‘no-long-talker’ is charged with implications—streamlined action over idle chatter, which prefaces the song’s larger commentary on maintaining authenticity and the immediacy of real-world consequences.

Baka’s reputed quickness to ‘let the motherfuckin’ TEC slam’ juxtaposes the sensitive, contemplative Drake showcased in other tracks, reminding listeners of the dualities he encapsulates. This line effectively sets the no-nonsense tone of the song, illustrating a narrative ripe with street ethos and an adherence to a code of silence and action.

The Verse Verse: Dissecting Drake’s Tightrope Walk Between Confidence and Vulnerability

Drake’s assertive lyrics ‘Yutes talk down, then they get ran’ conflate his authoritative position in the rap game with an underpinning of youthful arrogance. The colloquial ‘yutes’—a Caribbean patois term adopted in Toronto vernacular—meshes with the harsh realities of street politics and music industry skirmishes, narrating both an origin story and a cautionary tale.

The juxtaposition in ‘You tryna date her and she been let me wop twice’ exhibits Drake’s complex relationship with fame and intimacy. This line, redolent of bravado, alludes to the private triumphs and public personas intertwined with the complications of romantic endeavors in the limelight. It reveals an artist grappling with the intimacy that is allowed to unfold behind closed doors versus the scrutiny of the public eye.

The Value of Brotherhood – No Man Is an Island in Drake’s Entourage

Drake introduces his inner circle with reverence—’Just know man like Chubbs / He’s a fixer if I ever gotta fix tings.’ Each mention is a testament to the tightly-knit fabric of his team, emphasizing reciprocity and unity. ‘Man like Fif,’ a fallen friend, is immortalized through Drake’s words, ensuring that every contribution to his journey is acknowledged, and legacy prevails over transience.

This homage illustrates the lifelines that keep the artist grounded amidst the turmoil of fame. ‘If man child play it, then we Chucky somethin’ encapsulates both a sense of playfulness and an ominous warning, hinting at the seriousness with which Drake views the loyalty and commitment of his close associates. It reinforces the principle that for Drake and his entourage, brotherhood is both shield and sustenance.

Penetrating the Undercurrents: The Hidden Meaning Behind the Brazen

Beyond the surface, ‘No Long Talk’ resonates with an undertone of inevitability and control. ‘Yeah, I pree the whole thing’ encapsulates Drake’s omniscient view over his empire and the understanding that his oversight is far-reaching. This hegemonic assertion masks an underlying tension—the knowledge that surveillance is necessary in a world rife with jealousy and competition.

‘Man gets duppy when we touch a button’ operates on a double entendre that ties technology to power and consequence. The act of ‘touching a button’ connotes efficiency and precision; an effortless motion triggering significant impact. It’s here where a conflation of the modern digital world meets the street lexicon of violence and repercussion, offering a nuanced perspective on the intersection of technology and personal agency.

Echoes of Self-Reflection in the Midst of Chaos

‘Man gone Hollywood, it’s like I’m Buck or somethin” touches on the transformative effects of fame and Drake’s self-awareness of this metamorphosis. While Hollywood symbolizes the zenith of stardom and success, the reference to ‘Buck’—potentially an allusion to Young Buck or the act of becoming wild and untamed—reflects an internal conflict between fame-induced change and core authenticity.

The song, then, is as much a display of prowess and assertion of dominance as it is a canvas for Drake’s introspective exploration. Each barbed line and slip into patois isn’t merely for style—it’s a strategic delivery of his multiplicity, a narrative concealing as much as it reveals. ‘No Long Talk’ is an artful dance between visibility and the shrouded, between the bravado of Drake’s persona and the vulnerability of Aubrey Graham.